12 Movies To See In June: ‘Across The Spider-Verse,’ ‘No Hard Feelings,’ ‘Asteroid City’ & More

Rebecca Rubin Film and Media Reporter “Spider-Man: Across the Spider-Verse” has notched another box office milestone, crossing $500 million globally. So far, Sony’s animated comic book sequel has grossed $290.4 million in North America and $215.9 million internationally, which brings its worldwide tally to a mighty $506.3 million. It currently stands as the third-highest grossing domestic release of the year, behind Universal’s “The Super Mario Bros. Movie” ($572 million) and Disney’s “Guardians of the Galaxy Vol. 3” ($345 million). And it’s the fourth-biggest global release following “Mario” ($1.3 billion), “Guardians” ($822 million) and “Fast X” ($679 million). “Across the Spider-Verse” opened on June 2, collecting a huge $120 million during its first weekend in theaters. Despite competition from “Transformers: Rise of the Beasts,” another comic book adventure “The Flash” and Pixar’s animated “Elemental,” the second “Spider-Verse” remained a huge draw at the movies and even managed to surpass the entire run of its 2018 predecessor, “Into the Spider-Verse” ($384 million), after just 12 days of release.

With Tuesday’s global business factored in, Columbia Pictures and Sony Pictures Animation’s Spider-Man: Across the Spider-Verse has swung past the half-a-century mark worldwide, grossing $506.3M through yesterday.

Naman Ramachandran Sony’s “Spider-Man: Across The Spider-Verse” led the U.K. and Ireland box office for the second consecutive weekend with £4 million ($5.1 million), according to numbers from Comscore. The web-slinging animation now has a total of £16.2 million. Paramount’s “Transformers: Rise Of The Beasts” debuted in second place with a healthy £2.9 million. In its third weekend, in second position, Disney’s “The Little Mermaid” collected £2.1 million for a total of £19.9 million. In fourth place, another Disney title, “Guardians Of The Galaxy Vol 3” earned £511,837 in its sixth weekend for a total of £35.5 million. Rounding off the top five in its fourth weekend was Universal’s “Fast X” with £475,640 and a total of £14.2 million.

Spider-Man: Across The Spider-Verse has been sent to cinemas to fix an issue.Directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson, the animated superhero film is the sequel to 2018’s Oscar-winning Spider-Man: Into The Spider-Verse.The film hit cinemas on June 1 and has been heavily praised by fans and critics alike, with many describing it as the best superhero film ever made.However, some viewers reported issues with the sound mixing in the film, and as Variety report, producers Sony have sent an updated version of the film to theatres in order to fix the issue.A synopsis of Spider-Man: Across The Spider-Verse reads: “Miles Morales catapults across the multiverse, where he encounters a team of Spider-People charged with protecting its very existence.

Rebecca Rubin Film and Media Reporter After less than two weeks of release, “Spider-Man: Across the Spider-Verse” has surpassed the entire box office run of its predecessor, 2018’s Oscar-winning “Spider-Man: Into the Spider-Verse.” Over the weekend, the comic book sequel hit $226 million in North America and $390 million globally. It now stands as Sony’s highest-grossing animated release in history. The original film, also a box office winner, tapped out with $190 in North America and $384 million globally. Despite competition from Paramount’s “Transformers: Rise of the Beasts,” which opened to $60 million and targets a similar audience of younger males, “Spider-Verse” added $55 million in its second weekend of release, a decline of $55% from its huge $120 million debut.

Ethan Shanfeld After fans reported sound mixing issues in “Spider-Man: Across the Spider-Verse,” Sony Pictures has sent an updated version of the film to movie theaters. The complaints were mainly targeted at low audio levels during the introductory scene in the animated Spidey sequel, which centers on Hailee Steinfeld’s Spider-Woman character, Gwen Stacy. While the sound issue was isolated to only a “handful of theaters,” a source close to the movie tells Variety that “all the prints” of the film have been updated, adding that it’s not entirely uncommon for distributors to send re-edited prints to exhibitors, “if the opportunity presents itself.”

Jazz Tangcay Artisans Editor Composer Daniel Pemberton pushed a few boundaries and “made something really creative and different” when he scored 2018’s “Spider-Man: Into the Spider-Verse.” When he returned to score the sequel, “Spider-Man: Across the Spider-Verse,” he knew he would have to “push it as far as we can go.” Pemberton says he had to build the score from the ground up, which was complicated. “You’re trying not to make a score that sounds like other film scores. You’re trying to invent your own language.” Inventing that language took experimentation, research and failure. He explains, “I spent two years researching and developing this score, going through ideas, coming up with concepts and throwing them out.”

Spider-Man: Across the Spider-Verse” using Legos. The trailer became such a viral sensation that he got a call from the film’s writer-producers Phil Lord and Chris Miller, who wanted him to make a scene for the film.

Rebecca Rubin Film and Media Reporter “Spider-Man: Across the Spider-Verse” webbed up a stellar $120.5 million in its domestic box office debut. In beating expectations, it landed the second-biggest opening weekend of the year, behind only “The Super Mario Bros. Movie” with $146 million, as well as the third-biggest opening weekend for any “Spider-Man” film. Sony’s animated sequel is benefitting from great reviews and positive word-of-mouth, as well as goodwill from its predecessor, 2018’s Oscar-winning “Spider-Man: Into the Spider-Verse.” Initial ticket sales were significantly higher than the first film, which introduced audiences to Miles Morales and the idea that “anyone can wear the mask” and opened to just $35.5 million. But it stuck around in theaters for a while, ending its big-screen run with $190 million in North America and $384 million globally.

according to IMDB’s Box Office Mojo.The computer-animated flick enjoyed the biggest opening day of any movie so far this year, according to Deadline. It is also the third highest earner of any animated film, after “Incredibles 2” and “Finding Dory.”The Post called the follow-up to 2018’s “Spider-Man: Into the Spider-Verse” “a dazzling, brilliant sequel.”“The Little Mermaid,” which opened last week and made a big splash in theaters, fell to second place, with $11.8 million in sales.Disney’s live-action adaption of the 1989 classic made headlines this week after IMDB announced it was changing its rating system due to “unusual voting activity” involving the film.

Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story discusses major plot developments and surprises throughout “Spider-Man: Across the Spider-Verse,” now playing in theaters. For months, the directors of “Spider-Man: Across the Spider-Verse” had been working exhaustively on a critical sequence that launches the movie’s second act. For the first time in his life, the animated film’s hero — Miles Morales (Shameik Moore), a.k.a. the Spider-Man of Earth-1610 — enters a different dimension: Earth-50101, a.k.a. Mumbattan, a dazzling amalgamation of New York City and Mumbai. Within minutes, Miles and his BFF from 2018’s “Spider-Man: Into the Spider-Verse,” Gwen Stacy (Hailee Steinfeld), encounter that world’s Spider-Man, Pavitr Prabhakar (Karan Soni), an Indian teenager who received his powers not via spider bite, but through magic. The sequence launches them all through the vertiginously vertical metropolis, as they frantically try to stop the film’s villain, the Spot (Jason Schwartzman), from using Mumbattan’s supercollider to increase his dimension-hopping abilities.

Spider-Man: Across the Spider-Verse (★★★☆☆).Diehard fans of Spidey comics, games, cartoons, and movies will have a field day trying to spot every iteration of Spider being, gathered from various storylines and product lines, some dating back decades, who pop up here. But there are far too many for our hero, Miles Morales, the bright Brooklyn teen introduced as the new Spider-Man in the 2018 animated Oscar-winner Spider-Man: Into the Spider-Verse, to fully grasp.Miles (Shameik Moore) is still stuck on Gwen Stacy (Hailee Steinfeld), a fabulous Spider-Woman from another dimension, who teamed with him and a loosely assembled squad of Spider-friends in the first film to defeat Kingpin and Doctor Octopus, and destroy the villains’ black hole-spawning collider.A masterpiece of style and storytelling, Into the Spider-Verse ended with the sound of Gwen’s voice ringing out from her dimension to contact Miles relaxing in his room.

“Spider-Man: Across the Spider-Verse” opened in U.S. and Canadian theaters with a massive $120.5 million, more than tripling the debut of the 2018 animated original and showing the kind of movie-to-movie box-office growth that would be the envy of even the mightiest of Hollywood franchises.

Spider-Man: Across the Spider-Verse” has finally arrived.After a nearly five-year wait, the highly anticipated sequel to 2018’s breakthrough (and Oscar-winning) “Spider-Man: Into the Spider-Verse” is here. And it’s magnificent. Shameik Moore returns as Miles Morales, who thanks to his friendship with Gwen Stacy (Hailee Steinfeld) and Peter B.

J. Kim Murphy They want pictures of Spider-Man. Columbia Pictures and Sony Pictures Animation’s “Spider-Man: Across the Spider-Verse” earned $51.75 million on Friday from 4,313 locations, a figure that includes some $17.35 million in Thursday previews. The animated superhero adventure is already outpacing projections headed its projections of an $80 million-or-so opening heading into the weekend, with the film now looking to thwip together a $113 million debut through Sunday. The original 2018 “Spider-Man: Into the Spider-Verse” performed closer to a traditional animated release, opening to $35 million domestically before legging out to a $190 million haul through the holiday season. This new sequel has the momentum of a smash summer blockbuster though, now looking to more than triple the debut of its predecessor. The $51.75 million figure marks the third-highest opening day of all-time for an animated release.

Oscar Isaac is just like us! By that, we mean that he also binges reality television in his downtime.

Jordan Moreau SPOILER ALERT: This article contains major spoilers for “Spider-Man: Across the Spider-Verse,” now playing in theaters. Just like the infinite Spider-Verse itself, there are so many different versions of Spider-Man and other spider-themed heroes that pop up in “Across the Spider-Verse” that it’s almost impossible to keep track of everything.

Spider-Man: Across The Spider-Verse has received overwhelming praise from critics, who have described it as “in the running for the best superhero film ever”.Directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson, the animated superhero film is the sequel to 2018’s Oscar-winning Spider-Man: Into The Spider-Verse.In the follow-up, Miles Morales (Shameik Moore) is launched on another adventure into the multiverse alongside Gwen Stacy (Hailee Steinfeld).A synopsis reads: “Miles Morales catapults across the multiverse, where he encounters a team of Spider-People charged with protecting its very existence.

“Spider-Man: Across the Spider-Verse.” Somehow, the movie is even more ambitious and complex than the original film. Not only is it significantly more complicated on a visual level, but the emotions this time around are even deeper, as we traverse the larger Spider-Verse with Miles and Gwen (Hailee Steinfeld), meet the hard-assed Spider-Man 2099 (Oscar Isaac) and ponder the question: can you even be Spider-Man without being saddled with a tragic backstory?TheWrap sat down with “Spider-Man: Across the Spider-Verse” writers and producers Phil Lord and Chris Miller, along with the directors Kemp Powers, Justin K.

Columbia Pictures’ and Sony Pictures Animation’s Spider-Man: Across the Universe is casting its web in international box office markets with  $13.5M through Thursday. That’s 2.5x the original in like-for-likes.