5 Great Movies ‘Titanic’ Sunk at the 1997 Box Office

Rebecca Rubin Film and Media Reporter “Creed III” delivered a powerful box office knockout with its $58.6 million domestic debut, clobbering expectations and franchise records in the process. And there’s more good news for struggling theater owners starved for compelling content. It looks like the good fortune will continue in March with “Scream VI” (March 10), “Shazam: Fury of the Gods” (March 17), “John Wick: Chapter 4” (March 24) and “Dungeons and Dragons: Honor Among Thieves” (March 31). There’s at least one major release every weekend through the rest of the month, offering the kind of stability that’s been desperately missing during the great box office reset.

according to IMDB’s Box Office Mojo.The “Rocky” spinoff, which The Post said keeps audiences “under its spell right until the end,” marks the ninth installment in the franchise. The action flick, which is the directorial debut of its leading man Michael B.

projected to pull in $40 million its opening weekend. MGM is projecting $35 to $38 million, on par with “Creed II”s $35.5 million opening. The 2018 sequel brought $3.7 million from preview screenings that took place on a Tuesday night ahead of the extended Thanksgiving weekend in 2018.“Creed III” must take in more than $115 domestically and $214 million worldwide to beat its predecessor, while the first installment in the franchise made $109 million in the U.S.

Jordan Moreau “Creed III” is stepping into the box office ring, and Michael B. Jordan’s latest movie has weighed in with $5.45 million in Thursday previews. The third “Creed” film is looking to deliver a powerful blow to the weekend box office with an opening between $36 million to $40 million. It should be the highest opening weekend for the boxing franchise, after the original “Creed” debuted with $29.6 million in 2015 and “Creed II” launched with $35.5 million in 2018. “Creed III” also landed the highest preview grosses of the series. The first movie, which opened on the Wednesday ahead of Thanksgiving in 2015, pulled $1.4 million in Tuesday previews. “Creed II” had a similar pre-Thanksgiving release in 2018 and made $3.7 million in Tuesday previews.

Patrick Frater Asia Bureau Chief Already the highest grossing local film in its home market, courtroom drama, “A Guilty Conscience” has broken into Hong Kong’s all-time top ten box office ranking with a cumulative of HK$107 million ($13.7 million). Data from Hong Kong Box Office Ltd. shows the film achieving the feat after just 41 days in cinemas and coming within HK$1 million ($150,000) of overtaking “Top Gun: Maverick.” The data firm noted that the last time a Hong Kong film got this far was with fantasy-action-comedy “Kung Fu Hustle” in 2004. Since then, it has been overtaken by a fleet of Hollywood titles. Hong Hong’s current top ten is headed by “Avengers: Endgame” and includes six Marvel movies, the two “Avatar” titles and “Titanic.”

Marcus Corporation CEO Greg Marcus says he’s encouraged by the recent diversity and consistency of theatrical films and is “not ready to throw in the towel yet” on the notion of box office returning to pre-pandemic levels.

EXCLUSIVE: Lionsgate’s John Wick: Chapter 4 arrived on tracking today with a robust projection between $60M-$70M in what would rep the highest opening stateside for the Keanu Reeves R-rated franchise. It’s another solid opening in what is a back-to-back tentpole programmed spring.

Saudi Arabian family comedy Sattar, set against the world of freestyle wrestling, has continued its record-breaking run at home to become one of the country’s top five highest-grossing local movies ever.

Cocaine Bear has everyone talking this weekend!

Refresh for latest…: Coming out of its second weekend, Disney/Marvel’s Ant-Man and The Wasp: Quantumania has grossed $363.6M globally. Of that, $167.3M is from domestic and $196.3M from the international box office.

“Batman v. Superman: Dawn of Justice” in 2016.With a 10-day total of $164 million, “Quantumania” should have enough momentum to cross the $200 million mark at the domestic box office, but with such a steep drop it is now questionable whether the film will have enough fuel against stiff March blockbuster competition to even pass the unadjusted $622 million global box office total of the last “Ant-Man and the Wasp” back in 2018.

Rebecca Rubin Film and Media Reporter Universal’s horror-comedy “Cocaine Bear” blew past box office projections, earning an impressive $23 million from 3,534 North American theaters in its opening weekend. The blood-splattered animal adventure landed in second place on domestic charts behind Disney’s “Ant-Man and the Wasp: Quantumania,” which all but collapsed in its sophomore outing. “Ant-Man 3” managed to remain in first place given its huge $106 million opening, but the comic book installment is suffering from negative word-of-mouth. It added $32.2 million from 4,345 venues in its second weekend of release, marking a brutal 69% decline from its debut. Now, “Quantumania” holds the ignominious distinction as the biggest week-to-week drop in the Marvel Cinematic Universe, including “Black Widow” (which plunged 67.8% while debuting simultaneously on Disney Plus) and “Eternals” (which fell 62% after equally bad reviews). Globally, the movie has generated $364 million, including $167 million domestically and $196 million internationally.

according to IMDB’s Box Office Mojo.The comedy, which is directed by Elizabeth Banks, whom The Post said, “keeps the powder gags fresh throughout,” is loosely based on a true story of a black bear in Georgia that ate millions of dollars worth of lost cocaine. “Ant-Man and the Wasp: Quantumania” which was in first place last week, creeped to second with an $8.3 million-dollar take.The plummet in sales for the superhero flick, which cost around $200 million to make, marks the worst-ever second-week drop for a Marvel film, according to Deadline.Remaining in third was “Avatar: The Way of Water” with $1.1 million in sales.

Ant-Man and the Wasp: Quantumania” is taking a greater toll on its box office than anticipated. The film grossed just $8.2 million on its second Friday — a colossal 82% drop from its $46.4 million opening day — and its weekend total is projected to drop 71% from $106 million last weekend to $30 million this weekend.

J. Kim Murphy The box office can be an institution of simple pleasures. Hollywood releases the story of a rampaging bear drugged out of its mind and — what do you know? — the people roll out. “Cocaine Bear” drew a solid $8.6 million opening day gross from 3,534 theaters, a figure that includes $2 million in previews on Thursday. That places the Universal release ahead of projections heading into the weekend, which had the gory comedy pegged at a debut between $15 million and $17 million. But a fun online marketing campaign and a killer premise have given the film a strong position, with a debut north of $21 million now in the cards. That would mark an auspicious kick-off for “Cocaine Bear,” which carries a production budget of $35 million. Reviews have been a bit all over the place; the film carries a 51% approval rating from top critics on review aggregate website Rotten Tomatoes. Audiences are also a bit lukewarm, as the comedy landed a “B-” grade through research firm Cinema Score, though a middling grade is fairly standard for a genre release with a horror slant. But, at the end of the day, “Cocaine Bear” is titled “Cocaine Bear”; the straightforward premise is now a proven winner and audiences can only see the film to believe it.

Naman Ramachandran Disney’s “Ant-Man And The Wasp: Quantumania” debuted in pole position at the U.K. and Ireland box office with £8.8 million ($10.6 million), according to numbers released by Comscore. In its third weekend, Universal’s “Puss In Boots: The Last Wish” collected £3.1 million in second place for a total of £17.1 million. In third place, Warner Bros.’ “Magic Mike’s Last Dance” earned £888,435 in its second weekend for a total of £3.8 million. Disney blockbuster“Avatar: The Way Of Water” continued to chart with £531,213 in its 10th weekend in fourth place for a mighty total of £75.5 million.

Ant-Man and the Wasp: Quantumania,” Disney/20th Century’s “Avatar: The Way of Water” has reached one last box office milestone in its tenth weekend in theaters by passing the lifetime gross of “Titanic” with a global total of $2.24 billion. This means that the Best Picture Oscar-nominated sequel sits only behind the first “Avatar” and “Avengers: Endgame” in third on the all-time global box office list before inflation adjustment.

Despite Disney/Marvel Studios’ Ant-Man and the Wasp: Quantumania soaking up the global box office with $225M start, the studio’s sister 20th Century Studios/Lightstorm James Cameron sequel Avatar: The Way of Water refuses to stop, despite the fact that the former title has all the premium tickets. Avatar: The Way of Water‘s running worldwide total now stands at $2.243 billion, making it the third highest movie ever, sending Cameron’s own Titanic (which recently had a re-release) to fourth with $2.242 billion.

which The Post called “a pile of dirt,” took home a staggering $63.5 million, according to IMDB’s Box Office Mojo.It scored as the third-highest opening day in February after “Black Panther” and “Deadpool,” as per Deadline.“Magic Mike’s Last Dance,” the final installment of the Channing Tatum stripper series, undressed its way to second place, with a $1.66 million-dollar take.Released on Feb. 9, the comedy-drama is “so long and repetitive that you would gladly tip the guys to stop and put some pants on,” said The Post.“Avatar: The Way of Water” remained in third, earning close to $1.36 million.

Leo Barraclough International Features Editor Kino Lorber has acquired all rights in the U.S. to “Diabolik,” “Diabolik – Ginko Attacks!” and “Diabolik — Who Are You?” from Beta Cinema at the European Film Market in Berlin. The movies are based on the smash-hit Italian comic-book series about a ruthless master thief, which has sold more than 150 million copies worldwide. The stylish crime-comic adaptations are written and directed by Marco and Antonio Manetti. “Grey’s Anatomy” and “Marvel’s Avengers” actor Giacomo Gianniotti stars in “Diabolik — Ginko Attacks!” and “Diabolik — Who Are You?,” and Luca Marinelli (“The Old Guard”) in the first installment, “Diabolik.” Monica Bellucci (“Matrix,” “The Apartment”) stars in the role of Altea, Miriam Leone (“The Invisible Witness,” “Medici”) as Eva Kant, and Valerio Mastandrea (“Perfect Strangers,” “Nine”) as Inspector Ginko.