All That Baz: How Baz Luhrmann’s ‘Elvis’ Tells The Truth Behind An Icon Who “Just Wanted To Love And Be Loved In Return”
21.12.2022 - 22:13
/ deadline.com
The night Baz Luhrmann premiered his film Elvis at the Cannes Film Festival, all eyes were on Priscilla Presley. She had turned 77 the day before, and in the 45 years since her former husband’s death, she’d suffered many cartoonish caricatures and lame imitations of the man she loved. But that night, as the credits rolled, she cried.
Luhrmann was relieved; after all, Presley’s blessing wasn’t something the director took for granted. “I really mean this with great respect, because now we’re like family,” he says, “but she got a little bit vocal about her doubts. She said, ‘I don’t know, this film could be crazy. Baz can be wackadoo. And how can this skinny kid play Elvis?’”
The “kid” she referred to was Austin Butler. And her concern was understandable. How could she trust anyone to depict the man she loved; the tortured and brilliant artist who changed music history? He was a man both complex and self-destructive, with a huge, fragile heart. As Luhrmann says, “Elvis had become wallpaper. He was sort of a Halloween costume. But to his family, he was always a husband, a father, a grandfather and a person.”
On top of that, Luhrmann wasn’t planning some puff piece of cinema about a beloved icon. Instead, he sought to look behind the velvet curtain. “There were things that were going to be difficult for them to see about Elvis, but they were also going to see the humanity and true spirituality of him, which was the most important thing.”
After seeing the film, however, Presley wrote Luhrmann a letter. “I won’t share all of it,” he says, “but the key thing she said was, ‘My whole life I’ve had to put up with people impersonating my husband, and I don’t know how that boy did it, but every move, every wink… If my husband was