Box Office: ‘John Wick: Chapter 4’ Unloads Impressive $29.4 Million Opening Day

The Super Mario Bros. Movie has broken box office records in its opening weekend.The video game adaptation took $376.5million (£303m) at the global box office in its first five days of release, beating Frozen II’s ($358m) record for the most successful global opening of all time for an animated film.The film also scored the best opening ever for a movie based on a video game, and beat Ant-Man And The Wasp: Quantumania as the biggest film opening in 2023 so far.According to The Hollywood Reporter, it also broke domestic records in the US with $204.6m (£165m) in takings: earning the second best three-day weekend for an animated title behind The Incredibles 2, the biggest five day launch ever after beating Transformers: Revenge Of The Fallen ($200m) and the biggest opening ever for studio Illumination (Despicable Me, Minions).Directed by Aaron Horvath and Michael Jelenic, The Super Mario Bros.

Rebecca Rubin Film and Media Reporter Another box office slay for Ghostface. “Scream VI” will cross $100 million in domestic ticket sales on Thursday. It’s the first installment in the long-running slasher series to hit the coveted milestone in 26 years, since 1997’s “Scream 2” ended its theatrical run with $101 million. In the coming days, “Scream VI” will overtake the original 1996 “Scream” ($103 million) as the highest-grossing entry in North America, not adjusted for inflation. Paramount and Spyglass brought the sixth chapter to the big screen in March, crushing franchise records with its $44.5 million debut. “Scream VI” has also collected $56.25 million at the international box office, bringing its global tally to $156 million. The first “Scream” still stands as the biggest worldwide earner of the bunch with $173 million, followed by the sequel with $172 million.

Zack Sharf Digital News Director John Leguizamo is doubling down on criticizing Universal and Illumination’s animated film “The Super Mario Bros. Movie,” which casts Chris Pratt and Charlie Day in the leading voice roles of Mario and Luigi. Leguizamo brought Luigi to life in a live-action format opposite Bob Hoskins’ Mario in 1993’s “Super Mario Bros.” The actor told TMZ on the day “The Super Mario Bros. Movie” opened in theaters that he won’t be watching it due to the casting. “No I will not [be watching]. They could’ve included a Latin character,” Leguizamo said. “Like I was groundbreaking and then they stopped the groundbreaking. They messed up the inclusion. They dis-included. Just cast some Latin folk! We’re 20% of the population. The largest people of color group and we are underrepresented.”

Illumination/Nintendo/Universal’s Super Mario Bros Movie doesn’t need a mushroom to get bigger, it just organically is. Out of the gate today Wednesday, sans any Tuesday previews, the feature take of the classic game is looking at $26M, for what’s translating into a $86.2M 3-day, $127.5M Wednesday through Sunday haul. Interesting, even though its opening day was a Friday, Paramount/Sega’s Sonic the Hedgehog 2 had a $26.3M first day a year ago (that included Thursday previews). That film currently holds the 3-day record for a videogame feature adaptation with $72.1M, a benchmark which Super Mario Bros looks to squash.

Rebecca Rubin Film and Media Reporter Mario, Luigi and Princess Peach are poised to clobber the box office competition as “The Super Mario Bros. Movie” readies to power past the $100 million mark in its opening weekend. Universal and Illumination’s big screen adaptation of the popular video game, which opens in 4,000 North American theaters on Wednesday, looks to collect a towering $125 million or more in its first five days of release. It’ll be the second 2023 release, following Disney’s “Ant-Man and the Wasp: Quantumania” ($106 million) to open above $100 million. “Mario” will easily lead domestic box office charts over last weekend’s champ, “Dungeons and Dragons: Honor Among Thieves,” as well as fellow newcomer “Air,” a sports drama directed by Ben Affleck.

Naman Ramachandran eOne’s “Dungeons & Dragons: Honor Among Thieves” debuted atop the U.K. and Ireland box office with £3.5 million ($4.4 million), per numbers released by Comscore. In its second weekend, Lionsgate’s “John Wick: Chapter 4” slid to second place with £2.5 million for a total of £10.1 million. Warner Bros.’ “Mummies” debuted in third place with £648,460. The studio’s “Shazam! Fury Of The Gods” and “Creed III” occupied fourth and fifth spots with £469,120 and £426,742 in their third and fifth weekends for respective totals of £4.8 million and £13.5 million.

Rebecca Rubin Film and Media Reporter “Dungeons and Dragons: Honor Among Thieves,” an adaptation of the popular role-playing game, ignited at the international box office with $33 million from 60 markets. Paramount and eOne’s film also opened in North America with $38.5 million, bringing its global tally to $71 million. It’s a good start, especially considering Hollywood’s track record in adapting games for the big screen. But “Dungeons and Dragons” needs to keep playing in theaters to justify its $150 million price tag before marketing. Overseas audiences will be key to the success of “D&D.” The film, directed Jonathan Goldstein and John Francis Daley and starring Chris Pine and Regé-Jean Page, enjoyed the biggest start in China with $5 million, followed by the U.K. with $4.3 million, Mexico with $2.4 million, Australia with $2.4 million, and Germany with $2 million.

Janey Godley has opened up to her social media followers and fans on how tough life has been recently as she continues to soldier on with her chemotherapy amid her terminal cancer diagnosis.

J. Kim Murphy Hark! “Dungeons & Dragons: Honor Among Thieves” looks to reach the top of box office charts in its opening weekend, besting the sophomore outing of “John Wick: Chapter 4.” “Honor Among Thieves” scored $15.3 million in its opening day, a figure that includes $5.6 million from Thursday screenings and specialty previews. Playing in 3,855 venues, the fantasy comedy is projecting a finish around $40 million, which would come in at the higher end of estimates heading into the weekend. That’s a solid figure for “Honor Among Thieves,” which Paramount has thrown support behind with a sweeping press tour and a premiere at the SXSW Film Festival. Along with the studio, Entertainment One (eOne) covered a good fraction of the production budget for the film, which totals about $150 million between the two banners. eOne is a subsidiary of Hasbro, which controls the “Dungeons & Dragons” intellectual property.

Jordan Moreau Paramount and eOne are launching their new fantasy film “Dungeons and Dragons: Honor Among Thieves” this weekend, and the adaptation of the popular role-playing game picked up $5.6 million in previews at the domestic box office. It opens in 3,855 theaters on Friday. After rolling for initiative, it will prepare for combat against “John Wick: Chapter 4,” last weekend’s box office champion — and it’ll be a close battle. Directed by Jonathan Goldstein and John Francis Daley, “Dungeons and Dragons” is hoping to conjure up $30 million to $40 million in its opening weekend, and Keanu Reeves’ “John Wick 4” is muscling its way to around $36 million in its sophomore outing.

Megan Thee Stallion had the honor of throwing out the ceremonial first pitch on MLB opening day!

Rebecca Rubin Film and Media Reporter As it rolls the dice at the weekend box office, “Dungeons & Dragons: Honor Among Thieves” is aiming to emerge victorious over last weekend’s champion “John Wick: Chapter 4.” A natural 20 isn’t guaranteed, but Paramount and eOne’s adaptation of the popular role-playing game is hoping to collect $30 million to $40 million from 3,850 North American locations. It’ll be a close race for first place between that and the fourth “John Wick,” which topped the box office with $73.5 million and looks to add about $36 million in its sophomore outing. Internationally, “Dungeons & Dragons” is opening in 58 markets, where it’s aiming for $25 million or more.

Paramount and Hasbro eOne with the greatest of intentions have created an extremely fun, broad-audience appealing feature take on the classic roleplaying game, entitled Dungeons & Dragons: Honor Among Thieves, which already is 90% certified fresh on Rotten Tomatoes –not an easy feat with a genre movie of this caliber– and 94% with moviegoers.

Naman Ramachandran Lionsgate’s “John Wick: Chapter 4” shot its way to the top of the U.K. and Ireland box office with a £5.3 million ($6.5 million) opening weekend, according to numbers released by Comscore. In its second weekend, Warner Bros.’ “Shazam! Fury Of The Gods” collected £1.09 million in second place for a total of £4.09 million. In third place, Warner Bros.’ “Creed III” earned £731,273 and now has a total of £12.8 million after four weekends. Paramount’s “Scream VI” grossed £597,937 in fourth place in its third weekend for a total of £6.2 million. Rounding off the top five was Warner Bros.’ “Allelujah” that took £463,973 in its second weekend for a total of £2.02 million.

Rebecca Rubin Film and Media Reporter “John Wick: Chapter 4” knocked down the box office competition, collecting a remarkable $73.5 million in its opening weekend. Boosted by positive reviews and enthusiastic word-of-mouth, the fourth installment in Lionsgate’s action series, led by Keanu Reeves as a legendary assassin, landed the best start of the franchise. It’s one of the rare original properties to keep growing and improving upon the last, in terms of box office ticket sales. The original “John Wick” opened to a modest $14 million in 2014, its sequel “John Wick: Chapter 2” took in $30.4 million to start in 2017, and the third film “John Wick: Chapter 3 – Parabellum” previously held the opening weekend record with $56.8 million in 2019. 

John Wick: Chapter 4” has burst into theaters guns blazing, earning a very strong $8.9 million opening on Thursday, topping the $5.9 million earned by “John Wick: Chapter 3 – Parabellum” in May 2019. While Lionsgate has already begun a steady increase in theatrically exclusive releases with films like Kingdom Story Company’s “Jesus Revolution,” “John Wick: Chapter 4” is set to become the studio’s highest opening weekend not just within the Keanu Reeves franchise, but for any film since the end of the “Hunger Games” series in 2015.

Rebecca Rubin Film and Media Reporter “John Wick: Chapter 4” is aiming to set a new franchise record in its box office debut. The fourth installment in Lionsgate’s action-thriller series, led by Keanu Reeves as a legendary assassin, looks to collect a mighty $65 million to $70 million from 3,800 North American theaters over the weekend. The movie also debuts this weekend in 71 territories at the international box office. By Sunday, ticket sales should climb to at least $100 million to $115 million worldwide. It’s impressive that each film in the “John Wick” franchise has managed to dramatically improve upon its predecessor at the box office, beginning with 2014’s “John Wick” ($14 million to start), 2017’s “John Wick: Chapter 2” ($30.4 million) and 2019’s “John Wick: Chapter 3 – Parabellum” ($56.8 million). “Chapter 4,” earning some of the best reviews of the already well-received pack, should continue the trend. It cost more than $100 million to produce, giving it the highest price tag in the series.

Roadside Attraction’s Moving On grossed an estimated $798k at about 800 theaters, about status quo this weekend for a specialty sector that’s better but still looking to break out.  

J. Kim Murphy “Shazam! Fury of the Gods” is thundering to a No. 1 opening at the box office, though the DC Comics adaptation is expected to fly in lower than its predecessor. “Fury of the Gods” grossed $11.7 million in opening day ticket sales, a figure that includes $3.4 million in Thursday previews. That’s almost half of the $20.3 million that the 2019 original earned in its first day of release, on its way to a $53 million bow. “Fury of the Gods” carries a production budget of $125 million, which is $25 million higher than its predecessor’s. Opening in 4,071 theaters, the superhero sequel will likely struggle to reach a $30 million debut. With DC Studios under the newly minted leadership of Peter Safran and James Gunn, “Shazam! 2” represents somewhat of a relic of a bygone regime for the comic book banner. While a film like “The Flash” was also conceived before Safran and Gunn’s tenure, the pair of CEOs have often declared their conviction in the quality of the upcoming Ezra Miller film. Chatter around the “Shazam!” sequel has been much quieter.

“Scream 6” star Melissa Barrera shot to fame by starring in the musical “In The Heights,” but she’s actually thankful it didn’t do so hot at the box office.“I am a firm believer in manifesting things into existence, and ‘In the Heights’ was one of those things,” the 32-year-old Mexican actress told People. “That’s the show where I belong — the first time that I ever saw people that looked like me on a Broadway stage.”The movie was directed by John M.