21 Cable-Knit Sweaters for Your Cozy-Weather Closet

LaLa Kent says she's found her dream man and she's already smitten.The star recently opened up about her love life during an interview with , and she revealed that her heart is all aflutter over a new man in her life.«I think I might be in love with someone,» said Kent, who called off her three-year engagement with her former fiancé, Randell Emmett, last October.According to Kent, her new beau is «a local» and she met him through a mutual pal.«My friend's been trying to hook me up with him for a long time and we finally met,» she detailed, adding that they have had «a lot of fun» together in the short time they've spent with one another.Kent said that her new man is also the complete package — i.e. he's both handsome and very smart.«I saw him very quickly.

Naman Ramachandran The crisis of leadership Britain has been plunged into over recent years merits sustained study as a cautionary tale. But it demands deeper and sharper analysis than is available in “This England,” a curiously indifferent six-part miniseries notionally centred on former Conservative Prime Minister Boris Johnson’s handling of the initial coronavirus outbreak, currently limping out on Sky’s U.K. arm. When Winterbottom’s Revolution Films announced the project (originally titled “This Sceptred Isle”) last year – with Kenneth Branagh unveiled as the project’s Johnson – speculation was rife. Would the series be an ensemble satire, along the lines of Winterbottom’s rambunctious “24 Hour Party People”? Or an artfully sober inquiry, in the vein of the director’s Amanda Knox-inspired “The Face of an Angel”? In fact, it’s neither: what we’ve got is a hurriedly assembled primetime procedural that undermines its claim to rigorous accuracy from the off by misspelling the name of Johnson’s soon-to-be-wife Carrie Symonds in its opening credits.

New Victory Theater, where productions from across the country and around the world play out in a family-friendly space at family-friendly prices.Not for nothing has the New Victory been called the gold standard in children’s theater, the best first stop on the way to taking your kids to see “Wicked” and everything else Broadway has to offer.This season opens with a bang and a clang in “Cookin’,” a loud, slap-happy import from South Korea. Expect nonstop percussive action as four chefs frantically prepare for a wedding feast, using every utensil they can find, including the kitchen sink.You’ll see martial arts, hear authentic Korean samulnori drumming and watch as some of the real food onstage goes flying into the first few rows of the orchestra.

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Rangers managing director Stewart Robertson has revealed contract talks with Ryan Kent and Alfredo Morelos are ongoing. But he admits retaining them might not be as straightforward as it seems, leaving the ball in their court for a "big decision."

Sir Kenneth Branagh when he was not in character as Boris Johnson on set of the Covid drama. Formerly titled This Sceptred Isle, the six-parter follows the 58-year-old’s tumultuous first months as prime minister, leading up to the beginning of the coronarvirus pandemic and subsequent lockdowns. Covering one of the most challenging periods in recent history, the series, co-written and directed by Michael Winterbottom, will also include stories from the medics and care workers working on the frontline.

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Sir Kenneth Branagh's Boris Johnson transformation took three hours "a day". The 61-year-old star looks uncannily like the former British Prime Minister in Sky's political drama 'This Sceptred Isle'. However, it took a lot of work to get him to resemble him, with Branagh having to don a suit to bulk him up and a number of prosthetics.

Janee Bolden A few weeks shy of Jermaine Dupri’s 50th birthday, the super-producer is deep into conversation with Variety about his long history of hits and some of the latest notches on his belt… or about as deep as he can be, with Usher repeatedly calling him to discuss the upcoming album they’re in the last stages of finishing, before Dupri finally tells him they’ll have to catch up the next day. Ironically, Dupri can’t talk to Usher right now because he’s busy talking about Usher — in particular, how their 2004 album “Confessions” became a blockbuster and altered the R&B landscape, whether or not it’s always celebrated by the culture at large as a major game-changer. But there are contemporary accomplishments to discuss as well, like how Dupri is in the middle of a public uproar over his latest contribution to R&B, “If I Get Caught Cheating (That Don’t Mean I Don’t Love You),” from the Canadian duo Dvsn, comprised of singer Daniel Daley and producer Paul “Nineteen85” Jefferies. Immediately after the song was released, it ignited fiery debates about infidelity and toxicity on Twitter that have increased Dvsn’s profile tenfold practically overnight.

Foster Driver and Zoë Kent, through their production company Driver+Kent Media, have entered into a first look deal at A+E Studios.Under the pact, which was announced by Tana Jamieson, executive vice president, Creative Affairs at A+E Studios, Driver+Kent Media will develop and produce projects for sale on all global and domestic television platforms and services.Driver+Kent already have “Dead Eleven,” based on the book by Jimmy Juliano, and “Summerset,” created by George Northy, set up at the studio.“Foster and Zoë come to the table with an eye for stories that are relevant, speak to a global audience and showcase the complexities of the world we live in,” Jamieson said in a statement.  “Their eclectic film and television backgrounds combined with their passion for vibrant and inclusive storytelling make them ideal partners for us at A+E Studios. We’re excited to be in business with Driver+Kent Media and look forward to what’s ahead.”“We are thrilled to be deepening our relationship with the amazing team at A+E Studios through our new first look deal,” Driver and Kent said in a joint statement.

A+E Studios has entered into a first-look deal with Foster Driver and Zoë Kent through their production company Driver+Kent Media. Under the pact, Driver+Kent Media will develop and produce projects for A+E Studios for sale on all global and domestic television platforms and services.

Joe Otterson TV Reporter A+E Studios has signed a first-look deal with Foster Driver and Zoë Kent’s Driver+Kent Media. Under the deal, Driver+Kent will develop and produce projects for A+E Studios across all platforms for sale globally and domestically. “Foster and Zoë come to the table with an eye for stories that are relevant, speak to a global audience and showcase the complexities of the world we live in,” said Tana Nugent Jamieson, executive vice president of creative affairs for A+E Studios. “Their eclectic film and television backgrounds combined with their passion for vibrant and inclusive storytelling make them ideal partners for us at A+E Studios. We’re excited to be in business with Driver+Kent Media and look forward to what’s ahead.”

Kandi Burruss has been a staple on The Real Housewives of Atlanta since joining the Bravo franchise for its second season. With Season 15 ahead, the Grammy-award winner is teasing she’s returning which would make her the longest-running housewife across all franchises.

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