Box Office: ‘Elvis’ Targets $30 Million Debut, ‘The Black Phone’ Aims for $15 Million

breaking a decade-old July 4th holiday-weekend box office record and becoming the 11th animated film in box office history and the first since “Frozen II” to earn an opening weekend of over $100 million. The “Minions” sequel tallied $125 million over the four-day holiday weekend, cementing the idea that family audiences feel comfortable returning the theaters in large numbers after a long pandemic-fueled lull.The $400 million global run of Paramount’s “Sonic the Hedgehog 2” this past spring was the first sign that family films were making a comeback, but the struggles of Disney/Pixar’s “Lightyear” last month created some doubt in Hollywood over whether the video game adaptation’s success was a fluke.

Families went bananas for Minions this weekend at the movie theater. “ Minions: The Rise of Gru ” brought in an estimated $108.5 million in ticket sales from 4,391 screens in North America, Universal Pictures said Sunday. By the end of the Monday’s July Fourth holiday, it will likely have earned over $127.9 million.

Families went bananas for "Minions" this weekend at the movie theater. "Minions: The Rise of Gru" brought in an estimated $108.5 million in ticket sales from 4,391 screens in North America, Universal Pictures said Sunday. By the end of Monday’s July Fourth holiday, it will likely have earned over $127.9 million.

Rebecca Rubin Film and Media ReporterTiny yellow creatures are taking over the international box office.“Minions: The Rise of Gru” ignited to $93.7 million from 61 overseas markets and notched one of the biggest pandemic-era opening weekends for an animated film in many of those territories.Those returns take the fifth installment in Universal and Illumination’s popular “Despicable Me” franchise past $200 million at the global box office. In North America, “The Rise of Gru” debuted to $108 million over the weekend and looks to reach $127.9 million through Independence Day on Monday.Outside of the U.S. and Canada, “Minions: The Rise of Gru” enjoyed the strongest showing in the United Kingdom and Ireland with $12.9 million, followed by Mexico with $12.4 million and Germany with $4.8 million.

Rebecca Rubin Film and Media Reporter“Minions: The Rise of Gru” ruled the box office, collecting $108 million over the weekend. By the time that July 4th rolls around on Monday, the animated family film is expected to reach a sizable $127.9 million.Based on those estimates, “Minions: The Rise Of Gru” will smash the record for the highest film opening over Independence Day, overtaking Paramount’s 2011 blockbuster “Transformers: Dark of the Moon” ($115.9 million over four days).Ticket sales for the fifth installment in Universal and Illumination’s popular “Despicable Me” franchise are a comforting sign that family crowds haven’t entirely forgotten about movie theaters.

Rebecca Rubin Film and Media ReporterTiny yellow henchmen will attempt to spark fireworks at the box office over the July 4 weekend.“Minions: The Rise of Gru,” the fifth installment in Universal and Illumination’s popular “Despicable Me” franchise, is headed for a first-place finish, with the family film expected to bring in $65 million to $75 million from 4,400 North American theaters during the extended holiday period. Though it’s the only new nationwide release, “Minions” will have to fend off holdover titles including Baz Luhrmann’s “Elvis,” “Jurassic World: Dominion,” “Top Gun: Maverick” and Pixar’s “Lightyear.”The well-reviewed “Minions: The Rise of Gru” looks to test the viability of kid-friendly animated flicks on the big screen.

Rebecca Rubin Film and Media ReporterThe King is No. 1 at the domestic box office.After a heated box office battle, “Elvis” emerged victorious over “Top Gun: Maverick” to claim the top spot on North American box office charts.Over the weekend, “Elvis” and “Top Gun: Maverick” were duking it out as the King of Rock and Roll took the No.

Rebecca Rubin Film and Media ReporterNeed proof the box office is really, truly rebounding from COVID?Look no further than domestic charts, where not one, not two, but four movies — a mix of new releases in Baz Luhrmann’s musical biopic “Elvis” and Blumhouse’s creepy thriller “The Black Phone,” as well as leftovers with “Top Gun: Maverick” and “Jurassic World Dominion” — are pulling in healthy ticket sales.It marks the third straight weekend that more than one major movie has managed to sell a meaningful number of tickets. After a tough stretch for movie theaters, which were closed for months during the pandemic and then greatly struggled to rebound, it’s a welcome change in pace because, at long last, it signals that audiences of all ages are returning to the big screen.

It took 30 years to convince Tom Cruise to make a sequel to 1986’s “Top Gun,” hit by Tony Scott, but the decision has definitely paid off. Today, “Top Gun Maverick” crossed the $ 1 billion mark worldwide, becoming Cruise’s highest-grossing film ever worldwide.

“Elvis”‘ opening of $30.5 million is on the top end of pre-weekend projections, with Warner Bros. reporting strong turnout from Elvis Presley’s home state of Tennessee with theaters in Arizona, Oklahoma and Texas joining the usual Los Angeles and New York theaters in the top 10 highest grossing locations for the film. In addition, “Elvis” has been successful in bringing older audiences back to theaters, as Warner Bros.

Rebecca Rubin Film and Media ReporterIn a bizarre box office battle, “Elvis and “Top Gun: Maverick” have tied for first place, with each film bringing in $30.5 million over the weekend.“Elvis” and “Top Gun: Maverick” were locked in a close battle all weekend as the King of Rock and Roll took the No. 1 spot on Friday and dropped to second place on Saturday. The final results will be tallied on Monday.Overall, it’s an encouraging weekend at the box office as five movies are putting up sizable results.

J. Kim Murphy It’s a 20th century showdown at the domestic box office this weekend, with the baby boomer epic “Elvis” contending against Gen X revamp “Top Gun: Maverick” for the top spot on domestic charts.Director Baz Luhrmann’s biopic about the King of Rock and Roll is projected to draw $30 million from 3,906 theaters in its opening.

Such a result for Baz Luhrmann’s biopic on The King of Rock and Roll would match pre-weekend projections and be just below the $31 million earned by the 2019 Elton John musical “Rocketman.” Reception has also been strong with an A- on CinemaScore and Rotten Tomatoes scores of 79% critics and 93% audience. But “Elvis” still has a way to go before it reaches profitability with a reported $85 million budget.

Baz Luhrmann’s “Elvis” made $3.5 million in its preview screenings at the box office on Thursday from over 3,400 screens (inclusive of sneak previews on Tuesday), while “The Black Phone” also made $3 million in its own Thursday preview screenings from 2,800 theaters with showings beginning at 5 p.m. “Elvis,” the biopic about The King Elvis Presley from Warner Bros., is projected to earn in the $28-30 million range.

Brent Lang Executive Editor of Film and Media“Elvis,” Baz Luhrmann’s kaleidoscopic look at the “King of Rock,” grossed $3.5 million in Thursday previews, while “The Black Phone,” a child abduction chiller from Blumhouse,” scared up $3 million. The two films are hoping to make a mark at the box office this weekend, but they face stiff competition from holdovers such as “Jurassic World Dominion,” “Lightyear” and “Top Gun: Maverick.” It’s a wide open field as they elbow their way to the top of the chart.“Elvis,” a Warner Bros.

MJ and A Strange Loop saw Tony Award glory translate into box office surges in the week after the June 12 ceremony, with MJ leaping by $216,921 over the previous week’s take to a huge $1,660,978. A Strange Loop grossed $845,313 for the week ending June 19, a jump of $168,998 over the previous week.

Rebecca Rubin Film and Media ReporterIt’s hard to escape the deflating sense that Disney’s “Lightyear” has remained stubbornly Earth-bound in its box office debut. At least, that’s the prevailing sentiment that’s greeted the latest Pixar film’s so-so $51 million opening weekend in North America.For industry analysts, those lackluster ticket sales were confounding because Pixar had been box office royalty and “Lightyear,” a spinoff of the cosmically successful “Toy Story” franchise, landed decent — though not euphoric — reviews.

Rebecca Rubin Film and Media ReporterTo infinity and beyond? Not exactly…“Lightyear,” a spinoff story set in Pixar’s “Toy Story” universe, fell short of that boundless milestone in its box office debut, collecting a lackluster $51 million from 4,255 North American theaters. Family audiences, the movie’s prime demographic, have been largely absent since COVID.