Amandla Stenberg takes another swipe at Times critic over ‘t-ts’ review

Sir Rod Stewart has taken another cheeky dig at his long-time pal Sir Elton John by doing an impersonation of him on stage. The 77-year-old ‘Maggie May’ singer stuck on a spangly pink jacket and wacky sparkling sunglasses more suited to Elton’s wardrobe, stuck out his front teeth and mimed playing the piano. He shared the moment as a meme to his 1.

Yet another comedian has sued US streaming service Pandora over allegations it failed to fully license his comedy routines. This time its George Lopez going legal, accusing Pandora of infringing his copyrights.There have been a flurry of lawsuits of this kind against Pandora this year, all of them making pretty much the same claims – basically that while Pandora secured the rights to stream recordings of each comedian’s performances, they failed to get permission to stream the routines contained within those recordings, what in legal terms would be considered the ‘literary works’.In music, of course, streaming services like Pandora secure two sets of licences, one from the record industry covering recording rights, and then another set from the music publishing sector covering the separate song rights.However, with spoken word content, generally only licences covering the recording rights have been sought.

. Amandla Stenberg has taken to Instagram to defend herself after sending an indignant message to New York Times film critic Lena Wilson after she Stenberg's film Bodies Bodies Bodies. After referring to the A24 film as “a 95-minute advertisement for cleavage” in her review, Wilson shared on Twitter that Sternberg direct messaged her on Instagram.This content can also be viewed on the site it from.“Your review was great,” the message read.

Bodies Bodies Bodies review.Stenberg stars in A24’s newest horror comedy film about a group of rich friends in their twenties who host a party game that ends in a death.Wilson, a New York Times critic, wrote in her review that while the film is not “bad”, it’s “not special”.“The only thing that really sets Bodies Bodies Bodies apart is its place in the A24 hype machine, where it doubles as a 95-minute advertisement for cleavage and Charli XCX’s latest single,” Wilson wrote.Yesterday (August 18) the film critic shared a screenshot of an Instagram message that she received from Stenberg a few days following the review’s publication, which read: “Your review is great, maybe if you had gotten your eyes off my tits you could’ve watched the movie!”Below the photo, Wilson tweeted: “Always weird when the homophobia is coming from inside the house but this is something.”“Me: (spends one line of a 500-word review facetiously commenting on how A24 objectifies young women to sell content),” she added.

Amandla Stenberg has been stirring up controversy due to a DM she sent to a film critic who wrote that her new horror flick “doubles as a 95-minute advertisement for cleavage.”

Amandla Stenberg is speaking out to defend the Instagram DM she sent to a film critic who reviewed her new movie Bodies Bodies Bodies.

“Bodies Bodies Bodies.”In her review of the A24 horror-comedy, Lena Wilson wrote that it “doubles as a 95-minute advertisement for cleavage and Charli XCX’s latest single.” Stenberg then responded to Wilson via Instagram DM: “Your review was great. Maybe if you had gotten your eyes off my tits you would’ve watched the movie!” Wilson did not take kindly to Stenberg’s message, replying “Hey, Amandla! Generally a big fan of your work, but this sure is something.

Zack Sharf Amandla Stenberg posted a video to her Instagram stories explaining why she reached out to The New York Times film critic Lena Wilson with a controversial message. As revealed by Wilson in a viral tweet, Stenberg contacted the film critic on Instagram after Wilson wrote in her “Bodies Bodies Bodies” review that the A24 horror movie “doubles as a 95-minute advertisement for cleavage.”“Your review was great,” Stenberg wrote to Wilson. “Maybe if you had gotten your eyes off my tits you would’ve watched the movie!”Stenberg’s comment generated backlash after it was posted to Twitter by Wilson, but the “Bodies Bodies Bodies” actor said in her own Instagram video that she was just trying to be funny with her message.

wrote in her review.Wilson said that while the film — which boasts 89% on Rotten Tomatoes — is not “bad,” it’s certainly “not special.”She then shared a screenshot of her DMs, with the alleged message from Stenberg.“Maybe if you had gotten ur eyes off my t-ts you could’ve watched the movie,” the DM allegedly from Stenberg reads.always weird when the homophobia is coming from inside the house but this is something“Do you think she Instagram DM’d Alison Willmore, Justin Chang, and Anthony Lane like this or..,” Wilson tweeted alongside the screenshot, referring to the other critics who also reviewed the film.In a follow-up tweet, Wilson claimed Stenberg’s DM was somewhat homophobic.“Always weird when the homophobia is coming from inside the house but this is something,” she wrote.“Me: (spends one line of a 500-word review facetiously commenting on how A24 objectifies young women to sell content),” Wilson went on.

Amandla Stenberg is calling out a critic.

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Daniel D'Addario Chief TV CriticIn entertainment, as in sports, it’s all about timing.Which makes “Legacy: The True Story of the LA Lakers” a victim of the TV industry’s current interest in its subject matter. (Perhaps that can be blamed on the ’80s Lakers being the most recognizable, and most accessible, team to build a series around in the wake of the smash success of the 2020 Michael Jordan docuseries “The Last Dance.”) Jeanie Buss, the CEO of the NBA’s Lakers, has executive-produced Hulu’s documentary tribute to the team that was already, this year, at the center of Apple TV+’s doc “They Call Me Magic,” about star Magic Johnson, and HBO’s scripted “Winning Time,” about her late father Jerry Buss’ stewardship of the team.