Cannes Comes Back to Life With 5-Minute Standing Ovation for Gory French Zombie Movie ‘Final Cut (Coupez!)’

s’il vous plaît!Over at the French film festival on the Cote d’Azur, which wraps up this weekend, it’s long been popular to give comical and undeserved standing ovations to just about anything that could be feasibly called a film. Next year the Claudes and Claudettes will be hopping to their feet for a dancing toad on TikTok (more deserving, honestly, than Lars von Trier.)The trade publications time these performative participation prizes like they’re Olympic runners.

Broker, starring singer-actress IU, was given a 12-minute standing ovation at the 2022 Cannes Film Festival.Broker, the first-ever Korean-language film by Japanese filmmaker Hirokazu Kore-eda, recently premiered at the 2022 Cannes Film Festival on May 27. Once the screening had concluded, the fil received a 12-minute-long standing ovation from those in-attendance, according to a report from Korean news outlet Edaily.The publication also claimed that the standing ovation began with Cannes Film Festival’s executive director, Thierry Frémaux.

The audience at the Cannes Film Festival was trembling for Austin Butler as the King in Baz Luhrmann’s world premiere of "Elvis." The film received an uproarious 12-minute standing ovation, the longest of this year’s festival so far. As the cheers went on and on, a teary-eyed Butler hugged an equally-emotional Priscilla Presley, who flew to the South of France to give her blessing for the movie about her late husband. The Warner Bros.

The new film about Elvis Presley is sitting very well with his family.

Cannes Film Festival was trembling for Austin Butler as the King in Baz Luhrmann’s world premiere of “Elvis.”The film received an uproarious 12-minute standing ovation, the longest of this year’s festival so far.As the the cheers went on and on, a teary-eyed Butler hugged an equally-emotional Priscilla Presley, who flew to the South of France to give her blessing for the movie about her late husband.The Warner Bros. musical drama had Cannes spontaneously erupting into applause as Butler recreated some of Presley’s greatest hits including “Jailhouse Rock,” “Blue Suede Shoes” and “Suspicious Minds.”“Elvis” is one of the biggest titles to screen at Cannes, with a star-studded carpet that included Sharon Stone, Shakira, Kylie Minogue, Diplo and Jeremy O. Harris.

Refresh for latest… Baz Luhrmann’s Elvis strutted its way up the Cannes Film Festival red carpet this evening for the film’s world premiere which was greeted by explosive applause inside the Palais.

Patrick Frater Asia Bureau ChiefGuillermo del Toro and Thierry Fremaux on Wednesday resumed their colloquium on the future of cinema with leading filmmakers. The discussion shifted from anxiety about technology and streaming to the need for diversity and creativity.After the complete absence of women on Tuesday, the Wednesday session rectified that with the inclusion of France’s Rebecca Zlotowski and the U.K.’s Lynne Ramsay.Zlotowski quickly got into impact of the economics on film making. “You need a lot of money to represent your ideas [through cinema].

In part deux today of the Cannes Film Festival symposium on cinema, three female filmmakers were represented in You Were Never Really Here‘s Lynne Ramsay and Grand Central‘s Rebecca Zlotowski and French actress/director/scribe Agnes Jaoui, unlike yesterday when it was all men. The festival on social media took a licking for being tone deaf in the wake of yesterday’s panel.

There’s a lot of weird fetishes in this world, which we won’t go into, but for David Cronenberg’s Crimes of the Future, the new sex is surgery.

David Cronenberg’s “Crimes of the Future,” characters can feel no pain. Unfortunately, the same wasn’t true for the dozens of attendees at the Cannes premiere of the drama that walked out midway through the film, unable to stomach just exactly what was happening onscreen.The movie also earned a seven-minute standing ovation, suggesting that it could be the most polarizing title to debut at this year’s Cannes.The film reunites Cronenberg with Viggo Mortensen (“A History of Violence,” “Eastern Promises”) and also stars Cannes darlings Kristen Stewart and Lea Seydoux.

Viola Davis brought guests at Kering’s annual Women in Motion dinner in Cannes to their feet on Sunday with a rousing speech acknowledging her roots and personal journey to Hollywood.“As much as I love Alexander McQueen — and I love Alexander McQueen — and the fabulous makeup,” said Davis, “I am always, always so moved when people tell me my work or my life meant something to them. But just know who I am at the end of the day is: I don’t want to leave something for people — I want to leave something in people.”Davis was speaking on stage at Kering’s annual dinner at the Cannes Film Festival, where she was the night’s honoree.

Christopher Vourlias Russia may have been cut off from much of the international film community, but here at Cannes, members of the country’s media business are quietly trying to line up deals.Nearly three months into the war in Ukraine, the leadership of the film festival has spent its opening week fielding questions about its stance on Russia. Festival chief Thierry Frémaux, for instance, was grilled over the inclusion of competition title “Tchaikovsky’s Wife,” a movie with financial ties to Russian oligarch Roman Abramovich.

Zack Sharf SPOILER ALERT: Minor plot points for Ruben Östlund’s “Triangle of Sadness” are discussed below.Cannes attendees waiting for David Cronenberg’s “Crimes of the Future” to give the festival a stomach-churning shock got an electrifying surprise with the world premiere of Ruben Östlund’s latest social satire, “Triangle of Sadness.” The movie earned an uproarious eight-minute standing ovation after a lively screening that found the audience at Cannes’ Palais theater shrieking in horror and delight.“Triangle of Sadness” stars “Beach Rats” and “The Kingsman” actor Harris Dickinson as an aspiring model who gets the chance to vacation aboard a luxury yacht after his influencer girlfriend wins them a free trip. Woody Harrelson plays the yacht’s alcoholic captain.

Zack Sharf George Miller electrified the Cannes Film Festival with “Three Thousand Years of Longing,” his first directorial effort since “Mad Max: Fury Road.” Miller’s latest, starring Tilda Swinton and Idris Elba, earned a six-minute standing ovation after its world premiere at Cannes’ Palais theater.A love letter to storytelling and its tropes and parables passed down through history, “Three Thousand Years” follows a solitary academic (Swinton) and a burdened genie (Elba) she finds in a bottle in the markets of Istanbul. His history unfolds in the stories of those who had found him before.While his memories were relayed in dazzling ancient locations with heavy special effects, half of the film is spent in a hotel room (the same that Agatha Christie lived in when she wrote “Murder on the Orient Express,” a bellhop tells Swinton).

Anne Hathaway is looking incredible on the Cannes red carpet!

Tom Cruise mania descended Wednesday in Cannes where the actor made a whirlwind appearance at the film festival, walking the red carpet, receiving a surprise Palme d’Or and watching a squadron of French fighter jets fly over the European premiere of “Top Gun: Maverick.”

cast landed on the red carpet in style at the 75th Annual Cannes Film Festival on Wednesday. The spectacle began with the celebrated arrival of superstar Tom Cruise, who greeted cheering fans at the Palais before walking down the red carpet with co-star Jennifer Connelly. Cruise and Connelly were also joined by fellow co-stars Jon Hamm, Miles Teller, Glen Powell and Jay Ellis. The cast's arrival was made even more memorable when an eight-jet flyover released smoke in the colors of the French flag over the event.

CANNES, France -- Tom Cruise mania descended Wednesday in Cannes where the actor made a whirlwind appearance at the French film festival to screen “Top Gun: Maverick," exalt the big screen and sit for a rare interview.Cruise brought a palpable buzz to the Croisette, where throngs gathered around the Palais des Festivals to get a glimpse of the 59-year-old star. Cruise hadn't been to the festival in three decades.

Ever since Michel Hazanavicius’ Oscar-winning tribute to silent cinema “The Artist,” the French filmmaker has continued to focus his work on the process of filmmaking itself, for better and, mostly, for worse. After “Redoutable,” centered on the relationship between Jean-Luc Godard and Anne Wiazemsky during the filming of “La Chinoise,” he again explored la magie du cinéma in “The Lost Prince,” where Omar Sy (the biggest star on French Netflix and, maybe, in French cinema tout court) saw the rich fantasy film-set world he had created for his daughter begin to crumble as she started to outgrow his fairytales.