Alejandro G. Iñárritu Still Doesn’t Appreciate Robert Downey Jr.’s Response To His Distaste For Superhero Movies

died in July 2021 after a long battle with Parkinson’s disease. “We’re grateful to have Netflix partner with us on this highly personal project. They’re the ideal home for our unconventional, oft absurd, brutally in-depth homage,” producers Robert Downey Jr.

Set to the tune of Beatles classic “I Am The Walrus,” a new trailer for Alejandro G. Iñárritu’s Bardo – full title: Bardo, False Chronicle of a Handful of Truths – dropped today, giving viewers a taste of what Venice festgoers experienced earlier this month.

“Bardo (False Chronicle Of A Handful Of Truths)” hit the Lido at the Venice Film Festival and Telluride Film Festival earlier this month, Alejandro G. Iñárritu‘s first movie since “The Revenant.” But those screenings are now a test-run for Iñárritu’s latest.

“Bardo, False Chronicle of a Handful of Truths,” and it looks positively trippy.Backed by The Beatles’ “I Am the Walrus,” the trailer is completely dialogue-free and instead offers up a bevy of images from the film, which by most accounts is a semi-autobiographical story from the “Birdman” and “The Revenant” director in the vein of “8 1/2.”Described as an “epic, visually stunning and immersive experience” the story follows Silverio (Daniel Giménez Cacho), a renowned Mexican journalist and documentary filmmaker living in Los Angeles, who, after being named the recipient of a prestigious international award, is compelled to return to his native country, unaware that this simple trip will push him to an existential limit. The official synopsis continues: “The folly of his memories and fears have decided to pierce through to the present, filling his everyday life with a sense of bewilderment and wonder.”Iñárritu works with cinematographer Darius Khondji (“Seven,” “Uncut Gems”) for the first time on “Bardo,” which was shot on 65mm film.

Wilson Chapman editorAlejandro González Iñárritu has released the first trailer for his Netflix Oscar contender “Bardo” — and the entire movie is now 22 minutes shorter.The Mexican filmmaker and two-time best director winner’s eighth film, “Bardo (or False Chronicle of a Handful of Truths),” premiered at this year’s Venice Film Festival. After screening at Venice and Telluride, Iñárritu went back into the edit room and cut down 22 minutes from the film, bringing its runtime to two hours and 32 minutes, without credits.“The first time I saw my film was with 2,000 people in Venice,” Iñárritu told IndieWire. “That was a nice opportunity to see it and learn about things that could benefit from being tied up a bit, add one scene that never arrived on time, and move the order of one or two things. Little by little, I tightened it, and I am very excited about it.”

What is life beyond our memories? Celebrated filmmaker Alejandro G. Iñárritu journeys through recollections and the truths they conceal in “Bardo, False Chronicle of a Handful of Truths.” The film, which focuses on an award-winning  journalist/documentarian, seems to be a thematic successor to Iñárritu’s “Birdman or (The Unexpected Virtue of Ignorance).” Part illusion, part reality — the principal aspects of ‘Bardo’ push the audience to question everything.  Continue reading ‘Bardo, False Chronicle Of A Handful of Truths’ Trailer: Alejandro G.

“I am Iron Man!” In another universe, the now-infamous line from the eponymous 2008 movie could have been spoken by Tom Cruise instead of Robert Downey Jr.

Ethan Shanfeld Timothée Chalamet has worn the crown of Hollywood “it boy” ever since his turn in Luca Guadagnino’s “Call Me by Your Name.” Since then, he’s starred in indie favorites like “Lady Bird” and “Beautiful Boy,” as well as headlined fantasy blockbuster “Dune.” Up next: Guadagnino’s film festival darling “Bones and All,” a cannibal love story that earned an 8.5-minute standing ovation in Venice. Following in the footsteps of Hollywood hotshots before him, Chalamet revealed to British Vogue the career advice that Leonardo DiCaprio gave him: “No hard drugs and no superhero movies.” DiCaprio and Chalamet shared the screen in Adam McKay’s 2021 satirical comedy “Don’t Look Up,” which premiered in limited theaters and on Netflix last December, and was nominated for a best picture Oscar.

Robert Downey Jr. and his wife Susan are enjoying a romantic night out.

millions along the way, with his earnings fueling his pricey car collection. According to CA Knowledge, the 62-year-old is worth an estimated $32million (£27. 5million).

Zack Sharf Alejandro Gonzalez Iñarritu does not like superhero movies. The Oscar winner said in 2014 while promoting “Birdman” that superhero movies were a form of “cultural genocide,” adding, “I don’t respond to those characters. They have been poison because the audience is so overexposed to plot and explosions and shit that doesn’t mean nothing about the experience of being human.” Robert Downey Jr. weighed in on Iñarritu’s comment in 2015 during an interview with The Guardian to promote his turn as Iron Man in the Marvel blockbuster “Avengers: Age of Ultron,” but the actor’s retort was somewhat controversial. Downey Jr. noted that he “respects the heck out of” Iñarritu but also mocked Iñarritu’s Spanish roots by saying, “For a man whose native tongue is Spanish to be able to put together a phrase like ‘cultural genocide’ just speaks to how bright he is.”

Although Robert Downey Jr. is currently one of the most famous actors on the planet, he reminds the audience early in the new documentary “Sr.”— about his late father Robert Downey Sr.— that for many years, he was simply just known as “Bob Downey’s kid.” Which is ostensibly the impetus of “Sr.,” directed by celebrated documentarian Chris Smith (“American Movie”), yet, essentially hosted and presented by RDJ, to put his father in proper cinematic and historical context.

Over the weekend, we saw a number of high-profile films get major premieres at the Venice Film Festival. One of the most anticipated features to debut is Alejandro G.

Clayton Davis If Colin Farrell doesn’t get an Oscar nom this year for “The Banshees of Inisherin,” he never will. That was all I could think after watching his work in Martin McDonagh’s latest dark comedy. And who would have thought that Farrell and Brendan Gleeson would become the perfect comedic duo of our day? I thought the pair’s magic in “In Bruges” (2008) was a one-hit wonder, but with “The Banshees of Inisherin,” the two men have recaptured their old alchemy. The latest pitch black romp from “Three Billboards outside Ebbing, Missouri” director and scribe McDonagh harnesses the simplest premise in recent memory: a man tries to understand why his best friend doesn’t want to talk to him anymore. What unfolds within that premise are moral complexities and refreshing takes on love and forgiveness.

Peter Debruge Chief Film Critic Just how polished does a career-spanning documentary about the anarchic underground filmmaker behind “Greaser’s Palace” and “Putney Swope” need to be? If you’ve seen any of Robert Downey’s films, the answer is obviously: not very. You might even say, the scrappier the better. So goes the thinking behind “Sr.,” a loose seemingly seat-of-your-pants portrait of the antiestablishment director (perhaps best known for siring “Iron Man” star Robert Downey Jr.) that sneaks up on ya, emotionally speaking, seeing as how it doubles as a kind of farewell exercise between the two generations (plus grandson Exton) in the months before Downey succumbed to Parkinson’s Disease.

Armie Hammer is living in one of Robert Downey Jr's houses. The 36-year-old actor had a spell in in rehab back in 2021 after struggling to overcome alcoholism and is now said to be staying in a house owned by his fellow Hollywood star Robert,57, as he continues to conquer sobriety. A source told PageSix: "He is shacking up in one of Robert's extra houses.

There’s no shortage of star power on the Lido this year. The 79th Venice Film Festival boasts such boldface names as Timothée Chalamet — along with his fellow the Bones And All castmates and filmmaker Luca Guadagnino — Cate Blanchett, Alejandro G. Iñárritu, Adam Driver and dozens more.

EXCLUSIVE: When he comes to a film festival with his latest film, Alejandro G. Iñárritu cuts a supremely confident swath. As he premiered his film Bardo in Venice, the writer/director seemed a bit more vulnerable. This is understandable because the film is a mix of dream and reality, a deep dive into his own life tragedies, the identity conflict facing an immigrant who becomes wildly successful in their adopted country, and the inevitable need to face one’s mortality.

Alejandro G Iñárritu‘s three-hour-long opus Bardo (False Chronicle of a Handful of Truths) received a warm reception at its Venice Film Festival world premiere on Thursday night. Six minutes of applause began inside the Sala Grande as the credits rolled, with attendees standing for the Oscar winning filmmaker for about four of those.