A24 Buys Paul Mescal Tearjerker ‘Aftersun,’ Charlotte Wells’ Hit Movie, Out of Cannes

Clairo and Holly Humberstone have had to pull out of this year’s Primavera Sound, with new names added to the line-up.Primavera Sound is being held across two weekends in Barcelona this year, with a number of acts having to pull out due to COVID-related issues.Last week, The Strokes announced they were unable to perform at the festival’s first weekend due to a band member testing positive (Tame Impala then paid tribute at the festival with a ‘Last Nite’ cover), but are still set to appear for weekend two on Friday night (June 10) as it stands.Jack Antonoff’s Bleachers have also pulled out of weekend two, with the festival now formally announcing that cancellation, along with Clairo, Holly Humberstone and Tainy.Replacing them will be Mura Masa, Chet Faker, Hurray For The Riff Raff and Ferran Palau, the festival announced.See the fully updated line-up for the festival’s second weekend below.A post shared by Primavera Sound (@primavera_sound)Another act playing weekend two at Primavera Sound is Run The Jewels, who had to cancel a gig in Birmingham last night (June 7) due to El-P contracting laryngitis. It’s not clear yet whether he will recover in time to perform in Barcelona.After the opening day of the festival’s first weekend (June 2), Primavera apologised for “problems” amid a number of complaints from attendees about large queues for bars, lack of access to water despite high temperatures, and overcrowded stages.Attendees took to social media to raise complaints, with one fan saying: “I’ve been going to Primavera almost yearly for over a decade and last night was the worst I’ve ever seen it in terms of organisation.

Elsa Keslassy International CorrespondentSideshow and Janus Films have acquired North American rights for “Tori and Lokita,” the latest film by two-time Palme d’Or winners Jean-Pierre and Luc Dardenne, which world premiered in competition at Cannes. The movie was one of the best reviewed films of the competition and earned the Dardenne brothers the festival’s special 75th Anniversary Prize.A story of human perseverance, the film is set in contemporary Belgium and follows a young boy Tori (Pablo Schils) and an adolescent girl Lokita (Joely Mbundu) who have traveled alone from Africa and pit their invincible friendship against the difficult conditions of their exile.“Tori and Lokita” stars Pablo Schils, Joely Mbundu, Alban Ukaj, Tijman Govaerts, Charlotte De Bruyne, Nadège Ouedraogo, and Marc Zinga.

Sideshow and Janus Films have acquired North American rights for Jean-Pierre and Luc Dardenne’s Tori and Lokita which premiered in competition at the Cannes Film Festival and was lauded with the Festival’s Special 75th Anniversary Prize. A theatrical release from Sideshow and Janus is being planned.

2022 marks Queen Elizabeth II’s 70th year on the throne, and many of Her Majesty’s Platinum Jubilee celebrations are just around the corner as the UK prepares to enjoy an extra long weekend from the 2nd–5th June. Street parties aside, beauty brands have also got in on the action with limited edition makeup and fragrance buys to commemorate the Queen’s very special milestone – as well as a couple of flash sales in her honour.

Amanda Bynes has a new hair color!

Elsa Keslassy International CorrespondentAndres Ramirez Pulido’s “La Jauria” won the Grand Prize at Critics’ Week, the Cannes Film Festival’s sidebar dedicated to first and second features. The Colombian film also won the SACD prize.

As the Cannes Film Festival rolls towards its conclusion on Saturday night, sidebar Critics’ Week doled out its awards this evening with the Grand Prize going to Andres Ramirez Pulido’s La Jauria. Critics’ Week is devoted to first and second features, and this is Pulido’s debut meaning the film is also eligible for the Camera d’Or which will be announced on Saturday during the fest’s main closing ceremony.

review for TheWrap called it a “heart-achingly stirring and sensorially entrancing debut feature” from Wells, who also wrote the script. The film is produced by Adele Romanski, Barry Jenkins and Mark Ceryak for PASTEL and Amy Jackson for Unified Theory.

Two-time Oscar winner and former Un Certain Regard Jury President Guillermo del Toro kicked off a filmmaker symposium at Cannes today, discussing the future of cinema, particularly as it’s been rattled by the pandemic.

A24 has won North American rights to Charlotte Wells’ Cannes buzz title Aftersun.

Cannes Film Festival. The actor, 26, slicked back his hair and donned a dapper suit for the event held at Place de la Castre. Paul looked full of confidence as he posed in his sharp suit and statement bow tie at the ceremony which aims to shine a light on women’s contribution to cinema, both in front of and behind the camera.

Here are some of the key talking points from the Cannes Film Festival and market at half-way.

With his classic 1990s heartthrob looks, it was only a matter of time before Paul Mescal found his way into a film set in that era. Like “Normal People,” the series that catapulted the young Irish actor to fame, Charlotte Wells’ “Aftersun” has him wearing shorts, but this time with a belt and the polo shirt tucked in — a detail like many others in the film that should send a wave of recognition through audience members who grew up then.

Guy Lodge Film CriticThere’s always an undertow of melancholy even to the most idyllic of summer vacations. Every blissed-out day that passes is another closer to it ending, and the shadow of normal life resuming — with its work and school and domestic obligations, shelving the freer, looser personae we adopt away from home — hovers beside our pleasure like a glum weather forecast.

Scottish writer-director Charlotte Wells lights up Cannes Critics’ Week with Aftersun, the absorbing story of an 11-year-old going on holiday with her father. Paul Mescal (Normal People, The Lost Daughter) stars alongside Francesca Corio in a terrific two-hander with engaging supporting performances. Shot on location in Turkey, the film is partly a comedy-drama about a package holiday, but also a meditation on memories of a father with mental health problems.

Naman Ramachandran New York-based Scottish filmmaker Charlotte Wells’ feature debut “Aftersun,” premiering at Cannes Critics’ Week, aims to achieve a balance of joy and melancholia in equal measure.Framed as a look back at a father-daughter holiday at a Turkish resort in the late 1990s, with occasional mini DV footage adding to the period texture, the film is an ode to nostalgia with hints of something far darker.Wells’ first short, “Tuesday” (2015), was about the loss of her father, which happened when she was a teenager. “I wanted to explore a different period in that relationship, like a young father and his daughter on holiday.

Early in Saela Davis and Anna Rose Holmer’s dark and stately God’s Creatures, screening in Directors’ Fortnight here at Cannes, one of the younger women at a wake in an old Irish fishing village declares that her new baby will definitely be learning to swim. The dead man drowned, a professional risk on the surging waters of the west of Ireland. Even now that the fishing industry has given way to oyster beds suspended in chest-deep water, the farmers wear heavy waders and the worst can happen. The other women are startled. Swimming lessons? That’s not how things are done around here.

Guy Lodge Film CriticIt’s not that we haven’t seen Emily Watson on screen recently — it just feels a long time since any film really made us look at her. Somehow knowing and guileless and haunted at once, her piercing, pale-eyed gaze made an immediate mark in film history with her debut in “Breaking the Waves” a quarter-century ago, but it’s been an underused natural resource of late: TV has been more generous, but the movies have confined her to stock mom-and-wife supporting roles for years.

CANNES – Despite the passage of time, very little has changed over the decades in the small Irish fishing village depicted in “God’s Creatures.” There is work. There is family.