Cineworld, the world’s second largest cinema chain, faces fresh uncertainty after its second largest shareholder cut its stake, causing shares to fall in value for a second day.
07.08.2022 - 18:49 / variety.com
Brent Lang Executive Editor of Film and Media“Bullet Train,” a John Wick-ian romp with Brad Pitt in the aisle seat, arrived in theaters with a $30.1 million opening weekend. That’s enough to top the domestic box office chart, but it’s only a so-so result given “Bullet Train’s” $90 million price tag and Pitt’s star power.
The Sony Pictures release will need to maintain its momentum in the coming weeks as it tries to break even or turn a profit.“Bullet Train” is trying to prove that an action flick that isn’t based on a comic book or a toy-line can defy the odds and resonate with audiences. But part of the issue for the film is that critics weren’t on board.
“Bullet Train” landed a mediocre 41% approval rating on review-aggregation website Rotten Tomatoes, with many reviewers faulting the movie for being overly derivative of the work of Guy Ritchie and Quentin Tarantino. Variety chief film critic Peter Debruge was mixed on “Bullet Train,” writing that “neither the characters nor the film they inhabit are particularly deep.” “Bullet Train” was directed by David Leitch, who once served as a stunt double for Pitt before moving on to oversee the likes of “Atomic Blonde” and “Deadpool 2.” It centers on a hapless hitman whose mission to nab a suitcase full of cash on high-speed train in Japan, devolves into double crosses and brutal fights with an army of competing killers, thieves and social deviants.Universal and Amblin’s “Easter Sunday,” the weekend’s other major release, stumbled in its opening frame, earning a meagre $5.3 million for an eighth place finish on domestic charts.
“Easter Sunday” stars stand-up comic Jo Koy as an actor who attends his dysfunctional Filipino American family’s Easter Sunday celebration. The good
.Cineworld, the world’s second largest cinema chain, faces fresh uncertainty after its second largest shareholder cut its stake, causing shares to fall in value for a second day.
Brad Pitt and Aaron Taylor-Johnson have landed in Tokyo, Japan for the latest Bullet Train press stop!
according to IMDB’s Box Office Mojo.The Japanese animated adventure film is expected to take in $21 million during its first weekend in theaters, according to Variety.The Idris Elba-led “Beast,” roared into second place, earning close to $4.3 million in sales in its debut. A survival story of a family who gets stalked by a lion in South Africa, the movie “makes you miss ‘Anaconda,'” The Post quipped.“Bullet Train” slowed down to third place after spending two weeks in the No.
has passed away at the age of 41 after being found unresponsive in his apartment in Rochester, Minnesota. The Pop Idol star, who shot to fame on the hit show back in 2001, tragically died on 11 August, with his family releasing a statement confirming his passing. Tributes have continued to pour in for Darius with the likes of Simon Cowell and Gareth Gates taking to social media to share heartfelt messages.
Yesterday, it was announced that Scots singer Darius Campbell Danesh sadly passed away at age 41 after being found unresponsive in his apartment in Minnesota.
Sony’s Bullet Train was the global and international box office leader for the studios during its sophomore frame with an added $17M from 61 overseas markets for an offshore cume of $60M and global riding the rails past $100M for $114.5M through Sunday.
Rebecca Rubin Film and Media ReporterIs everyone on vacation?That would be one plausible explanation behind the great box office slowdown. Although three new movies opened nationwide, none were able to crack the top five on domestic charts and only two — A24’s satirical slasher “Bodies Bodies Bodies” and Lionsgate’s low-budget, vertigo-inducing thriller “Fall” — managed to infiltrate the top 10.It’s even more dire that Sony’s action-thriller “Bullet Train,” which claimed the top spot for the second weekend in a row with $13.1 million from 4,357 North American locations, was the sole film to bank at least $10 million in ticket sales. After two weeks on the big screen, the Brad Pitt-led “Bullet Train” has generated $54.4 million at the domestic box office.
“Bullet Train,” in theaters now, he puts all of that legendary energy into his role as The Elder, one of the many mysterious figures who board a Japanese bullet train. Starring alongside Brad Pitt, he nonetheless steals every scene he’s in, which is somewhat fitting for a man that “Lost” co-creator and showrunner Damon Lindelof once referred to as the Japanese Harrison Ford.Sanada will next be seen in 2023’s “John Wick: Chapter 4,” after being courted for a villainous role in the third film (“I worked with Keanu most more than 10 years ago. We’ve known each other a long time.
Rebecca Rubin Film and Media ReporterAfter a pretty successful summer season, it’s officially the dog days at the domestic box office.Without a major studio movie on the horizon, theater operators are banking on a smattering of smaller, lower-budgeted horror stories, comedies and dramas to take advantage of the lull in blockbusters. Basically, the next few weeks will cater to the rare ticket buyers who have been dying to return to the movies, but aren’t fans of comic book adventures or action tentpoles.This weekend will be particularly quiet with Lionsgate’s action-thriller “Fall” and A24’s satirical slasher “Bodies Bodies Bodies” as the only new nationwide releases.
Brent Lang Executive Editor of Film and MediaUtopia and Showtime have acquired the North American rights to Pulse Films’ “Meet Me in the Bathroom,” a documentary about the explosion of rock ‘n’ roll that helped define the early 2000s in New York City and ushered in a new generation of musical talent. The film, which is directed by Will Lovelace and Dylan Southern, premiered at the 2022 Sundance Film Festival.
Prior to release, trackers had projected a $26-33 million launch driven by a predominantly young, male audience for the R-rated film starring Brad Pitt. While critics have been mixed with a 55% Rotten Tomatoes score, audience reception has been better with a B+ on CinemaScore, 4/5 on Comscore/Screen Engine’s PostTrak and a Rotten Tomatoes score of 81%.But “Bullet Train” faces a difficult road to profitability with its reported $90 million budget, and a lack of serious competition for the rest of August may not be enough to allow the film to leg out past the break-even point unless it gets support from the international box office.
Jazz Tangcay Artisans EditorJoey King hit the zeitgeist hard with 2018’s Netflix rom-com “The Kissing Booth,” and scooped up an Emmy nomination for her work in 2019’s “The Act,” a heart-wrenching limited series about the murder of Dee Dee Blanchard by her daughter, Gypsy Rose. She can now be seen in Hulu’s “The Princess,” where she learned action-hero stunts, and is set to appear in Hulu’s adaptation of Holocaust-themed “We Were the Lucky Ones.” Up next for King is David Leitch’s “Bullet Train,” a high-octane thriller out now. The heavyweight cast includes Brad Pitt, Sandra Bullock, Zazie Beetz, Bad Bunny, Michael Shannon and Brian Tyree Henry.
Jon Burlingame editorA musical hint comes at the very start of “Bullet Train,” out now, when a new version of the Bee Gees’ disco classic “Stayin’ Alive” is sung in Japanese – because an American assassin code-named Ladybug (Brad Pitt) is going to spend the next two hours attempting to do just that, battling half a dozen other killers on a high-speed train from Tokyo to Kyoto.An over-the-top movie like “Bullet Train” demanded an over-the-top score, composer Dominic Lewis (“The King’s Man”) decided, and he spent more than a year not only writing the entire score but also producing (and in several cases co-writing) the songs heard throughout David Leitch’s action thriller.Leitch’s previous movies (“Atomic Blonde,” “Deadpool 2”) have been littered with songs, Lewis knew (“he’s a needle-drop guy”), so his concept became: “Can I write something in the style of a needle-drop, that feels like a song but is doing the job of scoring, following the peaks and troughs of what’s going on?” While Lewis trained in classical music at London’s Royal Academy of Music, he also spent time in rock bands before launching a career in movie music. “I became a mad scientist,” he says, noting that the “Bullet Train” assignment began during COVID lockdown, so he is playing guitars, bass, keyboards and singing throughout the entire score.“It’s very raw and deliberately messy,” Lewis concedes.
Jazz Tangcay Artisans EditorBefore he was a director of spectacles like “Deadpool 2,” David Leitch did stunts for dozens of productions, often doubling for Brad Pitt in films including “Troy,” “Mr. & Mrs. Smith” and “Fight Club.” Leitch puts his stunt background to good use in the action film “Bullet Train,” in cinemas now, in which he reteams with Pitt, this time as director.Based on a Japanese novel, the action comedy revolves around five assassins from around the globe who find themselves on a fast-moving train.
Snowpiercer” and the musical “On The Twentieth Century” are other fine, very different examples.) All types of people ride them, there are clever places to hide and, for long stretches, you’re trapped on board.“Bullet Train” is a fun flick, to be sure, reminiscent of director Guy Ritchie’s better crime comedies such as “The Gentlemen” with Hugh Grant. But, as the title suggests, it’s louder and faster.
“Bullet Train” is hurtling into theaters very soon. The action movie stars an incredible cast of stealthy characters who approach Brad Pitt’s main man inside the speedy train. The movie adapts Japanese author Kotaro Isaka’s novel “Maria Beetle.” David Leitch directed the fast-paced film.
This is it. This is pretty much the end of summer.
Patrick Frater Asia Bureau ChiefLee Jung-jae, the Korean actor who has received an Emmy nomination for his role in Netflix hit series “Squid Game,” has re-edited “Hunt,” the film that marked his feature directorial debut. The new version will play at the upcoming Toronto International Film Festival.“Hunt,” a 1980s-set espionage thriller about rival agents from North and South Korea, had its debut at the Cannes Film Festival in May.