Award-winning Indian journalist Ravish Kumar has stepped down from his role at broadcaster NDTV, which is in the process of a hostile takeover by Indian billionaire Guatam Adani.
11.11.2022 - 20:27 / deadline.com
Steven Spielberg has been known to explore science fiction in many of his films, like Minority Report, E.T. The Extraterrestrial and Close Encounters of the Third Kind. But his company Amblin rockets into science fact with Good Night Oppy, a documentary about NASA’s 2003 mission to send rovers to Mars to look for signs that water once flowed on the Red Planet.
Amblin approached Ryan White to direct the film, a wise choice given not only his skill as a director but his affection for the subject matter.
“I’m a space geek,” White tells Deadline. “So, I had followed these missions myself.”
NASA and the Jet Propulsion Laboratory launched two rovers to Mars within weeks of each other — first Spirit and then Opportunity (the “Oppy” of the title). White documents the maniacally tight deadline faced by engineers designing the rovers; they needed to get the vehicles ready to go for the moment when the orbits of Earth and Mars aligned most closely, otherwise the mission would have to wait another two years for the next window of Opportunity (so to speak).
From the get go, engineers and scientists involved in the mission imbued the rovers with human characteristics – in some ways consciously, in other ways unconsciously. They deliberately designed Spirit and Oppy — the nickname NASA gave Opportunity — to be 5’2” tall (“the average height of a human” as one NASA expert points out). The cameras on the vehicles peered out like eyes from beneath a brow-like metal protrusion.
The men and women who participated in the mission told White they developed feelings for their robotic creations early on. They referred to them by the female gender.
“I would think that NASA scientists and engineers would be relatively unemotional and be very
Award-winning Indian journalist Ravish Kumar has stepped down from his role at broadcaster NDTV, which is in the process of a hostile takeover by Indian billionaire Guatam Adani.
Word of Austin Butler’s steadfast work ethic was already becoming known in Hollywood before the 31-year-old actor played Elvis Presley. But in taking on the part of a lifetime, in Baz Lurhmann’s titular film, the actor truly proved his dedication beyond any expectation. Butler may have moved on to his next projects (among them, the Tom Hanks and Steven Spielberg exec-produced Masters of the Air, and Dune: Part Two, currently in production) but he still relishes talking about playing Elvis and describes how he aimed to capture both the physical depiction and the soul of the man.
Alejandro González Iñárritu (Bardo) is set to receive the Cinema Audio Society’s Filmmaker of the Year honor at the59th CAS Awards, taking placing at the InterContinental Los Angeles Downtown hotel on March 4.
Steven Spielberg has Covid. Given that, the 75-year-old director missed his planned introduction of the Michelle Williams tribute at the Gotham Awards tonight in Manhattan.
There was something particularly nerve-racking about playing a young Steven Spielberg in The Fabelmans, the director’s semi-autobiographical movie base on his own family and upbringing. For starters, star Gabriel LaBelle said during an appearance at Deadline’s Contenders Film: Los Angeles awards-season event that he never actually sat down with the director to get the 411 on what Spielberg was like as a young kid.
Deadline is offering up a record number of titles in the lineup for Contenders Film: Los Angeles, which kicks off this morning live and in-person at the DGA Theater on Sunset Boulevard.
The estate of Tom Petty blasted the campaign of Republican Kari Lake for using the late singer’s work I Won’t Back Down as she refuses to concede the Arizona governor’s race to Katie Hobbs.
It was a true Grand Canyon State nail biter but Katie Hobbs prevailed over former TV anchor and Donald Trump acolyte Kari Lake in the race to be Arizona’s next governor, NBC and CNN projected on Monday.
EXCLUSIVE: Sam Mendes, the Oscar and Tony award-winning director, has chosen three London theater stars – Michael Balogun (National Theatre Live: Death of England-Delroy), Hadley Fraser (Donmar Theatre’s Coriolanus), and Nigel Lindsay (Chichester Festival Theatre’s Woman In Mind) to bring his much-garlanded production of The Lehman Trilogy back into the West End. That’s following triumphant runs at the UK’s National Theatre, the Park Avenue Armory, and Broadway, and a phenomenal 16-week, sold-out run at London’s Piccadilly Theatre in 2019.
The 7th annual Critics Choice Documentary Awards unveiled its winners in a gala event that was live-streamed from New York City. It was Amazon Studios’ Good Night Oppy that was the biggest winner of the night taking home five trophies including the top accolade of the night — winning Gold for Best Documentary Feature.
Best Documentary Feature: “Good Night Oppy” (Amazon Studios)Silver medal winner: “Fire of Love” (National Geographic Documentary Films/Neon)Bronze medal winner: “Navalny” (HBO Max/CNN Films)Best Director: Ryan White – “Good Night Oppy” (Amazon Studios)Best First Documentary Feature: David Siev – “Bad Axe” (IFC Films)Best Cinematography: The Cinematography Team – “Our Great National Parks” (Netflix)Best Editing: Brett Morgen – “Moonage Daydream” (HBO/Neon)Best Score: Blake Neely – “Good Night Oppy” (Amazon Studios)Best Narration: “Good Night Oppy” (Amazon Studios)Written by Helen Kearns, Ryan White, performed by Angela BassettBest Archival Documentary: “Fire of Love” (National Geographic Documentary Films/Neon)Best Historical Documentary: “Descendant” (Netflix)Best Biographical Documentary: “Sidney” (Apple TV+)Best Music Documentary: “The Beatles: Get Back” (Disney+)Best Political Documentary: “Navalny” (HBO Max/CNN Films)Best Science/Nature Documentary: “Good Night Oppy” (Amazon Studios)Best Sports Documentary: (TIE) “Citizen Ashe” (Magnolia/HBO) and “Welcome to Wrexham” (FX/Hulu)Best Short Documentary: “Nuisance Bear” (The New Yorker)Best Limited Documentary Series: “The Beatles: Get Back” (Disney+)Best Ongoing Documentary Series: “30 for 30” (ESPN)The Pennebaker Award: Barbara KoppleCritics Choice Impact Award: Dawn Porter
The Fabelmans grossed an estimated $160k this weekend at four theaters in NY and LA. That’s a $40K per screen average, on par with recent strong (for post-Covid) specialty openings like The Banshees Of Inisherin (at $45k PSA) and Tár (also $40k), both on four screens too, reflecting a definite pickup in the specialty space. Spielberg’s written, directed and produced semi-autobiographical tale debuted into one of the biggest openings of the year with Black Panther: Wakanda Forever.
It’s a shame George Clooney has yet to direct another film as great as 2005’s “Good Night, And Good Luck.” That film, about the 1953 conflict between journalist Edward R. Murrow and US Senator Joseph McCarthy during the Red Scare, was a coup for Clooney on every level.
Good Night, And Good Luck, the 2005 feature film directed by and starring George Clooney, is being adapted for the small screen.
Steven Spielberg‘s latest movie, “The Fabelmans,” is all about the power of film and the theatrical experience. But in a new interview with The New York Times in the leadup to the film’s release, Spielberg argued the magic of moviegoing took a hit during the COVID-19 pandemic, and Warner Bros.