Cannes Day 4: Harrison Ford and Indiana Jones Return for Palais Glory

Todd Spangler NY Digital Editor If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Disney+ is now streaming the first four Indiana Jones movies, starring Harrison Ford as the legendary snake-hating archeologist action hero. The media company is looking to whip up interest in the theatrical release of the franchise’s fifth and final installment, “Indiana Jones and the Dial of Destiny.” Starting May 31, Disney+ subscribers can stream “Raiders of the Lost Ark,” “Indiana Jones and the Temple of Doom,” “Indiana Jones and the Last Crusade” and “Indiana Jones and the Kingdom of the Crystal Skull,” as well as the TV series “The Adventures of Young Indiana Jones.” The upcoming “Indiana Jones and the Dial of Destiny,” which premiered at the Cannes Film Festival this month, opens exclusively in theaters June 30; Disney hasn’t announced a premiere date for the film on Disney+.

John Bleasdale Guest Contributor At the Cannes Film Festival, Italy’s 102 Distribution is selling thriller “Light Falls,” directed by Phedon Papamichael, the cinematographer on James Mangold’s “Indiana Jones and the Dial of Destiny.” Papamichael, who was Oscar nominated for handling the cinematography on Alexander Payne’s “Nebraska” and Aaron Sorkin’s “The Trial of the Chicago 7,” talks to Variety about shooting “Light Falls.” The film tells the story of Clara, played by Elene Makharashvili, and Ella, played by Nini Nebieridze, two young lovers whose Greek island holiday spirals out of control when a tragic incident leads to an encounter with a trio of illegal Albanian immigrants. The thriller establishes the relationship of the young women before moving in a darker and more violent direction.

It’s not the years, it’s the mileage! Harrison Ford defended the de-aging technology used on him during a flashback sequence in his new film, Indiana Jones and the Dial of Destiny.   

Harrison Ford is defending the de-aging process he underwent for a flashback sequence in Indiana Jones and the Dial of Destiny. The fifth installment of the James Mangold-directed film premiered at the Cannes Film Festival where the star got a five-minute standing ovation.

That Harrison Ford sure has some stamina for someone in their 81st year.

Rebecca Rubin Film and Media Reporter Cate Blanchett kicked off her stilettos on Friday night as she took the stage a Cannes Film Festival party hosted by Variety and the Golden Globes. Because this is Cannes, where women are mandated to wear heels on the red carpet, shoes have become a political symbol on the French Riviera. And indeed, in this case, Blanchett went barefoot to make a statement — to stand in solidarity with the women of Iran. The A-list actor, on hand to present “Holy Spider” star Zahra Amir Ebrahim with a breakthrough artists award, grabbed the trophy and joked, “This is to stab everyone who stands in the way of women’s rights. Up the vajayjay!” In her remarks, an emotional Ebrahimi called attention to her home country, which is “executing innocent people.” She said, “I always thought being an actress was a paradox: serving the emotions of your own and being a flag or mirror or light. This award celebrates this paradox.”

Harrison Ford is aging like a fine wine. And a sturdy bottle of wine, at that, according to a reporter who couldn't help herself during a news conference at the 76th annual Cannes Film Festival.Flanked by director James Mangold and actor Mads Mikkelsen as they promoted , Ford took a question from a female reporter who first complimented the actor for his good looks in video posted by.

Harrison Ford showed off the honorary award he received at the 2023 Cannes Film Festival while attending a photocall for his new movie Indiana Jones and the Dial of Destiny on Friday (May 19) in Cannes, France.

Harrison Ford looked emotional as he received a five-minute standing ovation at this year’s Cannes Film Festival on Thursday.

What a night it was for Harrison Ford yesterday, receiving an honorary Palme d’Or and a special tribute to his career before the world premiere of “Indiana Jones And The Dial Of Destiny.” Did James Mangold‘s take on the legendary franchise live up to the proceedings? Well, the reviews from the premiere (including The Playlist’s) are pretty mixed. But many note Ford’s performance as a major highlight, so at least the actor gives his most popular movie character a proper send-off.

Harrison Ford said he actually didn’t need to prepare for his latest role in the last Indiana Jones movie.

Harrison Ford was moved to the verge of tears while receiving a lifetime achievement award at this year’s Cannes Film Festival.The 80-year-old actor was attending the prestigious ceremony in celebration of his latest film, Indiana Jones And The Dial Of Destiny – the fifth and final instalment of the adventure franchise.It was here that he was awarded the honorary Palme d’Or award for lifetime achievement, and greeted with thunderous applause as he arrived. Taking place last night (May 18), the acting veteran was also shown a compilation of some of the biggest performances from across his career, and seen getting visibly emotional by the footage.“They say when you’re about to die, you see your life flash before your eyes,” Ford said.

Asked about the WGA strike at the Cannes Film Festival press conference Friday for Indiana Jones and the Dial of Destiny, director James Mangold said, “No movie happens without a great script, and no great script happens without writers.”

Indiana Jones And The Dial Of Destiny has received mixed reviews from critics, with some hailing it as delivering a “sweet blast of pure nostalgia”, while others have declared it to be a “complete waste of time”.The latest offering marks the fifth and final instalment of the Indiana Jones franchise, and sees acting legend Harrison Ford return to the role of the daring adventurer at the age of 80.With the first part of the movie being set in 1944, Dial Of Destiny kicks off with the whip-cracking archaeologist looking to retrieve one half of the Antikythera – an ancient dial built by Archimedes – from a Nazi scientist (played by Mads Mikkelsen). The remainder of the film ventures forward to 1969, where Jones partners up with his goddaughter Helena (Phoebe Waller-Bridge) to locate and retrieve the other half, and potentially alter the course of history.Over four decades since the original Raiders Of The Lost Ark film hit the silver screen, the latest instalment is the first of the sequels not to be directed by Steven Spielberg – with James Mangold now taking the reins.

In “Indiana Jones and the Dial of Destiny,” the sturdy lark, positioned precariously in the liminal space between commerce and taste, there are the familiar callbacks, the big set pieces, the cracking bullwhip, dashing fedoras, nefarious Nazis, exotic locales, old friends and new faces. Something, however, is missing.

Rebecca Rubin Film and Media Reporter “Indiana Jones and the Dial of Destiny” stars Harrison Ford in his final performance as the swashbuckling fedora-wearing adventurer, a legendary role he’s played in five films across 40 years. But he says he is officially ready to retire the character. “Is it not evident?” the 80-year-old actor joked at the Cannes Film Festival on Friday’s press conference for the action-adventure. “I need to sit down and rest a little bit.” In returning to the character for one last time, Ford expressed a desire to see “a completion of the five films.” He added, “I wanted to see the weight of life on him. I wanted to see him require reinvention. I wanted him to have a relationship that wasn’t a flirty movie relationship.

first reactions on social media were more positive. Per usual for Cannes premieres it did receive ovations, but they were reserved for Harrison Ford himself rather than the James Mangold-directed film.

The first reactions from critics for Indiana Jones and the Dial of Destiny have been revealed following the film’s world premiere at the 2023 Cannes Film Festival!

It was a great night for Disney as Indiana Jones And The Dial Of Destiny had a smash debut in its World Premiere Thursday evening at the Cannes Film Festival where the June 30th release received a warm 5 minute standing ovation, especially for Harrison Ford in his swan song in the title role he started playing 40 + years ago. There noticeably to witness the French love and affection was none other than Disney boss Bob Iger attending his first-ever Cannes Festival (believe it or not) and even taking his own photos during the ovation for the movie. At the Carlton Beach after party I told him Deadline had just been the first to post its review, a rave (from our colleague Stephanie Bunbury) and you could see the absolute relief on his face. “You have made me very happy to hear that, ” he told me, and he meant it. All this came on the same day Disney took another shot at Florida Governor Ron DeSantis by announcing the cancellation of a plan to move several thousand California employees to Florida. The Cannes respite must have been nice.

Owen Gleiberman Chief Film Critic “Indiana Jones and the Dial of Destiny” is a dutifully eager but ultimately rather joyless piece of nostalgic hokum. It’s the fifth installment in the “Indiana Jones” franchise, and though it has its quota of “relentless” action, it rarely tries to match (let alone top) the ingeniously staged kinetic bravura of “Raiders of the Lost Ark.” How could it? “Raiders,” whatever one thinks of it as a movie (I always found it a trace impersonal in its ’40s-action-serial-on-steroids excitement), is arguably the most influential blockbuster of the last 45 years, even more so than “Star Wars.” Back in 1977, George Lucas took us through the looking glass of what would become our all-fantasy-all-the-time movie culture. But it was Steven Spielberg, teaming up with Lucas in “Raiders,” who introduced the structural DNA of the one-thing-after-another, action-movie-as-endless-set-piece escapist machine. This means that “Indiana Jones and the Dial of Destiny” isn’t just coming after four previous “Indiana Jones” films. It’s coming after four decades of high-priced Hollywood action decadence, from the “Fast and Furious” series to the “Mission: Impossible” and “Terminator” and “Lara Croft” and “Transformers” and latter-day “Bond” films (not to mention the Marvel space operas), all of which owe a boundless debt to the aggro zap of the “Raiders” aesthetic.