Average house prices in West Dunbartonshire have risen by seven percent over the past year – but the area remains one of the cheapest in mainland Scotland in which to buy a property.
11.05.2022 - 19:55 / deadline.com
Ben Whishaw is to lead Limonov, The Ballad of Eddie, a feature from Kirill Serebrennikov, the Russian filmmaker whose Tchaikovsky’s Wife will play at Cannes.
The film penned by Serebrennikov, Ben Hopkins and Cold War‘s Paweł Pawlikowski is inspired by Emmanuel Carrère’s best-selling novel and tells the story of Eduard Limonov’s life and journey through Russia, the U.S. and Europe during the second half of the 20th century.
Limonov was many things, a revolutionary militant, a thug, an underground writer, a butler to a millionaire in Manhattan, but also a switchblade-waving poet, a lover of beautiful women, a warmonger, a political agitator and a novelist who wrote of his own greatness.
Serebrennikov’s Tchaikovsky’s Wife (Zhena Chaikovskogo) is in competition at Cannes, the fourth from the Russian director following Petrov’s Flu last year, 2018’s Leto and 2016’s Uchenik.
The film is produced by Wildside and Chapter 2 and co-produced by Pathé and Pawlikowski will serve as executive producer. Fremantle is also financing. International sales are being handled by Pathé in collaboration with Vision Distribution, who will share an exclusive promoreel on May 17 during the marché du film.
Serebrennikov is represented by CAA and Granderson Des Rochers LLP.
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Average house prices in West Dunbartonshire have risen by seven percent over the past year – but the area remains one of the cheapest in mainland Scotland in which to buy a property.
“It’s apparently fun to drown,” says sixteen-year-old Chloé, the droll, moody teen at the heart of Charlotte Le Bon’s debut feature, “Falcon Lake.” It’s a pithy line that echoes Cecilia Lisbon’s response (“Obviously, Doctor, you’ve never been a thirteen-year-old girl”) when she’s asked why she tried to harm herself in Sofia Coppola‘s “The Virgin Suicides.” Unlike Cecilia and her sisters, Chloé only plays at being dead, seeing how long she can float in the lake near her family’s cabin or lie in the road like a deer hit by a passing car.
“It’s apparently fun to drown,” says sixteen-year-old Chloé, the droll, moody teen at the heart of Charlotte Le Bon’s debut feature, “Falcon Lake.” It’s a pithy line that echoes Cecilia Lisbon’s response (“Obviously, Doctor, you’ve never been a thirteen-year-old girl”) when she’s asked why she tried to harm herself in Sofia Coppola‘s “The Virgin Suicides.” Unlike Cecilia and her sisters, Chloé only plays at being dead, seeing how long she can float in the lake near her family’s cabin or lie in the road like a deer hit by a passing car.
IndieWire. “I had to say, ‘F— the war, I hate you [Russian president Vladimir Putin], bye.’ You can’t be silent about this war.”Serebrennikov himself had been in hot water with Russian authorities back in 2017, when he was convicted of embezzlement through his theater company and banned from leaving the country — a decision which outraged human rights groups who denounced the charge as falsified.
Nick Holdsworth European Film Academy president Agnieszka Holland has criticized the Cannes Film Festival for welcoming a Russian movie to the main competition.The Polish-born director – who fled to France in 1981 when Communist authorities imposed martial law – said now was the time to stand up to Russian aggression in Ukraine.That demanded a total ban on Russian cultural products in Europe, she said in Cannes on Saturday.The Academy Award-nominated filmmaker slammed the festival’s inclusion of Russian director Kirill Serebrennikov’s “Tchaikovsky’s Wife.”“If it were up to me, I would not include Russian films in the official program of the festival – even if Kirill Serebrennikov is such a talented artist,” the 73 year old filmmaker said. Speaking in Cannes at an industry roundtable on supporting the Ukrainian film industry at a time of war, Holland added: “Unfortunately my bad feelings were confirmed by his words.
Christopher Vourlias One day after dissident Russian filmmaker Kirill Serebrennikov’s “Tchaikovsky’s Wife” premiered at the Cannes Film Festival, members of the Ukrainian film industry took to the Croisette to call for a total boycott of Russian movie. Meanwhile, just steps away in the Palais des Festivals, the director’s long-awaited return to cinema’s grandest stage was overshadowed by questions about the festival’s controversial selection and over the film’s financial ties to Russian oligarch Roman Abramovich.Speaking at a politically charged press conference on Thursday, Serebrennikov described Russia’s war in Ukraine as a “total catastrophe” but rejected calls for a boycott of Russian film.
Tchaikovsky’s Wife filmmaker Kirill Serebrennikov, a Russian dissident was grilled, by the global press at Cannes over the pic being bankrolled by oligarch financing in particular Roman Abramovich, as well as the notion of the world’s boycott against Russia.
Returning to Cannes a year after his feverish drama “Petrov’s Flu” hit the Croisette, Kirill Serebrennikov can finally attend the festival in person after recently being free from years of house arrest. Debuting in competition, his latest offering, “Tchaikovsky’s Wife,” is a slow-burn historical drama that never manages to escape from being a bore despite its seemingly intriguing premise.
Owen Gleiberman Chief Film CriticBack when art house movies played full-time in art houses, “Tchaikovsky’s Wife,” at least on paper, might have seemed a film of middlebrow commercial hooks — the sort of movie that would have slipped into the Lincoln Plaza Cinemas in New York and played there comfortably for a month or so. The first hook, of course, is Tchaikovsky himself, the Russian composer who created works of such timeless and popular beauty that he is always in danger, in an odd way, of being underrated, like the Spielberg of longhairs.
CANNES, France -- The last two times the Russian filmmaker Kirill Serebrennikov had films playing at the Cannes Film Festival, he couldn't attend. He was under a travel ban in Russia as part of a conviction for fraud in what was widely protested as unwarranted repression of the arts in Russia.
Christopher Vourlias Despite widespread calls to boycott Russian cinema in the wake of the Ukraine invasion, the Cannes Film Festival struck an uneasy compromise by banning state delegations and Russians with ties to President Vladimir Putin while allowing individual filmmakers to attend.It’s a decision iconoclastic Russian director Kirill Serebrennikov was quick to support on the eve of the world premiere of his latest feature, “Tchaikovsky’s Wife,” which bows in competition on May 18.The director was a no-show at his last two Cannes premieres due in no small part to a history of provocation and dissent against the Russian government. But Serebrennikov – who after a nearly five-year legal ordeal learned on March 28 that he could leave Russia a free man – insists that the type of subversive cinema he creates should be separated from pro-Kremlin propaganda and the “paranoid ideology” of the Putin regime. “Russian culture is about the fragility of life.
Cannes Film Festival chief Thierry Frémaux took part in a ‘meet the press’ session with journalists in Cannes yesterday afternoon.
Christopher Vourlias As the war in Ukraine approaches a grim, three-month mile marker, and the Russian military continues its relentless onslaught, the harsh crackdown on domestic opposition by the Putin regime has left a beleaguered film industry pondering its next steps. Many Russian filmmakers fear they’ll have no choice but to toe the party line, or to flee a country that is increasingly being shut out of the international community.Two-time Oscar nominee Alexander Rodnyansky (“Leviathan,” “Loveless”), the Kyiv-born producer who has called Russia home for nearly three decades, left Moscow on March 1 after being tipped off that his opposition to the war had landed him in the government’s crosshairs.
Nick Vivarelli International CorrespondentVersatile British actor Ben Whishaw, best known globally for playing Q in five James Bond films, has been cast in what’s bound to be the one of the most complex roles of his career.The actor will play the titular character in “Limonov, The Ballad of Eddie,” a new English-language film by revered Russian auteur Kirill Serebrennikov (“Petrov’s Flu,” “Leto”), about radical Russian poet and political dissident Eduard Limonov.The film, which will be presented as a promo reel to buyers in Cannes on May 17, is inspired by the best-selling novel “Limonov” by French writer and director Emmanuelle Carrère, which was translated in 35 countries.“Limonov” delves into the story of Eduard Limonov, who lived many lives. He was an underground writer in the Soviet Union who escaped to the U.S.