Berlin Prize-Winner ‘Wheel of Fortune and Fantasy’ Adds Further Territory Sales (EXCLUSIVE)

EXCLUSIVE: Fresh off its world premiere in the Berlin International Film Festival’s competition program, where it won the Silver Bear Jury Prize, Maria Speth’s feature documentary Mr Bachmann And His Class has sold into multiple territories.

Bleecker Street has acquired U.S. rights to Maria Schrader’s I’m Your Man after the film picked up a Silver Bear for Maren Eggert’s lead performance at the 2021 Berlin International Film Festival.

Leo Barraclough International Features EditorBleecker Street has acquired U.S. rights to Maria Schrader’s “I’m Your Man,” which won the Berlinale’s Silver Bear for leading performance for Maren Eggert.

Mark Schilling Japan CorrespondentFollowing his win of the Silver Bear Grand Jury Prize at the recently concluded Berlin Film Festival for “Wheel of Fortune and Fantasy,” 42-year-old Hamaguchi Ryusuke suddenly finds himself catapulted to the directorial front ranks in his native Japan.It’s not that he’s exactly obscure there: Hamaguchi’s 2018 romantic drama “Asako I & II” was selected for the Cannes competition while his 2015 breakthrough, the five-hour-plus drama “Happy Hour,” won a group best

John Hopewell Chief International CorrespondentBerlin Grand Jury Prize winner “Wheel of Fortune and Fantasy,” Japanese writer-director Ryusuke Hamaguchi’s deft three-story reflection on chance, the legacy of love and the contrariness of erotic desire, has clinched further key territory sales for its sales agent M-Appeal World Sales.Fast on the footsteps of clinching the top Berlinale 2021 Silver Bear in March 5’s Berlin prize announcement, “Wheel of Fortune and Fantasy” this week closed Spain

Peter Debruge Chief Film CriticWhen Japanese director Ryusuke Hamaguchi made his return to fiction after time away in the realm of documentary, he dispensed with the idea that stories must conform to feature length.

Magnolia Pictures has acquired the North American rights to Berlin Golden Bear winner Bad Luck Banging or Loony Porn by Romanian filmmaker Radu Jude. The satire follows a high school teacher struggling with the fallout of her sex tape leaking online.

When he was offered the lead role in Fabian —Going to the Dogs, a coming-of-age tell set in Berlin in the early 1930s, Tom Schilling wasn't really interested in doing another period drama.

Filmed in glossy black and white, and adopting a non-judgmental vérité approach, director Carlos Alfonso Corral’s debut is a humanizing look at a small section of the homeless population in El Paso, Texas. “Dirty Feathers,” is a short, but thematically rich, film about those on the margins of society.

Christopher Vourlias Radu Jude’s “Bad Luck Banging or Loony Porn,” which won the Golden Bear for best film at this year’s Berlin Film Festival, has sold to major territories for Heretic Outreach, Variety has learned exclusively.The Romanian writer-director’s latest feature is an irreverent satire about a schoolteacher, Emi (Katia Pascariu), who finds her reputation under threat after a personal sex tape is uploaded on the internet.

Starting a serious art-house movie with an amateur porn video might seem bold, but for Radu Jude's Bad Luck Banging or Loony Porn it was a winning move. The jury of the 71st Berlinale picked the Romanian drama, in which a schoolteacher is caught up in a scandal after a homemade sex tape with her husband (that video we see at the top) gets posted online, for this year's Golden Bear as the best film of the 2021 Berlin International Film Festival.

It’s 1943. A particularly cruel winter has swept through the occupied Soviet Union.

One year in the life of a teenager can feel like an eternity. The intensity of the fleeting romances, the wild swings between happiness and despair, the thrilling yet uneasy anticipation of a future that seems simultaneously imminent and distant — it’s a wonder that we come out of adolescence intact.

Amazon Prime Video has swooped on the critically acclaimed Chilean LGBTQ+ drama My Tender Matador for Latin America. The film —which first bowed in the Venice Days sidebar of the 2020 Venice Film Festival —won the audience award in the Open Horizons section of the 2020 Thessaloniki Film Festival.

Rebecca Davis editorJapanese writer-director Ryusuke Hamaguchi may be known for his deep explorations of women in love, but he never set out to specifically chronicle female intimacy.The filmmaker made his name with 2015’s epic five-hour-long “Happy Hour,” which follows the friendships and lives of four middle-class women in their thirties, followed by the unconventional love story “Asako I & II,” which competed for the Palme d’Or at Cannes in 2018.He has returned to similar territory in a new

Japanese filmmaker Ryusuke Hamaguchi returns to what are fast becoming his signature themes in Berlin competition contender Wheel of Fortune and Fantasy: Odd coincidence, mysterious doubling, and intelligent women compelled by powerful but uncertain feelings. Many critics likened Hamaguchi's 2015 breakthrough, Happy Hour, to a sprawling literary novel (the film was five hours long and won plaudits for its beguiling dialog and finely observed set pieces).

Manori Ravindran International EditorParis-based Totem Films has scored a raft of international sales on Iranian directors Behtash Sanaeeha and Maryam Moghaddam’s Berlin Film Festival competition entry, “Ballad of a White Cow.”“Ballad of a White Cow,” as sales agent Totem notes, is the story of a woman’s struggle for justice, recognition and independence in today’s Tehran.

The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.

As industry guests enjoy the Berlinale from home this year, eagle-eyed viewers will take pleasure in spotting a familiar location in the latest film from South Korean auteur and festival-regular Hong Sang-soo. If we can’t stroll around Potsdamer Platz this year, at least the characters in “Introduction“ can share a moment there.

Japanese writer-director Ryusuke Hamaguchi won wide acclaim and festival prizes with his 2015 breakthrough feature, the bittersweet ensemble drama Happy Hour. But the nuanced, novelistic eye behind that delicately observed five-hour epic seemed to desert Hamaguchi on his 2018 anti-romance Asako I & II, which premiered to lukewarm reviews in Cannes.