Also Read: Spike Lee Returns as Cannes Jury PresidentOfficial dates still need to be confirmed, but the pre-screenings will begin no earlier than May 24.
01.03.2021 - 19:19 / hollywoodreporter.com
A year into the coronavirus pandemic, executives setting up Zoom meetings and preparing to stream promos for Berlin's 2021 European Film Market — which kicks off Monday and runs through March 5 — are taking stock after 12 extraordinary months that have transformed the independent film industry. Many expect the all-virtual Berlin market will be the real test of the health of the indie biz.
Also Read: Spike Lee Returns as Cannes Jury PresidentOfficial dates still need to be confirmed, but the pre-screenings will begin no earlier than May 24.
Christopher Vourlias European Film Promotion, a network of 37 film promotion bodies from across the continent, is gathering 29 European sales companies from nine nations under the Europe! Umbrella at the virtual edition of the Hong Kong Intl. Film & TV Market (FilMart).For the second year running the annual event has been moved online because of the coronavirus pandemic.
Netflix, again, made all the headlines. The streaming giant closed out Berlin's European Film Market — an all-online affair this year that wrapped on Friday — with a jaw-dropping $55 million deal for worldwide rights to The Pale Blue Eye, a Gothic horror-thriller set in 1830 that will re-team star Christian Bale with his Hostiles director Scott Cooper.
Elsa Keslassy International CorrespondentThe Berlin Film Festival’s European Film Market had a successful 2021 online edition with the participation of 12,000 attendees from 131 countries. The industry event, which took place March 1-5, gathered 504 exhibitors — 215 of which were newcomers at EFM — from 60 countries.
Berlin’s Netflix Film MarketFor the last two years, a Netflix panel was the hottest ticket at the Berlinale Series Market Conference. But the U.S.
This year, more than most, Berlin's European Film Market was an opportunity to gauge the health of the global indie industry. Judging from the business done over the past week — the 2021 EFM wraps Friday — the general assessment would be: The patient is stable and the prognosis is promising.
When, last May, the Cannes Film Market bowed to the inevitable and went online-only, it was a leap in the dark.
Ed Meza @edmezavarPalestinian filmmaker Annemarie Jacir’s Gaza-set drama “The Oblivion Theory” has won the top prize at the Berlinale Co-Production Market.Presented by Paris-based Incognito Films and Berlin’s One Two Films, the film is based on José Eduardo Agualusa’s novel “A General Theory of Oblivion,” although the book’s story has been moved from Angola to Palestine during the First Intifada, the sustained protests by Palestinians against Israel occupation that lasted from 1987 to 1993.The
Anna Marie de la Fuente A chess champion in his youth, Brandon Burrows, principal and founder of shingle Firebrand, approaches producing like a chess game. His love for film sparked at an early age when his father owned a video store.
Anna Marie de la Fuente By forging key partnerships with filmmakers, financiers and distributors through the years, The Exchange, founded by veteran sales executive and CEO Brian O’Shea, has grown to become a leading worldwide sales and finance company.
Patrick Frater Asia Bureau ChiefTriumph and pain were bedfellows last year for the Korean film industry. But Berlin’s European Film Market and the imminent Hong Kong FilMart see Korean companies putting on a brave face.Korean cinemas were in defensive mode early on in the coronavirus pandemic, as a population familiar with epidemics chose to stay away from crowded places.
Alissa Simon Film CriticFor the first time ever, two Hungarian films are competing for the Berlinale’s Golden Bear: “Forest – I See You Everywhere,” a standalone sequel to the 2003 Berlinale hit “Forest,” from veteran auteur Bence Fliegauf, and “Natural Light” from feature debutant Dénes Nagy.
Variety Staff Follow Us on TwitterSince you can’t be in Berlin this year, Variety is bringing Berlin to you. We’re publishing daily digital editions, running March 1-4, of coverage from the European Film Market.
Exactly one year ago, Chinese film buyers were almost entirely absent from Berlin's European Film Market as broad swaths of the world's second-biggest economy remained in a state of total shutdown. Business in the U.S.
Toward the end of Tina, the revealing documentary tribute by Dan Lindsay and T.J. Martin for HBO, Tina Turner is seen in an extended concert clip performing the Beatles' "Help" as a decelerated ballad — intimate, melancholy and full of feeling.
Opening with a very real-looking hardcore sex tape, and climaxing with a deranged orgy featuring super-sized dildos, Romanian writer-director Radu Jude's latest taboo-busting polemical comedy is refreshingly untroubled by tasteful restraint. Shot during COVID lockdown last summer, with cast and crew all wearing anti-viral masks, the snappily titled Bad Luck Banging or Loony Porn is a scattershot attack on sexual hysteria and political hypocrisy in an era of online slut-shaming.
EXCLUSIVE: New York-based distributor FilmRise has struck a deal with sales firm WaZabi Films for U.S. rights to TIFF 2020 and Berlin 2021 drama Beans.
Spain brings an extraordinary gamut of movie titles to Berlin. Some highlights:“All the Moons,” (Igor Legarreta)A France-Spain co-production, “All the Moons” tracks two vampires in the northern Spain during the last Carlist war.
Jamie Lang A year after featuring as the European Film Market’s focus country, Chile returns with a delegate of more than 20 producers who will participate in a virtual stand, backed by ProChile and the Ministry of Culture.Bastard.
The tragedy of the Lebanese civil war extends far beyond the 1980s and into the third generation of a family resettled in Canada in the affecting drama Memory Box. It marks the first film in nine years from the award-winning team Joana Hadjithomas and Khalil Joreige, whose work has ranged freely over feature films, docs, installations and performance art.