‘Bones And All’ With Timothée Chalamet Draws Women, Younger Demos In Limited Opening – Specialty Box Office

A Beautiful Noise, The Neil Diamond Musical took in more than $1 million at the box office in the week leading up to, and including, its opening night on Sunday. Filling 91% of seats at the Broadhurst, the jukebox bio-musical joins & Juliet, Leopoldstadt and The Piano Lesson as one of the strongest newcomers of the fall season.

Focus Features’ Spoiler Alert opened on six screens (in NY, LA, San Francisco) to an estimated $85k, or $14k per theater, in a crowded arthouse market. Strong exit polls and word of mouth – 94% in the top two boxes – could help built out this movie, which will likely be more audience-focused than awards-buzz driven.

Universal and 87North’s action horror pic Violent Night is off to a healthy start with $1.1M previews last night. Hopefully this movie will give the weekend box office a pulse and overperform which is typically a slow period post Thanksgiving, and even worse given the fact that the marketplace is still in rebuild.

Before Disney’s 20th Century Studios’ Avatar: The Way of Water floods the box office with a potential $200M opening on Dec.16, Universal might have a surprise this weekend in the 87North holiday action movie Violent Night, starring David Harbour. Universal is hoping for $10M, maybe $12M on the Tommy Wirkola-directed movie for a second place take. However, rivals are truly excited by it, thinking it could do much more.

Even with one fewer show on the Broadway boards, and overall attendance at the 33 productions down a smidge from the previous week, Broadway box office was up 22% during Thanksgiving week, scoring a plump $37,475,773 due to plumper holiday ticket prices.

Sideshow/Janus Films EO held well in week two, grossing $23,217 for the five-day holiday frame ($11,609 per screen) and $16,900 for the three-day weekend ($8,450 per screen). The new cume is $50.7k in a crowded arthouse market, a strong showing for the film starring a melancholic gray donkey. It expands to LA next week opening at Laemmle Royal, Alamo Drafthouse DTLA, Los Feliz 3, and Santa Barbara’s Riviera Theater at SBIFF. Director Jerzy Skolimowski will be on hand for Q&As all weekend.

Laura Poitras’ Venice Golden Lion-winner  All The Beauty And The Bloodshed opens in three theaters today, testing a crowded specialty market at the IFC Center, Lincoln Center & BAM in NYC. It adds LA and San Francisco (AMC Sunset 5 & AMC Kabuki) Dec. 2.

The long awaited James Cameron sequel to the highest grossing movie of all-time hit tracking this morning with a projected opening of at least $150M. Tracking has it higher near $175M, but rivals are bullish at $200M.

Call it a holiday tradition as common as sweet potatoes on the Thanksgiving table, but Disney is going to rule the five-day holiday stretch again after wins in 2016 (Moana), 2017 (Coco), 2018 (Ralph Breaks the Internet), 2019 (Frozen 2) and last year (Encanto), as Black Panther: Wakanda Forever‘s third weekend looks to do $40M over Wednesday-Sunday and Disney Animation’s Strange World hopes to squeeze out $30M+. All of this occurs as Bob Iger is re-installed as the CEO of Disney and the studio’s distribution czar Kareem Daniel exits.

“Bones and All” sees Guadagnino reunite with his “Call Me By Your Name” star Timothee Chalamet, who stars alongside newcomer Taylor Russell as a pair of cannibals who fall in love and embark on a tragic road trip across America. The film won Best Director and Best Newcomer honors at Venice and has received praise from critics with an 86% Rotten Tomatoes score, though its likely to remain a niche title as one would expect for a film with such a grisly taboo topic.

Refresh for latest…: In its sophomore frame, Disney/Marvel’s Black Panther: Wakanda Forever sent its worldwide cume well past the $500M mark, with an estimated $546.3M through Sunday.  The split is $288M domestic and $258.3M from the international box office.

A new crop of prestige titles plant a flag at the arthouse in limited release this weekend from Luca Guadagnino’s Bones and All to Jerzy Skolimowski’s EO, to Elegance Bratton’s The Inspection. Greenwich Entertainment opens docLove, Charlie: The Rise And Fall Of Charlie Trotter IFC Films presents Bad Axe and Cohen Media Group is taking a swing at Fernando Trueba’s Memories Of My Father.

Remember, January 2020? Sure, the world still felt as if it was going to fall apart, but we had no idea the COVID pandemic was just on the horizon. It was page 2 news, at best.

A busy week on Broadway saw three official openings (including the Take Me Out return) and three additions to the line-up of previewing productions, with grosses for the 34-show roster jumping by 8% (to $32,314,920) over the previous week.

The Fabelmans grossed an estimated $160k this weekend at four theaters in NY and LA. That’s a $40K per screen average, on par with recent strong (for post-Covid) specialty openings like The Banshees Of Inisherin (at $45k PSA) and Tár (also $40k), both on four screens too, reflecting a definite pickup in the specialty space. Spielberg’s written, directed and produced semi-autobiographical tale debuted into one of the biggest openings of the year with Black Panther: Wakanda Forever.

That figure is just a few hundred dollars above the $39,655 platform release average of Focus Features’ “Tár” and below the $46,113 of Searchlight’s “The Banshees of Inisherin.” Though it isn’t the best platform launch among the early Oscar contenders this awards season, Universal said that it had projected a $40,000 average for “The Fabelmans” prior to release and were pleased by the film’s Friday-to-Saturday drop of just 3%, signaling that the film is gaining the kind of word-of-mouth it will need in the weeks ahead. “With ‘The Fabelmans,’ Steven Spielberg has crafted one of his most personal stories yet, an incredible universal coming of age story that clearly resonated with audiences this weekend earning an A CinemaScore, 96% audience and 95% critical scores on Rotten Tomatoes and we have no doubt the film will captivate audiences throughout the holiday season,” Universal’s domestic distribution president Jim Orr said in a statement.