‘Bodies Bodies Bodies’ review: Pete Davidson and Co. kill as insufferable twentysomethings

Jordan Moreau SPOILER ALERT: Do not read if you have not watched “Bodies Bodies Bodies,” now playing in theaters.A24’s “Bodies Bodies Bodies” starts with seven young partiers drinking, doing drugs and hooking up during a hurricane party, but the debauchery turns deadly as the night goes on, until just two people are left alive.Young lovers Sophie (Amandla Stenberg) and Bee (Maria Bakalova) may be the only two survivors of this Gen Z massacre, but the trust between them is completely broken. Before falling to her death, Jordan (Myha’la Herrold) reveals to Bee that she and Sophie slept together before the party, which Sophie denies.

Peacock this week released a more extensive look at its buzzy movie Meet Cute, the Kaley Cuoco-Pete Davidson romantic comedy. Deadline first reported on the project last June. It hits Peacock on Wednesday, September 21.

. Amandla Stenberg has taken to Instagram to defend herself after sending an indignant message to New York Times film critic Lena Wilson after she Stenberg's film Bodies Bodies Bodies. After referring to the A24 film as “a 95-minute advertisement for cleavage” in her review, Wilson shared on Twitter that Sternberg direct messaged her on Instagram.This content can also be viewed on the site it from.“Your review was great,” the message read.

Bodies Bodies Bodies review.Stenberg stars in A24’s newest horror comedy film about a group of rich friends in their twenties who host a party game that ends in a death.Wilson, a New York Times critic, wrote in her review that while the film is not “bad”, it’s “not special”.“The only thing that really sets Bodies Bodies Bodies apart is its place in the A24 hype machine, where it doubles as a 95-minute advertisement for cleavage and Charli XCX’s latest single,” Wilson wrote.Yesterday (August 18) the film critic shared a screenshot of an Instagram message that she received from Stenberg a few days following the review’s publication, which read: “Your review is great, maybe if you had gotten your eyes off my tits you could’ve watched the movie!”Below the photo, Wilson tweeted: “Always weird when the homophobia is coming from inside the house but this is something.”“Me: (spends one line of a 500-word review facetiously commenting on how A24 objectifies young women to sell content),” she added.

Pete Davidson and Kaley Cuoco are starring in a new rom-com for Peacock and the streaming service has released the first photos from the film!

“Bodies Bodies Bodies.”In her review of the A24 horror-comedy, Lena Wilson wrote that it “doubles as a 95-minute advertisement for cleavage and Charli XCX’s latest single.” Stenberg then responded to Wilson via Instagram DM: “Your review was great. Maybe if you had gotten your eyes off my tits you would’ve watched the movie!” Wilson did not take kindly to Stenberg’s message, replying “Hey, Amandla! Generally a big fan of your work, but this sure is something.

Zack Sharf Amandla Stenberg posted a video to her Instagram stories explaining why she reached out to The New York Times film critic Lena Wilson with a controversial message. As revealed by Wilson in a viral tweet, Stenberg contacted the film critic on Instagram after Wilson wrote in her “Bodies Bodies Bodies” review that the A24 horror movie “doubles as a 95-minute advertisement for cleavage.”“Your review was great,” Stenberg wrote to Wilson. “Maybe if you had gotten your eyes off my tits you would’ve watched the movie!”Stenberg’s comment generated backlash after it was posted to Twitter by Wilson, but the “Bodies Bodies Bodies” actor said in her own Instagram video that she was just trying to be funny with her message.

wrote in her review.Wilson said that while the film — which boasts 89% on Rotten Tomatoes — is not “bad,” it’s certainly “not special.”She then shared a screenshot of her DMs, with the alleged message from Stenberg.“Maybe if you had gotten ur eyes off my t-ts you could’ve watched the movie,” the DM allegedly from Stenberg reads.always weird when the homophobia is coming from inside the house but this is something“Do you think she Instagram DM’d Alison Willmore, Justin Chang, and Anthony Lane like this or..,” Wilson tweeted alongside the screenshot, referring to the other critics who also reviewed the film.In a follow-up tweet, Wilson claimed Stenberg’s DM was somewhat homophobic.“Always weird when the homophobia is coming from inside the house but this is something,” she wrote.“Me: (spends one line of a 500-word review facetiously commenting on how A24 objectifies young women to sell content),” Wilson went on.

Pete Davidson in season 2 of The Kardashians, don’t get too excited. According to Page Six, the actor and ex of Kim Kardashian will barely be featured in the Hulu reality show.

Amandla Stenberg is calling out a critic.

Pete Davidson and Kaley Cuoco's love story in the upcoming feature film on Tuesday, which is set to premiere on September 21. The film follows the story of Sheila (Cuoco) and Gary (Davidson) who appear to fall in love at first sight during their first date. A closer look, however, reveals that Sheila has been using a time machine to fall in love over and over again.

A love story with a twist. After Pete Davidson and Kaley Cuoco signed on to play love interests in Meet Cute, it wasn’t long before the film became a topic of conversation.

Wilson Chapman editorPete Davidson and Kaley Cuoco’s upcoming romantic comedy film will premiere exclusively on Peacock Sept. 21, the streamer announced Tuesday.Titled “Meet Cute,” after the well know rom-com trope, the film focuses on Sheila (Cuoco), a woman who uses a time machine to repeat a first meeting between her and Gary (Davidson) in order to engineer a love at first sight date.

The Kaley Cuoco-Pete Davidson romantic comedy movie we first told you about, Meet Cute, will hit Peacock on Wednesday, Sept. 21.

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When it comes to love, Lori Harvey knows exactly what she wants and what she does not following her split from Michael B. Jordan!

Rebecca Rubin Film and Media ReporterAfter a pretty successful summer season, it’s officially the dog days at the domestic box office.Without a major studio movie on the horizon, theater operators are banking on a smattering of smaller, lower-budgeted horror stories, comedies and dramas to take advantage of the lull in blockbusters. Basically, the next few weeks will cater to the rare ticket buyers who have been dying to return to the movies, but aren’t fans of comic book adventures or action tentpoles.This weekend will be particularly quiet with Lionsgate’s action-thriller “Fall” and A24’s satirical slasher “Bodies Bodies Bodies” as the only new nationwide releases.

“I wanted to approach it as a commentary on the time we live in, and Gen Z, but also myself because I’m totally addicted to my phone,” says Bodies Bodies Bodies director Halina Reijn on what drew her to the Kristen Roupenian story and Sarah DeLappe scripted feature.

Annie Lyons Social media drives the performative interactions of entitled 20-somethings in Halina Reijn’s “Bodies Bodies Bodies,” but beneath their constructed personas, anxiety, fear and jealousy fester. These intense feelings were at the forefront of cinematographer Jasper Wolf’s mind, who wanted his extensive lighting choices to underscore each “new emotional boxing round.”The A24 film stars Maria Bakalova as Bee, a young working-class woman who accompanies her new girlfriend Sophie (Amandla Stenberg) to a hurricane party thrown by Sophie’s uber-rich friends.

A24’s Bodies Bodies Bodies hit theaters with the highest per-screen average this weekend in a limited opening, and the second best of the year. That record was set last spring with Everything Everywhere All at Once as this indie distributor piles up successes.