Following the season 2 premiere of Showtime’s “Yellowjackets” on March 26, the Emmy-nominated hit series broke records across the network’s platforms.
08.03.2023 - 22:04 / deadline.com
Showtime has been going through downsizing and recalibration since the November ouster of longtime CEO David Nevins and the premium network’s inclusion in Paramount Media Networks President Chris McCarthy’s portfolio. There have been layoffs, series cancellations and an executive restructuring as McCarthy articulated the plans for the network, which will soon be rebranded as Paramount+ with Showtime. They include multiple TV universes built around some of Showtime’s biggest series, including multiple Dexter and Billions offshoots.
During the Morgan Stanley conference Wednesday, Paramount CEO Bob Bakish addressed the strategy and indicated that other Showtime series could be revisited too.
“We’re leaning into our Showtime franchises,” he said. “You could think of the slate as smaller, which will be less expensive, but also really giving the people what they want, which is more Showtime, maybe more Dexter, maybe more Ray Donovan, and really leaning into that.”
Showtime already revived Ray Donovan once, bringing the show back to give it a proper ending with a movie following its abrupt 2020 cancellation.
Bakish also spoke about the move to integrate Showtime and Paramount+, calling it a “win-win-win” for consumers, the company and shareholders. With the consolidation of the streaming platforms, the company will be raise the price of Paramount+, making the business more profitable more quickly, he argued.
“It costs more money to market two brands, two products, two platforms, two organizations,” Bakish said. “And all that’s being consolidated into one.” The exec reaffirmed the company’s prior projection that the move will save the company about $700 million.
In his remarks, Bakish also spoke about the company’s decision
Following the season 2 premiere of Showtime’s “Yellowjackets” on March 26, the Emmy-nominated hit series broke records across the network’s platforms.
Season two of Yellowjackets broke records for Showtime!
The Season 2 premiere of Yellowjackets delivered Showtime‘s best debut for a second installment that the network has seen in more than 10 years.
BreAnna Bell “Yellowjackets” has broken a new record with its Season 2 opener. Following its March 26 premiere, the series became Showtime’s most-streamed debut ever, hitting nearly 2 million viewers across platforms according to figures from Nielsen, comScore, and Showtime’s internal streaming data. “Dexter: New Blood” previously held the title. Showtime also boasts that it’s the best Season 2 premiere for the network in more than 10 years and nearly double the series premiere audience. The debut marks a 110% rise in viewership from the series premiere in November 2021 and 40% jump from “Yellowjackets” Season 1 finale in cross-platform viewing.
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John Hopewell Chief International Correspondent LILLE, France — Paramount+ will be bowing “Drag Race Italia” Season 3 on the streaming service in Italy, followed by the U.S. and Latin America later this year. The Italian Season 3 follows on the recent announcement of three new “Drag Race” editions in Brazil, Germany and Mexico and a “Global Drag Race All Stars,” which will air on Paramount+ in their respective territories this year, Paramount+ announced Wednesday. “As we expand Paramount+’s global footprint, it was important to recapture ‘Drag Race’ in key international markets and also build an interconnected competition series with a new ‘Global Drag Race All Stars’ – it’s like a global Super Bowl for Drag,” said Chris McCarthy, president-CEO, Showtime/MTV Entertainment Studios & Paramount Media Networks.
Bob Bakish, chief executive of Paramount Global, saw total compensation in 2022 of $32 million, up from $20 million the year before.
Paramount Global is shuffling its board of directors, including the addition of Dawn Ostroff, who will serve as an independent non-executive director, the company announced Friday. The filing also noted that Bob Bakish would be making $31.5 million.Ostoroff’s seat is pending a stockholder vote that will take place at Paramount’s 2023 Annual Meeting of Stockholders later this year. Bakish, who serves as Paramount Global’s president will be receiving a pay boost to $31.5 million as a result of $16 million stock awards grant.
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Jones Beach Amphitheater will deliver 18 nights of just that.And while the charming open air venue might be enough to draw Long Islanders in on its own, Jones Beach isn’t skimping on big name headliners these next few months either.Megastars like Dave Matthews Band, Luke Bryan, Goo Goo Dolls, Zac Brown Band and TLC will grace the stage all summer long.Plus, you gotta love they’re hosting both Kidz Bop Live and Disturbed in the same year too.That’s just straight up range.Most importantly though, we’re happy to report that some tickets are going for as low as $30 before fees on Vivid Seats.So ,the answer is yes.We are already counting down the days to summer.If you want to join us the Northwell Health at Jones Beach Amphitheater all summer long, here’s everything you need to know about their upcoming 2023 concert schedule.Tuesday, June 13 at 7 p.m.Thursday, July 6 at 7 p.m.Saturday, July 8 at 7:30 p.m.Sunday, July 9 at 7:30 p.m.Friday, July 14 at 7 p.m.Saturday, July 15 at 6 p.m.Tuesday, July 18 at 7:30 p.m.Wednesday, July 19 at 7:30 p.m.Saturday, July 29 at 7:30 p.m.Wednesday, Aug. 2 at 7 p.m.Saturday, Aug.
starring Kirsten Dunst. Other credits include Hulu’s “The Handmaid’s Tale,” HBO’s “True Detective,” “The Newsroom,” “Carnivale,” “True Blood” and “Six Feet Under”; Showtime’s “Homeland,” “Ray Donovan,” “The Tudors,” “Dexter,” “Weeds,” “Queer as Folk” and “The Borgias”; AMC’s “The Walking Dead”; FX’s “American Horror Story: Asylum” and “American Horror Story: Coven”; and the Emmy-nominated TNT miniseries “Into the West.”Additionally, he wrote and directed three award-winning feature films, including Samuel Goldwyn Films’ “Fugitive Pieces” starring Stephen Dillane and Rosamund Pike, which opened the Toronto International Film Festival; “The Five Senses” starring Mary Louise Parker, which premiered at Cannes Directors’ Fortnight; and “Eclipse” which played both the Berlin and Sundance festivals.His upcoming work includes Netflix’s sci-fi adaptation of Liu Cixin’s “The Three-Body Problem” trilogy from “Game of Thrones” writers David Benioff and. D.B.
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Jennifer Maas TV Business Writer Never fear, genre fans: Warner Bros. Discovery is intent on mining as much of its tentpole Warner Bros. IP as possible in the near future, whether that be through its upcoming revamped DC Universe, the newly announced “The Lord of the Rings” movies, or more projects based on J.K. Rowling’s “Harry Potter” franchise amid the success of video game “Hogwarts Legacy.” “DC is an enormous opportunity and two important building blocks are in place now with the leadership team, Peter [Safran] and James [Gunn], and James has been breathing comics for as long as he’s been alive, essentially,” Warner Bros. Discovery CFO Gunnar Wiedenfels said during a panel at Morgan Stanley’s investor conference Wednesday. “A great creative leader here. And the second building block that is in place is the one-company approach, because I think you can only manage a franchise if everything is coordinated and the team is working together extremely well. There’s an enormous level of collaboration and joint decision making around what should work hand in hand across the franchise.”
Comcast President Mike Cavanagh said the media giant would of course consider alternative proposals for its stake in Hulu but they’d have to top its longstanding agreement to sell its remaining stake in the streamer to Disney next year.
Paramount Global CEO Bob Bakish decided to, in his words, “cross the line” and address a recent bid the company received for Showtime.