Berlin Review: Céline Sciamma’s ‘Petite Maman’ Is Arrestingly Original And Alive

Leo Barraclough International Features EditorARRI Media has closed a deal with Crescendo House – a new boutique distribution company – for North American rights on Marxist vampire comedy “Bloodsuckers,” following its world premiere at the Berlin Film Festival.The film, which screened as part of the Berlinale’s Encounters section, was written and directed by Julian Radlmaier.Radlmaier’s script was praised by the jury as being “extravagant, bizarre, and hilarious” when he was presented with the

Filmed in glossy black and white, and adopting a non-judgmental vérité approach, director Carlos Alfonso Corral’s debut is a humanizing look at a small section of the homeless population in El Paso, Texas. “Dirty Feathers,” is a short, but thematically rich, film about those on the margins of society.

Mubi, the arthouse streaming platform, and theatrical distributor has signed a deal for Céline Sciamma's Petite Maman, picking up all rights in the U.K., Ireland and Turkey for the new French-language drama from the director of Portrait of a Lady on Fire. Petite Maman premiered in competition at the 2021 Berlin International Film Festival last week.

Naman Ramachandran Theatrical distributor and global curated film streaming service MUBI has picked up well-regarded Berlinale title, French auteur Céline Sciamma’s “Petite Maman.”MUBI has acquired all rights for the U.K., Ireland and Turkey, for the film that was in competition at the Berlinale. MK2 Films is handling international sales.“Petite Maman” follows eight-year-old Nelly who has just lost her beloved grandmother and is helping her parents clean out her mother’s childhood home.

Arthouse streamer and distributor Mubi has acquired all rights for Céline Sciamma’s well-received Berlin Film Festival title Petite Maman for the UK, Ireland and Turkey.

It’s 1943. A particularly cruel winter has swept through the occupied Soviet Union.

Petite Maman, Céline Sciamma's follow-up to her 2019 international breakthrough Portrait of a Lady on Fire is a more intimate affair. The acclaimed French filmmaker has switched the erotic charge and sexual politics of her 18th century period drama for a more personal story of love and loss in a tale of an eight-year-old girl trying to connect with her mother.

One year in the life of a teenager can feel like an eternity. The intensity of the fleeting romances, the wild swings between happiness and despair, the thrilling yet uneasy anticipation of a future that seems simultaneously imminent and distant — it’s a wonder that we come out of adolescence intact.

How often does the cosmos grant us love at first sight? What if you were to be given such an exceptional gift, derived from an impossible encounter in the middle of the street, only for it to be teasingly snatched away? You may think it far from likely, but this is precisely what happens to Giorgi (Giorgi Bochorishvili), and Lisa (Ani Karseladze) in “What Do We See When We Look at the Sky? Continue reading ‘What Do We See When We Look At The Sky?’: Alexandre Koberidze Creates A Compelling Fable

The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.

As industry guests enjoy the Berlinale from home this year, eagle-eyed viewers will take pleasure in spotting a familiar location in the latest film from South Korean auteur and festival-regular Hong Sang-soo. If we can’t stroll around Potsdamer Platz this year, at least the characters in “Introduction“ can share a moment there.

After working together on the domestic release of Portrait of a Lady on Fire,Neon has acquired the North American rights to Céline Sciamma'sPetite Maman. Petite Maman, which premiered at Berlinale,is a time-travel story that follows 8-year-old Nelly, who has just lost her beloved grandmother and is helping her parents clean out the childhood home of her mother, Marion.

Neon has scooped up North American rights to Céline Sciamma’s sixth feature directorial Petite Maman, bringing the Oscar-winning film studio back in business with the French filmmaker behind 2019’s award-winning pic Portrait of a Lady on Fire. Already there is great word of mouth brewing from critics on Sciamma’s new title out of its world premiere at the Berlinale.

Rebecca Rubin Film and Media ReporterNeon has acquired North American rights to Céline Sciamma’s latest feature, “Petite Maman,” following its premiere at the Berlin Film Festival.The sale reunites Sciamma with Neon, the New York-based independent studio that released her acclaimed drama “Portrait of a Lady on Fire.”Written and directed by Sciamma, “Petite Maman” follows 8-year-old Nelly, who loses her beloved grandmother and goes to help her parents clean out her mother’s childhood home.

There's a gorgeous scene early in Petite Maman that epitomizes the unfussy economy and emotional perceptiveness of Céline Sciamma's films. Watching intently from the back seat of the family car as her mother climbs in, stifling tears, and they head off to begin packing up the home of the maternal grandmother who has recently died, the film's 8-year-old protagonist asks permission to break out the snacks.

The latest from T.J.Martin and Daniel Lindsay, directors of “Undefeated” and “LA 92,” “TINA” looks like another documentary that came off of a factory line, complete with the usual panning shots of contact sheets, dramatic zooms into rolling tapes, cross-cutting between audio interviews and their published print versions, melodramatic score cues doing their best to emulate Philip Glass.

There is an unavoidable distance in life between ourselves and those who came before. Parents, grandparents; no matter how open and honest they are with their children or younger relatives, there is a sense that their pasts remain partial enigmas.

Peter Debruge Chief Film Critic“Give me a child until he is 7, and I will show you the man,” proposed Aristotle, to which fiercely feminist French director Céline Sciamma might add, “Give me a woman, and I will show you the free, unbroken spirit she still was at age 8.”Sciamma, who went from being a queer cult favorite (for such bracingly free indies as “Tomboy” and “Water Lilies”) to an internationally respected auteur with 2019’s “Portrait of a Lady on Fire,” follows up that barrier-breaking

True Blood's Stephen Moyer and Golden Globe nominee Colm Meaney (Con Air, Gangs of London) exchange bloody vows in this exclusive first-look image from upcoming thriller Confession, which Signature Entertainment are shopping worldwide at the European Film Market.

For the students at a remote boarding school for Kurdish boys, survival is a matter of course, particularly during the frigid depths of winter. The meals are meager, the heating doesn’t work, and even the principal’s car won’t start.