Berlin Festival Winners to Be Decided by Socially Distanced, Mainly In-Person Jury

Also Read: Spike Lee Returns as Cannes Jury PresidentOfficial dates still need to be confirmed, but the pre-screenings will begin no earlier than May 24.

The Berlin International Film Festival has fixed the dates for its planned in-person event in the German capital this summer. The 71st Berlinale's "Summer Special" will run June 9 to 20, with red carpet galas and public screenings of this year's festival winners.

Filmed in glossy black and white, and adopting a non-judgmental vérité approach, director Carlos Alfonso Corral’s debut is a humanizing look at a small section of the homeless population in El Paso, Texas. “Dirty Feathers,” is a short, but thematically rich, film about those on the margins of society.

BERLIN -- Judges at the Berlin Film Festival announced Friday that the satirical movie ‘Bad Luck Banging or Loony Porn’ by Romanian director Radu Jude has been awarded this year’s top prize, saying it has the “rare and essential quality of a lasting art work.”The film about a teacher facing scrutiny over a sex tape “captures on screen the very content and essence, the mind and body, the values and the raw flesh of our present moment in time,” the Berlinale jury said as it awarded the film its

It’s 1943. A particularly cruel winter has swept through the occupied Soviet Union.

The 27th Sarajevo Film Festival will pay tribute to German filmmaker Wim Wenders.

Hours after his Bad Luck Banging or Loony Porn won the Golden Bear for best film at the first-ever virtual Berlin International Film Festival, Romanian director Radu Jude took aim at what he called the "bullshit of red carpets" and the false glamour of in-person film festivals.Jude said he was "quite happy" not to have had to attend a fancy awards gala in Berlin on Friday to receive his Golden Bear.

One year in the life of a teenager can feel like an eternity. The intensity of the fleeting romances, the wild swings between happiness and despair, the thrilling yet uneasy anticipation of a future that seems simultaneously imminent and distant — it’s a wonder that we come out of adolescence intact.

Refresh for latest…: The Berlin Film Festival is unveiling its Competition winners this afternoon following five days of virtual screenings. Given the ongoing pandemic, this year was a hybrid event that included the European Film Market and the competition films being made available only to industry delegates and the international jury from March 1-5.

La Mif (The Fam), a coming-of-age drama from Swiss director Fred Bailif, has won the top prize for best film in the Generation 14Plus sidebar of the 2021 Berlin International Film Festival. Bailif'sfictional look inside a residential care facility housing teenage girls "pulls you in, never lets you go, and hits straight to the heart," according to the Generation jury.

The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.

As industry guests enjoy the Berlinale from home this year, eagle-eyed viewers will take pleasure in spotting a familiar location in the latest film from South Korean auteur and festival-regular Hong Sang-soo. If we can’t stroll around Potsdamer Platz this year, at least the characters in “Introduction“ can share a moment there.

The Berlin International Film Festival has crowned winners from its youth-focused Generation and Shorts programs. In Generation Kplus, the Grand Prix for Best Film went to Han Shuai’s Summer Blur, with a special mention for Betania Cappato’s A School in Cerro Hueso.

Alissa Simon Film CriticFor the first time ever, two Hungarian films are competing for the Berlinale’s Golden Bear: “Forest – I See You Everywhere,” a standalone sequel to the 2003 Berlinale hit “Forest,” from veteran auteur Bence Fliegauf, and “Natural Light” from feature debutant Dénes Nagy.

The latest from T.J.Martin and Daniel Lindsay, directors of “Undefeated” and “LA 92,” “TINA” looks like another documentary that came off of a factory line, complete with the usual panning shots of contact sheets, dramatic zooms into rolling tapes, cross-cutting between audio interviews and their published print versions, melodramatic score cues doing their best to emulate Philip Glass.

There is an unavoidable distance in life between ourselves and those who came before. Parents, grandparents; no matter how open and honest they are with their children or younger relatives, there is a sense that their pasts remain partial enigmas.

For the students at a remote boarding school for Kurdish boys, survival is a matter of course, particularly during the frigid depths of winter. The meals are meager, the heating doesn’t work, and even the principal’s car won’t start.

It’s always interesting to see what an actor will deliver as they make the step towards directing, and for “Next Door” director and star Daniel Brühl has not shied away from a premise that closely parallels, yet distorts, his own life. It’s a film that explores a space of conversation highlighted to great effect in Bong Joon-ho’s recent towering success, “Parasite,” toying with societal dichotomies and opening up discussions around wealth, class, gentrification, and spatial divides.

EXCLUSIVE: New York-based distributor FilmRise has struck a deal with sales firm WaZabi Films for U.S. rights to TIFF 2020 and Berlin 2021 drama Beans.

There’s no doubt about it, it’s all in the eyes: an ice-blue stare, locked on you, promising satisfaction and loyalty without asking for anything in return. That’s what love is, and Dan Stevens is the humanoid robot here to give it to us.