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Maddie Ziegler & ‘Schitt’s Creek’ Star Emily Hampshire To Lead ‘Bloody Hell’, Coming-Of-Age “Traumedy” From ‘Mary Goes Round’ Director Molly McGlynn - deadline.com - Canada - county Hampshire
deadline.com
07.06.2022 / 16:25

Maddie Ziegler & ‘Schitt’s Creek’ Star Emily Hampshire To Lead ‘Bloody Hell’, Coming-Of-Age “Traumedy” From ‘Mary Goes Round’ Director Molly McGlynn

EXCLUSIVE: Maddie Ziegler and Schitt’s Creek Star Emily Hampshire are to lead Bloody Hell, a coming-of-age “traumedy” from Mary Goes Round director Molly McGlynn.

'Elvis' Cast Appears at Cannes Press Conference, Director Baz Luhrmann Talks About the Film's 'Greatest Review' - www.justjared.com - France - county Butler - county Mason - city Alton, county Mason
justjared.com
27.05.2022 / 04:53

'Elvis' Cast Appears at Cannes Press Conference, Director Baz Luhrmann Talks About the Film's 'Greatest Review'

The stars of the new movie Elvis, directed by Baz Luhrmann, stepped out for a press conference and photo call at the 2022 Cannes Film Festival.

‘Close’ Is A Exquisite Tale Of Childhood Heartbreak [Cannes Review] - theplaylist.net
theplaylist.net
27.05.2022 / 01:33

‘Close’ Is A Exquisite Tale Of Childhood Heartbreak [Cannes Review]

CANNES – Lukas Dhont’s second feature, “Close,” starts off where most love stories end, and, in that respect, it begins with almost euphoric joy. Leo (Eden Dambrine) and Remi (Gustav De Waele) are the best of friends.

Cannes Review: Park Chan-wook’s ‘Decision To Leave’; His First Film To Premiere At Cannes Since 2016 - deadline.com
deadline.com
23.05.2022 / 20:05

Cannes Review: Park Chan-wook’s ‘Decision To Leave’; His First Film To Premiere At Cannes Since 2016

Detective Hae-joon investigating the death of a man who fell from a mountain top. When he meets the deceased man’s wife in Park Chan-wook’s latest film in competition at Cannes, Decision To Leave.  

‘Falcon Lake’ Review: Charlotte Le Bon’s Debut Is A Bold, Haunting Coming-Of-Age Story [Cannes] - theplaylist.net - city Sofia - Lisbon
theplaylist.net
22.05.2022 / 22:31

‘Falcon Lake’ Review: Charlotte Le Bon’s Debut Is A Bold, Haunting Coming-Of-Age Story [Cannes]

“It’s apparently fun to drown,” says sixteen-year-old Chloé, the droll, moody teen at the heart of Charlotte Le Bon’s debut feature, “Falcon Lake.” It’s a pithy line that echoes Cecilia Lisbon’s response (“Obviously, Doctor, you’ve never been a thirteen-year-old girl”) when she’s asked why she tried to harm herself in Sofia Coppola‘s “The Virgin Suicides.” Unlike Cecilia and her sisters, Chloé only plays at being dead, seeing how long she can float in the lake near her family’s cabin or lie in the road like a deer hit by a passing car.

‘Falcon Lake’ Review: A Bold, Haunting Coming-Of-Age Story [Cannes] - theplaylist.net - city Sofia - Lisbon
theplaylist.net
22.05.2022 / 21:23

‘Falcon Lake’ Review: A Bold, Haunting Coming-Of-Age Story [Cannes]

“It’s apparently fun to drown,” says sixteen-year-old Chloé, the droll, moody teen at the heart of Charlotte Le Bon’s debut feature, “Falcon Lake.” It’s a pithy line that echoes Cecilia Lisbon’s response (“Obviously, Doctor, you’ve never been a thirteen-year-old girl”) when she’s asked why she tried to harm herself in Sofia Coppola‘s “The Virgin Suicides.” Unlike Cecilia and her sisters, Chloé only plays at being dead, seeing how long she can float in the lake near her family’s cabin or lie in the road like a deer hit by a passing car.

Gina Gammell & Riley Keough’s ‘War Pony’ Is Admirable But Overstuffed [Cannes Review] - theplaylist.net - USA - India
theplaylist.net
22.05.2022 / 16:25

Gina Gammell & Riley Keough’s ‘War Pony’ Is Admirable But Overstuffed [Cannes Review]

CANNES – It may seem obvious, but sometimes combining two compelling stories doesn’t lead to an overall more captivating film. That’s the primary takeaway from Gina Gammell and Riley Keough‘s somewhat messy “War Pony,” which debuted at the 2022 Cannes Film Festival this weekend.

Cristian Mungiu Demonstrates That Racism & Xenophobia Are Universal In ‘R.M.N.’ [Cannes Review] - theplaylist.net - Ireland - Ukraine - Russia - Eu
theplaylist.net
22.05.2022 / 14:31

Cristian Mungiu Demonstrates That Racism & Xenophobia Are Universal In ‘R.M.N.’ [Cannes Review]

CANNES – We are living in yet another era of European history where old battles over the borders of nation-states are being disputed. Russia has invaded the sovereign nation of Ukraine after already annexing the province of Crimea less than a decade ago.

Cannes Report Day 5: Tilda Swinton Explains Why It’s ‘Dangerous’ to Hear ‘Only One Story’ - thewrap.com - Russia
thewrap.com
21.05.2022 / 19:01

Cannes Report Day 5: Tilda Swinton Explains Why It’s ‘Dangerous’ to Hear ‘Only One Story’

“Three Thousand Years of Longing” premiered at Cannes on Friday night has quickly become one of the more talked about films out of the festival thus far. And Miller and his stars Tilda Swinton and Idris Elba in a press conference Saturday encouraged the journalists in the room, as well as Hollywood at large, to continue telling unique, diverse stories.Swinton in particular warned of the danger of only being exposed to one type of story.

Cannes Review: Tilda Swinton & Idris Elba In George Miller’s ‘Three Thousand Years Of Longing’ - deadline.com - Britain - Greece - George - city Istanbul
deadline.com
21.05.2022 / 02:21

Cannes Review: Tilda Swinton & Idris Elba In George Miller’s ‘Three Thousand Years Of Longing’

When ranging out of Mad Max territory, George Miller’s films are highly diverse and unpredictable in nature, and never has this proved more the case than with his time-traveling, narratively far-ranging new drama, Three Thousand Years of Longing. In this Cannes Film Festival competition entry, the director delves back into old texts to examine the nature and power of legendary stories that have endured for centuries in a way that is both sharply creative and a bit off-putting; the film begins on quite a high, only to slowly deflate as it works its way toward its modern-day ending.

Cannes Review: Tarik Saleh’s ‘Boy From Heaven’ - deadline.com - Egypt - Lebanon - city Cairo
deadline.com
20.05.2022 / 18:29

Cannes Review: Tarik Saleh’s ‘Boy From Heaven’

It’s early days at the Cannes Film Festival, so awards prognostication might seem a little premature, but still, it’s hard to imagine that the phenomenal performance given by Swedish-Lebanese actor Fares Fares in Tarik Saleh’s searing political thriller Boy from Heaven will go entirely unnoticed by this year’s jury. Topping the work he did in Saleh’s 2017 Sundance hit The Nile Hilton Incident, Fares commands the screen from the moment he arrives, playing a character whose disheveled appearance conceals a ruthless efficiency, a laser-focused mind and an entirely pragmatic concept of morality.

Cannes Review: Mark Jenkin’s ‘Enys Men’ - deadline.com - Britain
deadline.com
20.05.2022 / 17:25

Cannes Review: Mark Jenkin’s ‘Enys Men’

Mark Jenkin’s 2019 film Bait had the rare distinction of being a genuine out-of-the-blue discovery, featuring heavily on UK critics’ year-best lists after a modest arthouse release by the BFI. The black-and-white film’s experimental style was emphasized in all its press coverage, nodding to avant-garde auteurs like Stan Brakhage, Derek Jarman and Guy Maddin — all directors who are interested in the literal grain of film and video (indeed, Jenkin reportedly developed the negative with coffee and washing soda then distressed the image by hand). Throw in post-synch sound, and you have a film more likely to screen to two people and a dog at a smoky underground 1960s cine-club than win a BAFTA. 

Anne Hathaway & James Gray Define The ‘Armageddon’ In ‘Armageddon Time’ [Cannes] - theplaylist.net - New York
theplaylist.net
20.05.2022 / 15:17

Anne Hathaway & James Gray Define The ‘Armageddon’ In ‘Armageddon Time’ [Cannes]

CANNES – James Gray’s new film, “Armageddon Time,” is an autobiographical tale recounting the systematic racism he witness at the age of 12-years-old over four decades ago. His parents are played by Anne Hathaway and Jeremy Strong, while he’s reimagined as Paul, an artistic dreamer portrayed by Banks Repeta.

‘Armageddon Time’ Director James Gray Says the US – and Hollywood – Are ‘in Serious Trouble’ - thewrap.com - USA - Hollywood
thewrap.com
20.05.2022 / 14:31

‘Armageddon Time’ Director James Gray Says the US – and Hollywood – Are ‘in Serious Trouble’

TheWrap’s review called the film one of the least nostalgic examples of a form that is almost by definition nostalgic,” and added: “Gray is hard on himself in ‘Armageddon Time’; Paul Graff, the film’s stand-in for the director as a sixth grader, is never cute, unless you want to dote on the angelic curls and ignore the purposefully stubborn personality.

James Gray Says ‘Armageddon Time’ Exposes ‘White Privilege’ in America - variety.com
variety.com
20.05.2022 / 14:23

James Gray Says ‘Armageddon Time’ Exposes ‘White Privilege’ in America

Elsa Keslassy International CorrespondentJames Gray spoke about the contemporary resonance of his Cannes competition film “Armageddon Time” at the press conference for the movie on May 20. Sitting next to Anne Hathaway and Jeremy Strong, Gray said he wrote the script of “Armageddon Time” before a series of events including the killing of George Floyd and said his initial idea for the film was to show “layers of white privilege” in the 1980s which still exist today.“It’s impossible to look at the world as currently constructed, at least the Western world, at least my own country, which is what I have referenced and not see white privilege as one of the guiding mechanisms that are in existence,” said Gray.Gray said people who go to the private school depicted in the film have to been seen as “having superpower privilege.” “It’s a system where the same group gets to the top, stays at the top, and they keep everybody else out.

‘Armageddon Time’ Cannes Premiere: James Gray Chokes Up During Emotional Speech After Standing Ovation - deadline.com - county Webb
deadline.com
20.05.2022 / 00:35

‘Armageddon Time’ Cannes Premiere: James Gray Chokes Up During Emotional Speech After Standing Ovation

James Gray returned to Cannes for the fifth time with what was a personal story inspired by his childhood during 1980s Queens, NY, and the premiere tonight was nothing but emotional.

Anne Hathaway, James Gray Tear Up During Seven-Minute Emotional Cannes Standing Ovation for ‘Armageddon Time’ - variety.com
variety.com
19.05.2022 / 23:45

Anne Hathaway, James Gray Tear Up During Seven-Minute Emotional Cannes Standing Ovation for ‘Armageddon Time’

Matt Donnelly Senior Film WriterAnne Hathaway and Jeremy Strong made the end of the world seem pretty fabulous on Thursday night, hitting the Croisette for the Cannes Film Festival premiere of writer-director James Gray’s “Armageddon Time.”Gray’s semi-autobiographical film about growing up in 1980s Queens stars newcomers Banks Repeta (as the Gray surrogate) and Jaylin Webb (as his best friend). Hathaway and Strong play solid a Jewish couple with dreams of upward mobility.

‘Armageddon Time’ Film Review: James Gray Looks at His Childhood Without Nostalgia - thewrap.com - Ireland - county Mills
thewrap.com
19.05.2022 / 22:43

‘Armageddon Time’ Film Review: James Gray Looks at His Childhood Without Nostalgia

Kenneth Branagh’s childhood was transformed by the Troubles in Northern Ireland, Mike Mills had very eccentric parents and Cameron Crowe was a teenage rock critic — and we know these things because all three directors have made films that drew upon their own childhoods. And now it’s James Gray’s turn to offer his own look back with “Armageddon Time,” which premiered to a rousing ovation in the main competition at the Cannes Film Festival on Thursday.And what does the film tell us about the young Gray? For starters, he was a dreamer, he was a brat, he didn’t understand the privileges he was born into and he went on his own path.

Jessica Chastain Plays Surprise Role as Maryanne Trump, Donald Trump’s Sister, in ‘Armageddon Time’ - variety.com - USA - New York - New Jersey
variety.com
19.05.2022 / 22:11

Jessica Chastain Plays Surprise Role as Maryanne Trump, Donald Trump’s Sister, in ‘Armageddon Time’

Jessica Chastain surprised audiences at the Cannes Film Festival on Thursday, when she appeared in an unannounced cameo in the 1980s coming-of-age drama “Armageddon Time” as Maryanne Trump, Donald Trump’s sister.Chastain’s role is small but effective. As Maryanne Trump, she appears as a guest lecturer at an austere private school where the film’s young protagonist, Paul (Banks Repeta), matriculates mid-film. She lectures the privileged boys and girls about the value of ambition in a Phyllis Schlafly-esque beehive.

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