BTS’ label says it will crack down on “counterfeit” merchandise at Busan ‘Yet To Come’ concert

Brooklyn Beckham has divided fans after showing off his culinary skills making a fish and chips sandwich.

Director Rian Johnson confirmed that Daniel Craig’s popular Knives Out sleuth Benoit Blanc is Queer during a press conference at the London Film Festival. 

BTS have unveiled the official performance of ‘Proof’ B-side ‘Run BTS’ from their recent Busan concert.On October 15, the boyband held their ‘Yet To Come’ concert in Busan as part of the city’s World Expo 2030 bid, marking their first show in six months. At the concert, BTS also debuted the performance of ‘Run BTS’ from their June 2022 compilation album ‘Proof’.

Patrick Frater Asia Bureau Chief The free concert by K-pop sensation BTS in Busan, Korea, was viewed by upwards of 49 million people on Saturday. The free-of-charge “BTS ‘Yet to Come’ in Busan” concert was held in support of Busan’s bid to host the 2030 World Expo and represented an attempt to introduce the city and Korean culture to global audience. After a change of venue, the physical component was held at the city’s Asiad Main Stadium and attracted some 50,000 in-person guests. An additional 10,000 people in the city watched a live retransmission at the Busan Port, and a further 2,000 gathered in Haeundae, the tourist area that recently played host to the Busan International Film Festival.

BTS is hitting the stage!

Victoria Beckham would be “up for” joining the Spice Girls for a show at Glastonbury Festival, according to Emma Bunton.Appearing on Keith Lemon’s podcast ‘Back Then When’, Bunton said she had spoken to Beckham about the possibility of a reunion at Worthy Farm and that Beckham would be on board.“I dare you to tell us if you’re going to be playing Glastonbury next year,” Lemon said. To which Bunton replied: “Ah, I hope so… Can I be real? No one’s asked us.”She continued: “I read it as well this week saying, ‘Oh, we’ve asked them.

Victoria Beckham is a fashion icon. The talented designer is always showing off her incredible sense of style, even when walking down the streets of New York City, taking this as the perfect opportunity to have fun with the latest trends.The former Spice Girl was spotted wearing the most stunning glitter boots, making it the perfect ensemble with a baby blue long-sleeved dress, with an asymmetrical neckline, accessorized with minimal jewelry and big sunglasses.Victoria channeled her best Cinderella look, making a big entrance as she arrived at a building in Manhattan.

Naman Ramachandran Chorki, one of the leaders in Bangladesh’s fiercely competitive Bengali-language streaming landscape, has revealed a strong 2023 slate. The 25-strong lineup is director-driven, helmed by 25 of the leading lights of the Bangladesh industry. Mostofa Sarwar Farooki (“No Land’s Man”), leads the slate with “Ministry of Love,” details of which are under wraps at the moment. Abdullah Mohammad Saad, whose “Rehana” was at Cannes and Busan in 2021, also has an under wraps projects in the lineup. Abu Shahed Emon (“Jalal’s Story”) has thriller “Mercules” in the works for Chorki, where a woman must find out if the love of her life and father of her unborn child is a rapist.

Korean filmmaker Lee Jeong-hong’s A Wild Roomer and Shivamma, from India’s Jaishankar Aryar, were the winners of the New Currents Awards at the close of an encouragingly busy Busan International Film Festival (BIFF, October 5-14).

Rebecca Souw TITLE: Behind The Scenes For Singapore-Korea Co-Production “Ajoomma” And Its Journey Ahead Post-Busan The past few weeks have gone by in a blur for Singapore-Korean co-produced comedy film “Ajoomma.” In a short span, it had a world premiere at the 27th Busan International Film Festival, earned four Golden Horse nominations including best actress, best new director, best original screenplay and best supporting actor. And Singapore has selected the film as itOscars contender. But it took seven years to get his far. At a Busan workshop on Saturday, first-time director He Shuming, co-founder of Giraffe Pictures and the film’s executive producer Anthony Chen and co-producer Lee Joon-han discussed the how the film came to life. “Ajoomma: The Curious Case Study of a Singaporean-Korean Co-production” was presented by mylab at the Asian Contents & Film Market.

Naman Ramachandran Filmmakers in the Philippines will no longer have to pay back production grants received from Film Philippines, the organization also known as Film Development Council of the Philippines (FDCP), it was revealed at Busan’s Asian Contents & Film Market on Saturday. “The Film Philippines incentives and grants are the same, and the benefits that you can get and the percentages of cash rebate that you can get, they’re still the same. The only difference is it’s now non-recoupable funds, meaning that the beneficiary does not need to return any of the funds that they receive,” David Fabros, unit manager, special projects and external affairs at the FDCP told Variety. “It used to be otherwise. It used to be that FDCP required an equity share to be returned. But now that has been revised and removed. So now all the grants of Film Philippines incentives are non-recoupable.”

Naman Ramachandran Celebrated filmmakers Anthony Chen (“Wet Season”), Anurag Kashyap (“Dobaaraa”), Ifa Isfansyah (“Losmen Bu Broto”), Joko Anwar (“Impetigore”) and Ho Yuhang (“The Ghost Bride”) are serving as directing mentors for the ongoing Malaysian Development Lab for Fiction Feature Films (mylab) initiative at the Busan International Film Festival. The directing mentors will work with the filmmakers of mylab and participate in depth conversations and exchanges on cinema and filmmaking. An incubator program for scriptwriters, directors, producers to work on developing scripts and film projects under lectures and the guidance of regional and international experts in scriptwriting, directing, producing, distribution, and markets and festivals, mylab focuses on projects at an early stage of development, with a team of scriptwriter, director and/or producer attached, targeted at regional or international audiences. 

Patrick Frater Asia Bureau Chief Hong Kong multi-hyphenate Peter Chan Ho-sun is far too intellectual to call himself an “arms dealer,” as Sony Pictures has in casting itself as an unattached supplier to streaming platforms. But politeness and Bob Dylan references aside, Chan’s new company, Changin’ Pictures, aims to become a major independent purveyor of premium Asian TV content for the streamers. The company is using this week’s Busan International Film Festival as its launchpad and will unveil the first five series of its 20-title pan-Asian slate.  Chan’s thesis is that global audiences are hungry for Asian content but have not been able to access it easily under legacy film and TV distribution systems. With streaming making everything accessible everywhere, and audiences no longer balking at subtitles, quality Asian drama can and will travel.

Naman Ramachandran Arvind Pratap’s “Mariam,” which has post production support from the Busan International Film Festival’s Asian Cinema Fund, tackles a range of social issues in India. Millions of families from rural India move to the big cities in search of employment and “Mariam” follows one such migrant worker family. The breadwinner is Mariam, who has to look after her three daughters and also takes on an illegal surrogate pregnancy to earn for her family in Mumbai. Pratap, who previously directed the acclaimed “The Reluctant Crime,” got the idea for the film from a newspaper article detailing changes in the Surrogacy Regulation Bill by the Indian Supreme Court, where single parents were excluded from surrogacy.

Rebecca Souw Leading independent sales agency Finecut has picked up rights representation duties for “Greenhouse,” which will play this week in the Busan International Film Festival’s Vision section. The director, Lee Sol-hui previously saw her Korean Academy of Film Arts graduation short film “Anthill” play in the festival’s Wide Angle: Korean Short Form Competition. With Kim Seo-hyung (“The Villainess”) in the lead role, the film tracks the pain and suffering of a woman who suffers a psychological disorder. Also new on the company’s line up at the Asian Contents & Film Market is revenge-themed thriller “Christmas Carol,” adapted from a Korean best-selling novel of the same name. Directed by Kim Sung Soo, who also made “Save Me,” a 2010 cult series on Korean cable channel, OCN. The film has the ingredients for a fan following among K-Pop fans as it stars boyband, GOT7’s Park Jinyoung.

Patrick Frater Asia Bureau Chief Projects starring Donnie Yen and Zhang Ziyi are among the independently produced TV series to be launched on the sidelines of this week’s Busan International Film Festival. The company responsible is Changin’ Pictures, a would-be studio being hatched by Hong Kong-based film director and producer Peter Chan Ho-sun. Propelled by the growing recognition of Asian talent and the worldwide distribution potential of multinational SVOD platforms, Changin’ Pictures aims to be a powerhouse production hub suppling premium drama content to streaming players. The company has raised very substantial finance from Asian sources and aims to develop and produce series which it will pitch and license to the platforms, without recourse to the OTT companies’ production funding, greenlighting and editorial constraints.

Victoria Beckham is putting feud rumors to rest when it comes to her daughter-in-law, Nicola Peltz. The 27-year-old wife of Victoria’s eldest son, Brooklyn Beckham, attended Victoria’s Paris Fashion Week show over the weekend along with the rest of the Beckham family.

No drama here. Victoria Beckham shared several photos of daughter-in-law Nicola Peltz Beckham amid rumors that the duo are feuding.

Victoria Beckham was sure to ignore any backlash as she basked in her family's support following her Paris Fashion Week show debut. Over the weekend, the Spice Girl turned internationally renowned fashion designer showcased her spring/summer 2023 collection at the annual fashion event.