America’s Political, Legal and Cultural Underbelly Explored by Trio of Filmmakers at CPH:DOX

UPDATED: Rupert Murdoch and Ann Lesley Smith are no longer engaged, Deadline has confirmed, only weeks after news that the two were planning to tie the knot this summer. Smith was set to be wife No. 5 for the media mogul and chairman of Fox Corp.

Norm Ornstein that called Stahl’s a “disgraceful, cringeworthy performance” and one from John Harwood that called the interview “garbage” – Brzezinski questioned who could realistically do a better job than Stahl? “I think she did an exceptional job, as usual,” Brzezinski said. “I take issue with those tweets and with both those people. If they sat down with Marjorie Taylor Greene, could they do it as well? Because it should be done.

EXCLUSIVE: Filming has begun on location in Italy and Morocco on virus thriller Cold Storage with Smile star Sosie Bacon joining Joe Keery (Stranger Things), Liam Neeson (Taken) and Georgina Campbell (Barbarian). The Crown star and Oscar nominee Lesley Manville (Phantom Thread) is in final talks to join.

Former Directors Guild presidents Paris Barclay and Thomas Schlamme have been named co-chairs of the DGA Outreach Team in advance of what the guild predicts will be “difficult” negotiations for a new film and TV contract, which are set to start May 10.

CPH:DOX, the international nonfiction film festival in Copenhagen, isn’t shy about stating its ambitions.

Lesley Joseph may be famous for playing larger-than-life Dorien Green in the classic sitcom Birds Of A Feather, but when we chat to the 77-year-old actress, who’s currently on tour in Sister Act: The Musical, she is noticeably more subdued than her TV alter ego. In fact, Lesley is the first to admit that her stint playing Mother Superior is taking its toll. “I am a bit tired to be honest,” she tells Notebook over the phone.

Motherland, a “dark and monumental” film about neo-nationalism in Belarus, earned the top prize tonight at the prestigious CPH:DOX festival in Copenhagen.

Leo Barraclough International Features Editor Documentary specialist Autlook Filmsales closed a raft of sales at a vibrant market during the Copenhagen documentary festival CPH:DOX. “Subject,” directed by Camilla Hall and Jennifer Tiexiera, got picked up by Sweden’s SVT, Denmark’s DR, Norway’s NRK, Norway’s VGTV, The Netherlands’ VPRO, Israel’s Yes Doc, and Madman for Australia and New Zealand. Dogwoof released the film early this month in the U.K. “Subject” is an examination of the relationship between nonfiction filmmakers and their subjects. It raises important ethical questions during a golden of age for documentaries, when docs are screened by millions of viewers. The film re-visits protagonists of some of the most viewed documentaries of today – “The Staircase,” “The Square,” “Hoop Dreams,” “The Wolfpack” and “Capturing the Friedmans.”

Leo Barraclough International Features Editor Swiss sales agency Lightdox has acquired the international rights to feature documentary “On the Edge” by Nicolas Peduzzi, which just had its world premiere at Copenhagen documentary festival CPH:DOX in the DOX:AWARD competition, and received a Special Mention from the jury, who said the film “gripped us, and took us on a journey through the labyrinth of a human mind.” The film centers on Jamal Abdel Kader, who is the only psychiatrist in a 400-bed state hospital on the outskirts of Paris. Dedicated to his patients, he does his utmost to soothe their pain, listen to their words, and protect them from their own demons. However, the public health service is doing badly. There isn’t enough time, the caregivers are under severe strain as the institution is understaffed and underfunded. Yet Jamal and his colleagues keep striving to fulfil their mission: to heal bodies and souls.

Lise Pedersen The top Dox:Award at CPH:DOX, the Copenhagen documentary festival, has gone to “Motherland” by Ukrainian-Belarussian director Alexander Mihalkovich (“My Granny From Mars”) and Ukrainian director Hanna Badziaka. Described by Variety as “an ominous portrait of the oppressive culture of cruelty in post-Soviet Belarus,” the film follows Svetlana, whose son died during his military service as the result of violent abuse, in her quest to expose and prosecute those responsible for his death. Dedicating the award to “all the Ukrainians fighting Russian aggression and to Belarussian political prisoners,” the directing duo thanked all those who helped them make the film, in particular the protagonists, “who were brave to stand in front of the camera and patient with us as it was a long journey of four years.”

World class climber Jimmy Chin met his future wife, filmmaker Chai Vasarhelyi, over a mountain – of footage.

Addie Morfoot Contributor Three projects pitched at CPH:FORUM – the industry program of CPH:DOX, the Copenhagen-based documentary festival – have been awarded cash prizes. They are Robin Petré’s “Only on Earth,” Iryna Tsilyk’s “Red Zone” and Yegor Troyanovsky’s “Cuba & Alaska.” The filmmakers were awarded at a ceremony in the Danish capital on Thursday. Petré’s “Only on Earth” garnered the Eurimages Co-Production Development Award worth €20,000 for best pitch. The docu, produced by Signe Skov Thomsen, and Malene Flindt Pedersen, depicts a journey deep into one of Europe’s hottest fire zones, Galicia, where wild horses roam the mountains under the watch of local cowboys. These horses are excellent at fire prevention, but now they are vanishing in the clash between humans and nature.

Oscar winner and Academy member Roger Ross Williams is saying publicly what many in the documentary community have stewed over privately – that the sums of money being spent on Oscar documentary campaigns has “gotten insane.” And Williams, a former Academy Governor representing the Doc Branch, says something may be done about it.

Jessica Kiang In recent years, self-proclaimed Trump svengali Roger Stone has often been compared to DC Comics character the Penguin. Christoffer Guldbrandsen’s “A Storm Foretold,” a wild-ride doc that grants all-areas access to Stone over a three-year period starting with his 2019 indictment and subsequent pardon, suggests this is not strictly fair. For one thing, as the film begins, Stone is smoking the chunkiest cigar you have ever seen, rather than the more canonically acceptable cigarette holder wielded by the cartoon villain. For another, while Stone has more enemies that you can shake a fat stogie at, no single superherohas yet emerged to save Gotham/the United States of America from his brand of preening, gloating arrogance. If he is the Penguin, where the hell is Batman? 

Addie Morfoot Contributor During a talk at Copenhagen’s CPH:DOX on Wednesday, Oscar-winning director Roger Ross Williams spoke about a wide variety of topics, including his latest documentary, “Love to Love You, Donna Summer,” how insanely expensive it is to garner a doc Oscar nomination, and why the racial reckoning that occurred in the nonfiction community after George Floyd’s murder is over. Despite celebrity-driven docs being all the rage, Williams admitted that he usually rejects them. “I have so many celebrities who come to me about making a documentary (about their life),” the helmer told moderator Thom Powers. “It’s never worked out because if they are a living celebrity, who is very popular, they are all about control. It’s a piece of propaganda about their image and their career. It’s not a documentary.”

Whenever the Iranian regime feels threatened by public protest its reflex is to go after two groups: demonstrators, most assuredly, but also artists – especially filmmakers.

Lise Pedersen Los Angeles non-profit The Film Collaborative has boarded Swedish director Tove Pils’ debut feature “Labor,” which is competing in the Nordic:Dox section at the Copenhagen Intl. Documentary Film Festival, CPH:DOX. The film follows Hanna, who leaves her family and girlfriend behind in her small Swedish hometown and travels to San Francisco to explore her sexuality in the city’s vibrant queer scene. She soon meets Chloe, a professional dominatrix, and Cyd, a trans man who works as an escort for gay men. Together with her new friends, she embarks on a journey that takes her further and further away from her life in Sweden. “Labor” was shot over more than a decade, and one of the reasons it took them so long to put the film together was their concern for the protagonists’ anonymity and the effect it might have on their lives, Pils explains to Variety.

Rupert Murdoch just announced that he’s engaged to Ann Lesley Smith, less than a year after finalizing his divorce from model Jerry Hall.

Rupert Murdoch is officially engaged to former police chaplain Ann Lesley Smith.

Imagine not only believing the world is coming to an end, but wanting it to happen. Eagerly. Then, take it a step further and imagine people with such a mentality engineering American politics and foreign policy to bring about the very thing they seek — the apocalypse.