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Marilyn Monroe
Ana De-Armas
Joyce Carol Oates
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‘Blonde’ drops out of Netflix US Top 10 chart - www.nme.com - Britain - USA
nme.com
13.10.2022 / 16:37

‘Blonde’ drops out of Netflix US Top 10 chart

Blonde has dropped out of the Netflix Top 10 movies chart in the US.The controversial biopic, released on the streaming platform on September 28, was missing from Netflix’s Top 10 chart for Monday October 10. As reported by IndieWire, the film spent just three days at the number one spot.In the UK chart on Wednesday October 12, Blonde is currently positioned in tenth place, behind 2015’s Goosebumps and Netflix original Old People.The most popular film on the US and UK chart is Luckiest Girl Alive, an original film starring Mila Kunis which holds a Rotten Tomatoes score of 43 per cent.Directed by Andrew Dominik and starring Ana de Armas, Blonde is based on a novel by Joyce Carol Oates and is described as a “reimagining” of Monroe’s life.A synopsis reads: “Blonde boldly reimagines the life of one of Hollywood’s most enduring icons, Marilyn Monroe.

‘Blonde’: Adrien Brody On Playing Arthur Miller In “Brave” & “Terrifying” Marilyn Monroe Story - deadline.com - county Miller - county Arthur - county Story - county Andrew - county Monroe
deadline.com
04.10.2022 / 20:51

‘Blonde’: Adrien Brody On Playing Arthur Miller In “Brave” & “Terrifying” Marilyn Monroe Story

Adrien Brody, who features as playwright and one-time Marilyn Monroe spouse Arthur Miller in Andrew Dominik’s Blonde, says elements of the story adapted from Joyce Carol Oates’ 2000 bestselling fictionalized novel, are “terrifying” but hopefully lead to a feeling of empathy for the woman behind the cultural icon.

‘Blonde’ author defends Ana de Armas biopic following ‘exploitation’ controversy - www.nme.com - USA - Hollywood
nme.com
03.10.2022 / 16:09

‘Blonde’ author defends Ana de Armas biopic following ‘exploitation’ controversy

Blonde author Joyce Carol Oates has defended the new Ana de Armas biopic.The Netflix film, which “blurs the lines of fact and fiction” on Marilyn Monroe’s life, has proved divisive since its release last week. While de Armas’ performance has been praised, many have suggested that the film is exploitative of Monroe.Oates, who wrote the book that the film is based on, came to its defence by calling it a “brilliant work of cinematic art obviously not for everyone”.“I think it was/is a brilliant work of cinematic art obviously not for everyone,” she tweeted.

Planned Parenthood Slams Netflix’s ‘Blonde’ for Contributing to ‘Anti-Abortion Propaganda’ - variety.com
variety.com
02.10.2022 / 03:45

Planned Parenthood Slams Netflix’s ‘Blonde’ for Contributing to ‘Anti-Abortion Propaganda’

BreAnna Bell After making its Netflix debut on Sept. 28, Andrew Dominick’s “Blonde” has received an intense wave of criticism among viewers for several reasons, largely centering on its depiction and fictionalization of Marilyn Monroe’s life, which has been described as “exploitative.” Now Planned Parenthood has released a statement against the film, alleging it contributes to “anti-abortion propaganda.” In the film, based on Joyce Carol Oates’ novel of the same title, Monroe (played by Ana de Armas) is seen being forced to go through two illegal abortions, both of which leave a lasting scar on the Hollywood star. One scene in particular shows Monroe talking to a photoreal CGI version of her unborn fetus, which sympathetically questions her about its own fate asking, “You won’t hurt me this time, will you?” 

‘Blonde’ Author Joyce Carol Oates Weighs In on Netflix Film: ‘Brilliant Work of Cinematic Art’ but ‘Not for Everyone’ - variety.com - New York - Hollywood
variety.com
01.10.2022 / 02:43

‘Blonde’ Author Joyce Carol Oates Weighs In on Netflix Film: ‘Brilliant Work of Cinematic Art’ but ‘Not for Everyone’

Ellise Shafer “Blonde” author Joyce Carol Oates, who penned the biographical fiction novel that the Netflix film is based on, has weighed in on the discourse surrounding Andrew Dominik’s controversial portrait of Marilyn Monroe. On Friday, Oates answered some burning questions from fans via Twitter, including about backlash the film has received that it exploits Monroe’s trauma. Dubbed a fictionalized retelling of the movie star’s life and untimely death, “Blonde” loosely recreates several tragedies during the life of Monroe (Ana de Armas), including the abuse she endured from her mother and the sexual assaults she experienced in Hollywood. In addition to fan outrage on social media, the movie has also been panned by several film critics, including The New York Times’ Manohla Dargis, who wrote in her review: “Given all the indignities and horrors that Marilyn Monroe endured during her 36 years, it is a relief that she didn’t have to suffer through the vulgarities of ‘Blonde,’ the latest necrophiliac entertainment to exploit her.”

‘Blonde’ Director Explains the Netflix Film’s Ending: ‘It Was Just What I Believed’ - thewrap.com
thewrap.com
30.09.2022 / 23:21

‘Blonde’ Director Explains the Netflix Film’s Ending: ‘It Was Just What I Believed’

Note: The following contains spoilers for the ending of “Blonde” and discussion of self-harm.Filmmaker Andrew Dominik’s Marilyn Monroe film “Blonde” is now streaming on Netflix after years of anticipation and controversy, and when it comes to depicting Monroe’s demise at the end of the movie, Dominik had to make a decision about what he believed happened to her.As the film comes to a close, Ana de Armas’ Marilyn Monroe is in a fragile emotional state when she receives a package from former lover Cass (Xavier Samuel), which he left to her when he died. The box contains a memento from her childhood and a letter which reads, “There never was a Tearful father,” suggesting all those letters she received from her “father” were from him.

Critics rip Netflix’s ‘Blonde’ for being ‘exploitative’ and ‘sexist’: ‘Self-indulgent act of cruelty' - www.foxnews.com - California - Cuba - San Francisco, state California
foxnews.com
30.09.2022 / 17:13

Critics rip Netflix’s ‘Blonde’ for being ‘exploitative’ and ‘sexist’: ‘Self-indulgent act of cruelty'

Despite "Blonde" topping the Netflix chart since its streaming release on Wednesday, the film is facing criticism from viewers.  "Blonde," which is based on a fictional take on the life of Marilyn Monroe, is played by Cuban actress Ana de Armas.  The film’s director, Andrew Dominik, is receiving heat, as subscribers view his work as "hideous," while being "exploitative" and "sexist." Critics took to Twitter to express their review of the biopic, as one user writes, "Marilyn Monroe deserves more than #Blonde." Marilyn Monroe deserves more than #Blonde pic.twitter.com/llpU5KhXxC— Rebecca Rideal (@RebeccaRideal) September 29, 2022 "I had the extreme misfortune of watching ‘Blonde’ on Netflix last night and let me tell you that movie is so anti-abortion, so sexist, so exploitative," Steph Herold, an abortion researcher at the University of California, San Francisco tweeted. Despite "Blonde" topping the Netflix chart since its streaming release on Wednesday, the film is facing criticism from viewers.  (Getty Images) "Cannot recommend it LESS.

‘Blonde’ viewers call JFK scene “insane” and “horrifying” - www.nme.com - county Andrew
nme.com
30.09.2022 / 16:21

‘Blonde’ viewers call JFK scene “insane” and “horrifying”

Netflix viewers have called a scene in Andrew Dominik’s Blonde “horrifying”, as it fictionalises Marilyn Monroe performing oral sex on JFK.After the film was released on Netflix on Wednesday (September 28), users took to social media to call out the “insane” scene.The Daily Beast journalist Marlow Stern shared an article detailing the “horrifying” scene in which John F Kennedy rapes Monroe, which was fictionalised by director Andrew Dominik.let's talk about arguably the most horrifying scene in 'blonde': jfk's rape of marilyn monroe https://t.co/Gp5aeo2SIi— Marlow Stern (@MarlowNYC) September 16, 2022Another viewer called the JFK scene “insane” and added: “andrew dominik you’re going to hell.”One person took to social media after watching the film to call out the “degrading” scene. They wrote: “Oh my God! 2 hours and 10 minutes into #Blonde I’m wondering why it’s NC-17 then comes the JFK scene for the most degrading depiction of Marilyn Monroe.”Take a look at some more reactions here:Why would the film #Blonde fabricate a graphic rape of #MarilynMonroe by #JFK? Disgusting exploitation.

From ‘Gentlemen Prefer Blondes’ to ‘The Seven Year Itch,’ How ‘Blonde’ Costume Designer Recreated Marilyn Monroe’s Most Iconic Looks - variety.com - Italy
variety.com
29.09.2022 / 21:47

From ‘Gentlemen Prefer Blondes’ to ‘The Seven Year Itch,’ How ‘Blonde’ Costume Designer Recreated Marilyn Monroe’s Most Iconic Looks

Jazz Tangcay Artisans Editor In the end, an old-fashioned filmmaking trick involving heated cardboard helped costume designers re-create Marilyn Monroe’s famous pleated halter dress from “The Seven Year Itch” for Andrew Dominik’s “Blonde.” “On paper, it looks easy,” says “Blonde” costume designer Jennifer Johnson, who worked on many of Monroe’s looks — including that one — for the movie, which is now streaming on Netflix. She started by outfitting the film’s star, Ana de Armas, with a facsimile of the dress from a costume house. “It looked cute,” but it wasn’t right, says Johnson.

Here’s every song on the ‘Blonde’ soundtrack - www.nme.com - county Monroe
nme.com
28.09.2022 / 23:23

Here’s every song on the ‘Blonde’ soundtrack

Netflix film Blonde has been released – check it out below.Directed by Andrew Dominik and adapted from the novel by Joyce Carol Oates, Blonde stars Ana de Armas as Marilyn Monroe in a reimagining of her life.A synopsis reads: “Blonde boldly reimagines the life of one of Hollywood’s most enduring icons, Marilyn Monroe. From her volatile childhood as Norma Jeane, through her rise to stardom and romantic entanglements, Blonde blurs the lines of fact and fiction to explore the widening split between her public and private selves.”The film, which has divided many critics, also stars Adrien Brody, Bobby Cannavale, Xavier Samuel and Julianna Nicholson.Blonde’s soundtrack consists of an original score by Nick Cave and Warren Ellis, along with tracks pulled from films Monroe starred in – including Some Like It Hot, Gentlemen Prefer Blondes and Niagara.You can check out a list of the songs featured below:You can listen to the original score by Nick Cave and Warren Ellis below.In a four-star review of Blonde, NME wrote: “It’s not an easy watch and there is a lingering sense of a film trying to have its cake and eat it.

‘Gentleman Prefer Blondes’ is about ‘well-dressed wh – – es’: ‘Blonde’ director - nypost.com - New Zealand - county Monroe
nypost.com
28.09.2022 / 19:23

‘Gentleman Prefer Blondes’ is about ‘well-dressed wh – – es’: ‘Blonde’ director

“Blonde” director Andrew Dominik has strong opinions about cultural icon Marilyn Monroe as his NC-17-rated Netflix film starring Ana de Armas as the golden-haired bombshell dropped on Wednesday.Although Dominik. 54, created the movie inspired by Joyce Carol Oates’ fictional book, he’s not a big fan of the late actress’ film career.Dominik spoke to Sight and Sound magazine’s film critic Christina Newland, who shared a portion of her interview that didn’t make the official profile on Twitter Tuesday.“She’s somebody who’s become this huge cultural thing in a whole load of movies that nobody really watches, right?” the New Zealand filmmaker said.

Ana de Armas defends explicit scenes in ‘Blonde’: “I felt very protected and safe” - www.nme.com
nme.com
28.09.2022 / 16:27

Ana de Armas defends explicit scenes in ‘Blonde’: “I felt very protected and safe”

Blonde‘s explicit scenes, claiming they’re harder for people to watch than they were for her to make.In a recent interview with Entertainment Weekly, the actress – who stars in the Netflix film as Hollywood icon Marilyn Monroe – discussed some of the movie’s more uncomfortable moments.These range from sexual assault to abortion, as well as a scene in which Monroe performs oral sex on President John F. Kennedy. However, de Armas made it clear that she always felt safe on set with director and writer Andrew Dominik.“It’s harder for people to watch [those scenes] than for me to make them, because I understood what I was doing and I felt very protected and safe,’ she said.“I didn’t feel exploited because I was in control.

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