Brett Kavanaugh Doc ‘Justice’ From Doug Liman Added To Sundance; World Premiere Of SCOTUS Allegations Film Set For Friday

It’s crazy to think that boyish-looking Jonathan Tucker, known for roles in “The Virgin Suicides” (1999), “Hostage” (2005), “In the Valley of Elah” (2007), and “The Ruins” (2008), is now 40 years old. And beyond roles like “Charlie’s Angels” (2019), the perennially youthful-looking actor generally plays nice guys, introverts, and the like.

20th Digital Studio and Hulu Originals are gearing up for the SXSW World Premiere of Appendage, a horror comedy starring Hadley Robinson (Little Women, I’m Thinking of Ending Things) and featuring Kausar Mohammed (The Flash, 4400) and Emily Hampshire (Schitt’s Creek). Shot in North Carolina and New York, the film, directed and written by Anna Zlokovic, will debut exclusively at the South by Southwest Film and TV Festival in March. It will be available to stream on Hulu later this year. 

It’s challenging and/or impossible to speak about Chilean art and disassociate it from Chilean politics— the two are forever tragically intertwined, bonded together by trauma in a way that few modern countries have experienced. Because Chile suffered a collective social trauma in the 1970s, the country has never recovered and still grapples with it today.

New Line Cinema won a heated auction to win Weapons, a film it will fast track with the filmmaking team behind the horror thriller Barbarian. Zach Cregger wrote the script and will direct, and he’ll produce alongside his Barbarian producing team: Roy Lee of Vertigo and J.D. Lifshitz and Raphael Margules of BoulderLight Pictures. Vertigo’s Miri Yoon also produces.

The Sundance Institute Science-in-Film initiative with the Alfred P. Sloan Foundation named Sophie Barthes’ The Pod Generation as this year’s Feature Film Prize winner.

Maryam Keshavarz, Noora Niasari and Sierra Urich have films at Sundance this year, two narrative features and a doc, wrenching and joyful family stories of the Iranian diaspora threaded with longing, regret and rebellion. None deal with ongoing civil unrest there, but it colors the filmmakers’ work and life.  

Sundance U.S. dramatic competition jury members — including Marlee Matlin– chose to leave after the festival fell short of providing proper captioning for deaf and hearing impaired audience members during the Eccles Theatre premiere of Magazine Dreams last night.

On the opening day of the 2023 Sundance Film Festival, Doug Liman’s “Justice” was announced as a last-minute, top-secret addition to the lineup. The news raised eyebrows, not only because it would mark the documentary debut of the 57-year-old filmmaker — known for action thrillers such as “The Bourne Identity” and “Mr.

A surprise documentary unveiled at the Sundance Film Festival on Friday night revealed new sexual misconduct allegations against Supreme Court Justice Brett Kavanaugh and raised disturbing questions about whether the FBI ever actually investigated his behavior.The most heart-wrenching footage in the documentary by director Doug Liman and producer Amy Herdy involved a classmate of Kavanaugh’s at Yale. Deborah Ramirez went on camera for the first time to detail her story of being sexually harassed by Kavanaugh in front of their friends during a drunken college party in the 1980s.

Director Doug Liman says his self-funded Brett Kavanaugh documentary Justice, which premiered at Sundance Friday night, might be far from finished as new tips started pouring within a half hour of the highly-secretive project being announced on Thursday.

Sony Pictures Classics present Florian Zeller’s The Son on 554 screens, an emotional family drama that folllows the director’s 2020 Oscar-winning The Father. As with that film, The Son is adapted from Zeller’s own stage play along with Christopher Hampton. Hugh Jackman, Laura Dern, Vanessa Kirby, Zen McGrath and Anthony Hopkins star in the cautionary tale of a family struggling to reunite,

A new musical adaptation of the classic 1962 film Days of Wine and Roses will make its world premiere Off Broadway this May in an Atlantic Theater Company production starring Kelli O’Hara and Brian d’Arcy James in the roles made famous by Jack Lemmon and Lee Remick.

Director Doug Liman brings to mind his 1996 breakout “Swingers,” or his 2010s Tom Cruise vehicles like 2014 “The Edge Of Tomorrow.” Or maybe his upcoming “Road House” remake with Jake Gyllenhaal for Prime Video. So, consider this news from the Sundance Film Festival a serious curveball.

“I prefer to speak through my movies,” Ryan Coogler told a well-heeled crowd tonight at the late night A Taste of Sundance dinner.

Following in the slipstream of Shudder’s surprise hit Skinamarink, Laura Moss’ birth/rebirth is a similarly non-conforming horror, this time one that prioritizes its intriguing but somewhat underdeveloped conceit above the traditional trappings of its genre. Very loosely inspired by Mary Shelley’s 19th century novel Frankenstein, the film centers on a decidedly post-modern Prometheus: by making its central scientist female rather than male, Moss’ feature debut short-circuits the usual blunt clichés of a crazy scientist bent on defying nature and instead enters the realm of David Cronenberg’s ’80s heyday with its focus on the human anatomy as a battleground for shady ethics.

Little Richard left this mortal coil in 2020, but tonight the architect of rock’n’roll is coming to shake up the Sundance Film Festival.