Ben Kingsley Hopes His MCU Return in Wonder Man Series Is a ‘Surprise’ and ‘Refresh’

These are your latest Manchester City evening headlines on Friday, September 30.

Marta Balaga “Dalíland” star Ben Kingsley felt the presence of the famous painter when making his latest film, directed by Mary Harron. “Some days [Salvador Dalí] would come, saying: ‘I will just sit here for a while. Put your brush on the canvas and good luck.’ Later on, I really felt he allowed me to make an attempt at portraying him,” he told Variety during an online press conference at Zurich Film Festival. “He was mercurial, deliberately tried to wrong-foot people and quite difficult to pin down apart from the voice, the moustache, the eyes. We actually looked at several versions of his famous moustache. One could think: ‘It’s just a moustache!’ But it was his vigor, his eccentricity. His signature.”

Todd Spangler NY Digital Editor It’s not a dream: The third installment of Neil Gaiman’s “The Sandman” audio drama on Audible is now available. All 19 episodes of “The Sandman: Act III,” with James McAvoy again lending his voice to the title role, are now available exclusively on Audible. It’s a surprise release for the third seasons of the popular series that brings to aural life the world of Gaiman’s best-selling fantasy graphic novels published by DC. The third installment is again adapted and directed by co-executive producer Dirk Maggs and narrated by Gaiman, who also returns as creative director and co-executive producer. “The Sandman: Act III” also features an original score from BAFTA-winning composer James Hannigan.

Fans were first introduced to Wanda Maximoff, aka Scarlet Witch, in “Captain America: The Winter Soldier” and “Avengers: Age of Ultron.” However, it wasn’t until years later that Elizabeth Olsen’s Marvel Cinematic Universe character would really come into her own, climaxing in the one-two punch of “WandaVision” and “Doctor Strange in the Multiverse of Madness.” But just because it would appear that her story has come to a dramatic end in ‘Multiverse of Madness,’ that doesn’t mean we’re done seeing Scarlet Witch in the MCU.  Continue reading Kevin Feige Teases Scarlet Witch’s Possible MCU Return: “Anything’s Possible In The Multiverse!” at The Playlist.

Kate Aurthur editor Elizabeth Olsen is one of creative leaders honored for Variety’s 2022 Power of Women presented by Lifetime. For more, click here. Elizabeth Olsen’s film career began — explosively — with the 2011 Sundance sensation “Martha Marcy May Marlene,” after which she went to co-star in a number of independent films. But she soon noticed, Olsen tells Variety in an interview for her Power of Women cover story, that she was perhaps being pigeonholed. “I wasn’t being considered for studio films,” Olsen says. “I asked my agent and manager why, and they said, ‘Well, you don’t do them.’”

HBO Max, which just became part of Nielsen’s weekly U.S. streaming rankings a few weeks ago, had a coming-out party on the chart for August 22 to 28 thanks to House of the Dragon.

The Mandarin” — in “Iron Man 3” that made the director and writer realize he could pull it off. Speaking with TheWrap at the Toronto International Film Festival on behalf of “Dalíland,” the festival’s closing night film, director Mary Harron (“American Psycho”) and writer John Walsh said that the real Dalí was something of a “tremendous coward.” And though Kingsley had always played strong, fearless roles, they were worried about whether or not Kingsley could flash a more eccentric, fearful side.“And then we watched…’Iron Man 3,'” Harron and Walsh said. “He was brilliant.

Owen Gleiberman Chief Film Critic There’s a genre I like so much I can never get enough of it — I call it the Biopic About Someone You Wouldn’t Make a Biopic About. The form came into existence, in a certain way, with “Sid and Nancy,” but it was all but patented by the screenwriters Scott Alexander and Larry Karaszewski, who planted it on the map, in 1994, with “Ed Wood” (still the “Citizen Kane” of the genre), then went on to script “The People vs. Larry Flynt,” “Man on the Moon” (about Andy Kaufman), “Big Eyes” (about the painter Walter Keane and his wife, Margaret, who turned out to be the painter behind the throne), and “Dolemite Is My Name” (about the fluky hustler-comedian Ray Moore). There have been films in the genre from other quarters, like Paul Schrader’s superb “Auto Focus” (about the TV star Bob Crane and his video-fetish sex life), going right up through the recent Toronto Film Festival sensation “Weird: The Al Yankovic Story.”

As the Toronto International Film Festival comes to its official Closing Night we say goodbye to the re-energized fest for another year, but not before we say ‘hello Dali’ or actually the final World Premiere of the festival, Daliland  which picks up the celebrated artists’ life in its later years focusing on the odd relationship between his and his controlling wife. If only this film stuck to that idea and didn’t take a detour into a misbegotten coming of age plotline about the young assistant both Dalis take a shine to in their own way.

Mary Harron is too good a director to make a drab, conventional biopic, so it’s disappointing to report that with “Dalíland,” she’s done just that. It’s not a complete waste, and she manages to insert a handful of distinctive flourishes and memorable characters.

Twenty-six years after making “I Shot Andy Warhol,” filmmaker Mary Harron returns to the late ’60s/early ’70s New York art world with “Dalíland,” this time with greater mastery and style. Ben Kingsley stars as Salvador Dalí, the eccentric Spanish surrealist artist who paraded around sporting a handlebar mustache and dressed like a 16th century conquistador in the glam-rock era. Harron dabbles in her own take on surrealism by converging Dalí’s romantic headspace and the ever-present decadent party scene.

There is simply so much good content out there — in fact, way too much — that picking Primetime Emmy nominees that deserve to win is a tough job indeed. If they have gotten this far, with this level of competition, then they have to be good. I have seen much of what voters have to sift through to fill out their ballots, and it becomes a Solomon’s choice in many instances, this — and every — year.

In today’s episode of The Discourse, host Mike DeAngelo sets his sights on Searchlight Pictures’ latest release, “See How They Run,” with the star of the film, and Academy Award Winner, Sam Rockwell. In the film, Rockwell plays Inspector Stoppard, who, along with a rookie partner (Saoirse Ronan), must investigate a murder that just so happens to take place within a production of an Agatha Christie play.

Wilson Chapman editor A first look at the highly anticipated “Percy Jackson and the Olympians” Disney+ series was released out of the D23 Expo on Saturday. First greenlit in January, “Percy Jackson” is an adaptation of Rick Riordan’s popular young-adult fantasy book series, which consists of five books released from 2005 to 2009. The series was previously adapted into two feature films released in 2010 and 2013, with Logan Lerman in the title role. The films grossed $425 million combined worldwide. The new series focuses on the titular 12 year-old boy (played by “Adam Project” star Walker Scobell), who discovers that he is the son of Greek god Poseidon and begins training to become a hero at Camp Half-Blood, a special training camp for demigods.

Leo Barraclough International Features Editor The 18th Zurich Film Festival (Sept. 22-Oct. 2) will present its Golden Icon Award to the British actor Ben Kingsley on Sept. 29. Kingsley will present the European premiere of his latest movie “Dalíland,” in which he portrays the Spanish painter Salvador Dalí. In addition, Kingsley will speak about his career in a ZFF Masters. Kingsley has played several iconographic roles in film history: He was the title character in “Gandhi,” Oskar Schindler’s bookkeeper, and has worked with such leading director as Martin Scorsese, Steven Spielberg, Ridley Scott and Isabel Coixet. “Sir Ben Kingsley is an outstanding and highly versatile character actor who is not only completely absorbed in his roles, but is also able to imbue his characters with a rare human depth,” Christian Jungen, ZFF artistic director, said.

‘The Osbournes’ TV show is set to return, with a new ten part series on BBC One documenting Ozzy and Sharon’s move back to the UK.“I’m delighted that the Osbournes will be sharing this next chapter in their lives with BBC viewers in what promises to be a funny, moving and honest insight into their new life in the UK”, says the BBC’s Head Of Commissioning for documentaries, Clare Sillery.The show will follow Sharon and Ozzy Osbourne as they return to the family home in Buckinghamshire they left more than 20 years ago. Remaining in the US, their children Jack and Kelly will also feature.It’s also now more than 20 years since the original version of ‘The Osbournes’ first aired on MTV, launching in March 2002 and quickly becoming the most popular show on the channel.

One of the things fans enjoy most about the MCU is just how interconnected everything is. Over the past 15-ish years, Marvel Studios has created a universe that spans more than two dozen films and multiple TV series, allowing for some characters to venture through multiple different franchises.

The Only Way is Essex is back in style, and this year's series sees some of the stalwart show's familiar faces bring their usual glamour – and drama – to the Dominican Republic. One star of the show, however, has had enough and has quit and will not be returning for the latest series as she "doesn't like the drama".The person in question is Chloe Brockett's mum Clare as the star, who made her first appearance on the show in 2019, has bowed out.